Skip to main content

Review of National Theatre Connections - Day Two at Royal & Derngate, Northampton

After a slightly mixed first day of productions of the 2015 Connections plays, the second contained two absolutely glorious ones.

*

"Drama, Baby" by Jamie Brittain and performed by Barnwell School was an absolute delight from start to finish. Funny, fresh and superbly performed by the young cast, led by a hysterical star turn by the young chap who played Neil (devoid of a programme again, so sadly no names). While I try not to single out a single person in these shows, he made it quite impossible not to in his performance of the socially awkward and occasionally offensive individual. A slightly abhorrent character that you could not help love because of his performance. However there were many other lovely individual performances from the large cast and all got their moments of glory.
The play itself starts at the final rehearsals of two Theatre Studies groups, and proceeds via a collection of relatively shorts scenes to their final results, and culminates in a reaping what you sow poignant final scene. Throughout it remains likable despite some occasionally tough dialogue and despite being relatively short (like many of these plays), you really get to love and hate the simply drawn characters.

One of the best of the Connections plays I have seen so far and one of the best group performances. I shall see a second interpretation of the play on Sunday and it will be interesting to see if it is as wonderfully performed.

*

The second play of day two was "The Accordion Shop" written by actress Cush Jumbo. Performed by The King's Theatre Company, this was a snappy, clinically performed play. Every section of dialogue is presented after a short sharp section of music where the cast members relocate on stage, always presenting  themselves direct to the audience. It is a nice style and tells a sad tale of Mister Ellody and his shop of the title superbly, although it is never really about the shop to be fair. This is more about a rather random text message and its tragic consequences. I don't mind a rather ambiguous title and I will not say more than that, so that if you are lucky enough to see it, it will come as a surprise to you as well.

Once again we have a generally solid group of performances, with only a couple of slightly weaker performances, mainly on projection to the audience. My couple of picks though have to be the right cockney rebels Rhys Clark and Toby Platt as the "boys". Whenever they were on stage, me old mince pies were nowhere else. A delight, as were both plays of day two. I look forward to three more on Saturday!



Performances reviewed: Thursday 30th April, 2015 at the Royal & Derngate (Royal), Northampton.

The National Theatre Connections continue at Royal & Derngate until Sunday 3rd May, 2015. For details go here: http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/Connections15

For further details about the National Theatre Connections visit their website at: http://connections.nationaltheatre.org.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Of Mice and Men at The Playhouse Theatre Northampton

John Steinbeck’s classic novella Of Mice and Men has been a staple of many young people's education, and it is relatively common in curricula; as such, it is a popular choice for theatre groups, both professional and amateur, to bring to the stage. Therefore, this week, The Playhouse Theatre Northampton has brought its own version to the stage at Christ Church Hall as its latest offering. So, after close to ninety years since the first publication, is this still worth a trip to the theatre? For those unfamiliar with the story, published in 1937, Steinbeck’s tale, here adapted for the stage by the author, chronicles a moment in the lives of George Milton and Lennie Small, an unlikely pair of migrant workers, as they move from ranch to ranch. Constantly moving due to the mentally unstable Lennies' constant leaning towards doing something bad, they find themselves at a new farm where they hope to make the coin to pursue the dream of their own piece of land. However, as always for...

Review of Tina: The Tina Turner Musical at Milton Keynes Theatre

Music artist Tina Turner was a staple of the music network for a remarkable time, active as an artist for eight decades; her work is, or at the very least should be, familiar to every generation. Therefore, it was little surprise that in 2018, a stage musical of her work and life arrived upon the stage. You could say that for such an artist, it actually took longer than it should have to appear. Now, as part of its first UK & Ireland tour, Tina: The Tina Turner Musical , it arrives at Milton Keynes Theatre for a two-week run. So, the question is, is it worthy of the legendary artist? For those unfamiliar with any part of Tina Turner's life, the content of this stage musical telling her life story might be a surprise to an audience that grew up just listening to her music. It is an early commendation of the show that the show does not shy away from the themes of domestic abuse, racism and parental abandonment that Turner suffered through her life. With all that rich and startlin...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...