Skip to main content

Review of National Theatre Connections - Day Two at Royal & Derngate, Northampton

After a slightly mixed first day of productions of the 2015 Connections plays, the second contained two absolutely glorious ones.

*

"Drama, Baby" by Jamie Brittain and performed by Barnwell School was an absolute delight from start to finish. Funny, fresh and superbly performed by the young cast, led by a hysterical star turn by the young chap who played Neil (devoid of a programme again, so sadly no names). While I try not to single out a single person in these shows, he made it quite impossible not to in his performance of the socially awkward and occasionally offensive individual. A slightly abhorrent character that you could not help love because of his performance. However there were many other lovely individual performances from the large cast and all got their moments of glory.
The play itself starts at the final rehearsals of two Theatre Studies groups, and proceeds via a collection of relatively shorts scenes to their final results, and culminates in a reaping what you sow poignant final scene. Throughout it remains likable despite some occasionally tough dialogue and despite being relatively short (like many of these plays), you really get to love and hate the simply drawn characters.

One of the best of the Connections plays I have seen so far and one of the best group performances. I shall see a second interpretation of the play on Sunday and it will be interesting to see if it is as wonderfully performed.

*

The second play of day two was "The Accordion Shop" written by actress Cush Jumbo. Performed by The King's Theatre Company, this was a snappy, clinically performed play. Every section of dialogue is presented after a short sharp section of music where the cast members relocate on stage, always presenting  themselves direct to the audience. It is a nice style and tells a sad tale of Mister Ellody and his shop of the title superbly, although it is never really about the shop to be fair. This is more about a rather random text message and its tragic consequences. I don't mind a rather ambiguous title and I will not say more than that, so that if you are lucky enough to see it, it will come as a surprise to you as well.

Once again we have a generally solid group of performances, with only a couple of slightly weaker performances, mainly on projection to the audience. My couple of picks though have to be the right cockney rebels Rhys Clark and Toby Platt as the "boys". Whenever they were on stage, me old mince pies were nowhere else. A delight, as were both plays of day two. I look forward to three more on Saturday!



Performances reviewed: Thursday 30th April, 2015 at the Royal & Derngate (Royal), Northampton.

The National Theatre Connections continue at Royal & Derngate until Sunday 3rd May, 2015. For details go here: http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/Connections15

For further details about the National Theatre Connections visit their website at: http://connections.nationaltheatre.org.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...