Skip to main content

Review of National Theatre Connections - Day Two at Royal & Derngate, Northampton

After a slightly mixed first day of productions of the 2015 Connections plays, the second contained two absolutely glorious ones.

*

"Drama, Baby" by Jamie Brittain and performed by Barnwell School was an absolute delight from start to finish. Funny, fresh and superbly performed by the young cast, led by a hysterical star turn by the young chap who played Neil (devoid of a programme again, so sadly no names). While I try not to single out a single person in these shows, he made it quite impossible not to in his performance of the socially awkward and occasionally offensive individual. A slightly abhorrent character that you could not help love because of his performance. However there were many other lovely individual performances from the large cast and all got their moments of glory.
The play itself starts at the final rehearsals of two Theatre Studies groups, and proceeds via a collection of relatively shorts scenes to their final results, and culminates in a reaping what you sow poignant final scene. Throughout it remains likable despite some occasionally tough dialogue and despite being relatively short (like many of these plays), you really get to love and hate the simply drawn characters.

One of the best of the Connections plays I have seen so far and one of the best group performances. I shall see a second interpretation of the play on Sunday and it will be interesting to see if it is as wonderfully performed.

*

The second play of day two was "The Accordion Shop" written by actress Cush Jumbo. Performed by The King's Theatre Company, this was a snappy, clinically performed play. Every section of dialogue is presented after a short sharp section of music where the cast members relocate on stage, always presenting  themselves direct to the audience. It is a nice style and tells a sad tale of Mister Ellody and his shop of the title superbly, although it is never really about the shop to be fair. This is more about a rather random text message and its tragic consequences. I don't mind a rather ambiguous title and I will not say more than that, so that if you are lucky enough to see it, it will come as a surprise to you as well.

Once again we have a generally solid group of performances, with only a couple of slightly weaker performances, mainly on projection to the audience. My couple of picks though have to be the right cockney rebels Rhys Clark and Toby Platt as the "boys". Whenever they were on stage, me old mince pies were nowhere else. A delight, as were both plays of day two. I look forward to three more on Saturday!



Performances reviewed: Thursday 30th April, 2015 at the Royal & Derngate (Royal), Northampton.

The National Theatre Connections continue at Royal & Derngate until Sunday 3rd May, 2015. For details go here: http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/Connections15

For further details about the National Theatre Connections visit their website at: http://connections.nationaltheatre.org.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...

Preview of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

Coming the Milton Keynes Theatre next week is a return to the stage for the hit production The Great Gatsby brought to the stage by Northern Ballet. The production reaches Milton Keynes as part of its UK spring tour for 2022 which culminates in Cardiff in June. The production based on the novel by F. Scott Fitzgerald brings all the glamour and seduction of the roaring twenties to life and premiered in 2013 and which has now had three UK tours. Set on New York’s Long Island, in the heady, indulgent days of the 1920s, Nick Carraway comes to know his infamous neighbour Jay Gatsby – a mysterious millionaire with a secret past and a penchant for lavish parties. As the sparkling façade of Gatsby’s world slips, Carraway comes to see the loneliness, obsession, and tragedy that lie beneath. The Great Gatsby was nominated for a UK Theatre Award for Achievement in Dance. David Nixon OBE choreographed The Great Gatsby and earned a nomination for Best Classical Choreography in the 2014 National ...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...