Skip to main content

Review of National Theatre Connections - Day Two at Royal & Derngate, Northampton

After a slightly mixed first day of productions of the 2015 Connections plays, the second contained two absolutely glorious ones.

*

"Drama, Baby" by Jamie Brittain and performed by Barnwell School was an absolute delight from start to finish. Funny, fresh and superbly performed by the young cast, led by a hysterical star turn by the young chap who played Neil (devoid of a programme again, so sadly no names). While I try not to single out a single person in these shows, he made it quite impossible not to in his performance of the socially awkward and occasionally offensive individual. A slightly abhorrent character that you could not help love because of his performance. However there were many other lovely individual performances from the large cast and all got their moments of glory.
The play itself starts at the final rehearsals of two Theatre Studies groups, and proceeds via a collection of relatively shorts scenes to their final results, and culminates in a reaping what you sow poignant final scene. Throughout it remains likable despite some occasionally tough dialogue and despite being relatively short (like many of these plays), you really get to love and hate the simply drawn characters.

One of the best of the Connections plays I have seen so far and one of the best group performances. I shall see a second interpretation of the play on Sunday and it will be interesting to see if it is as wonderfully performed.

*

The second play of day two was "The Accordion Shop" written by actress Cush Jumbo. Performed by The King's Theatre Company, this was a snappy, clinically performed play. Every section of dialogue is presented after a short sharp section of music where the cast members relocate on stage, always presenting  themselves direct to the audience. It is a nice style and tells a sad tale of Mister Ellody and his shop of the title superbly, although it is never really about the shop to be fair. This is more about a rather random text message and its tragic consequences. I don't mind a rather ambiguous title and I will not say more than that, so that if you are lucky enough to see it, it will come as a surprise to you as well.

Once again we have a generally solid group of performances, with only a couple of slightly weaker performances, mainly on projection to the audience. My couple of picks though have to be the right cockney rebels Rhys Clark and Toby Platt as the "boys". Whenever they were on stage, me old mince pies were nowhere else. A delight, as were both plays of day two. I look forward to three more on Saturday!



Performances reviewed: Thursday 30th April, 2015 at the Royal & Derngate (Royal), Northampton.

The National Theatre Connections continue at Royal & Derngate until Sunday 3rd May, 2015. For details go here: http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/Connections15

For further details about the National Theatre Connections visit their website at: http://connections.nationaltheatre.org.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Party Season at Royal & Derngate (Royal), Northampton

Formed in 2011, the theatre group The Wardrobe Ensemble has created many shows for both adults and children. Over the years, they have established a rich connection with the Royal & Derngate, staging several productions here, including the recent Mog: The Forgetful Cat . With Party Season now opening at the venue, the focus returns to an adult-centred show. Party Season tells its story through three children’s parties over the course of one weekend. The usual social situations occur, awkwardness, one-upmanship, and the true chaos of such events as children descend on a single house. Though the setting is children’s parties, Party Season goes deeper. It explores what it means to be a parent, and in one amusing moment, what it is like not to be one. Party Season is a return to the triumphant balance that The Wardrobe Ensemble has between buffoonery and stark, human emotional storytelling. The simplicity of seeing a switch from the cast doing Gangnam Style to an emotional monologu...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Death on the Nile at Royal & Derngate (Derngate), Northampton

Agatha Christie is a name synonymous with crime fiction, perhaps the most famous, and her 1937 novel Death on the Nile is among her most notable. Adapted often for the screen and previously also as a stage play back in the forties, here Ken Ludwig brings a new adaptation to the stage, first performed in 2024 and arriving now at Royal & Derngate as part of an extensive UK tour. For this production from Fiery Angel, we return very much to the team that brought Ludwig's Murder on the Orient Express recently to the stage, including director Lucy Bailey. That was a solid adaptation, so, as we cruise the Nile, is it more of the same standard? Heiress Linnet Ridgeway and her new husband, Simon, are on honeymoon aboard a luxurious boat cruising the Nile, their journey shadowed by a priceless Egyptian sarcophagus. Tension simmers among the eclectic mix of guests, including Simon's vengeful ex-fiancée, a watchful MI5 agent, the British Museum's enigmatic Egyptology curator, and P...