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Showing posts with the label Carl Grose

Review of Gargantua - National Theatre Connections performed by Looking Glass Theatre at St Peters Church, Northampton

Over the last couple of years the National Theatre Connections plays have become quite a favourite of mine. They are short snappy forty to fifty minute plays by often well known writers and are designed purely to be performed by youth theatres. This year locally there are to be 21 youth theatre performances of the twelve plays for 2016. The location venue for this batch will Royal & Derngate at the end of April and just into May and I myself shall do my very best to see as many as possible. However on Saturday I had the pleasure of seeing the very first preview of Gargantua by Carl Grose by the Looking Glass Theatre in their wonderful performance venue of St Peters Church. Last year I happened to see another piece by Grose entitled Stay Brave, Brian Gravy, which was a tremendously challenging piece for the even younger performers. This was to be quite a bit different. The performance itself was very much in its early days with an acknowledged number of issues (not least som...

Review of School Shorts: Star Brave, Brian Gravy & Who's Afraid Of The Bogeyman? at Royal & Derngate (Underground), Northampton

The Royal & Derngate Youth Theatre School Shorts consisted of two acts and to add to my confused mind I watched act two first. However this matters not as each act consists of two completely separate plays. Act two features the plays Stay Brave, Brian Gravy by Carl Grose and Who's Afraid Of The Bogeyman? by Mike Kenny. Both plays are short (no flies on me) and roughly about 25 minutes, also these two in particular featured very tough and heavy subjects. * Stay Brave, Brian Gravy is the lighter of the two but even so revolves around the potential divorce of Brian's parents and their constant fighting and physical violence. The latter is handled in a lighthearted way complete with comedy sound effects. However this doesn't disguise from the seriousness of the situation of what these young actors are performing. A spin on the divorce nature in the second half of the play adds a neat and thankfully more lighthearted element to proceedings. At the centre of the piece...