A Small Mind At The Theatre

I was just short of the right age to witness raving first hand in 1990, and my sheltered life would probably have resulted in my missing it anyway. However, perhaps based on Static from the quintuple of lady performers in EVE Ensemble, it was perhaps a lucky escape. While they are clearly having immense fun in their raving, brilliantly recreated in two scenes in this production, things turn quickly into a mess, as Dani (Kate Morgan-Jones) decides that a bit of dealing will help the bank balance. So recruiting her mates, including the new girl, the posh and very innocent Emma (Ellen Tritton), they set about distributing the merchandise. This sequence includes trying to sell the gear to us the audience in a nicely worked scene, and also with the performers dealing with different replies, one of which included Tritton smoothly dealing with, brilliantly in character, with a specific request from one audience member. Neat work! Static is a bit like an all-girl Trainspotting, fun and...

Going into seeing Accused , the first devised show by this years third year BA Actors graduates, I have to confess I shamefully knew nothing of its influence, Oscar Wilde's The Ballad of Reading Gaol . However, it wasn't a great leap for me to identify that the piece gorgeously sung by the whole cast at the end of this really imaginative piece, was indeed part of the Ballad itself. The Ballad it turns out, written by Wilde during exile following release from Reading tells of the execution of a man called Wooldridge, a man hung for cutting the throat of his wife. In Accused , we have another prisoner, destined to hang, but cleverly for what remains to its end, an unknown crime. It's bad, pretty bad, clear from the reaction of both prisoner and guards alike, and the Accused's life is generally in danger a great deal, long before the Executioner (played extremely nicely by Georgi McKie) comes to do her bidding. Playing the Accused, and really rather brilliantly, is A...

Following the prim and proper telling of Cinderella performed by the latest batch of third years in front of a theatre of under tens the day before, the next day we were hit with Anthony Neilson's very different The Night Before Christmas . Dispensing of Cinderella's Mutt and Jeff, we found ourselves witnessing e(l)ffing and jeffing as this adult panto was performed by a quartet of students. This was my first experience of an adult panto, also here described as an anti-panto, with good reason. Between the added swearing, this short and snappy play, barely thirty minutes, attempts to destroy any spirit of Christmas, even going as far as to suggest that the "spirit" is actually a drug peddled by Father Christmas and his army of Elf helpers, cocaine-like spirit in fact, where perhaps even the elves shoot up for the buzz. As this play opens, we are in a shady, dodgy warehouse, full of potentially illicit goods (which also conveniently provides many of the local con...

Long term sufferers of my reviews will have easily picked up the fact that the great Bard, Mr Shakespeare is not really my bag. Usually suffering his slings and arrows often to just continue to support the various groups that I now follow. Richard II represents also the most problematic of his works for me, the history plays. However I am always optimistic, and more especially with the University interpretations as they always do something different, whether bringing his stories into a different timeline, as they did with Romeo & Juliet 's 90s council estate last year, or some innovative casting decisions, Catherine Garlick for instance as Malcolm in Macbeth three years ago. This time they take the later style and in a much bolder move, casting vast swathes of ladies in the men's roles (possibly a necessity though having seen the gender balance this year). They didn't have to give us a female Richard though, but perhaps it was the crowning glory in this production th...