With the 70th anniversary of the liberation of Auschwitz and all the other camps of the Second World War barely a month ago. The tale of a young boy meeting and befriending a young Jewish boy being held in one such camp is as relevant as could be. Not that this tale should never not be relevant, because as it the play confirms itself, it should always be held up as a warning to prevent such a terrible event happening again. The play adapted by Angus Jackson from the book by John Boyne and is presented as a "fable", and this is perhaps the only clumsy element of the production. Little is served by purporting it as this and the second ending to wrap up the "fable" feels an unnecessary element, whereas the more powerful ending would have had greater impact on the departing audience. The structure is very episodic, even including titles for these episodes projected upon the large ominous wall at the back of the stage. This structure is not a bad thing however as it ke...