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Showing posts with the label Paul Williams

Review of Bugsy Malone (Bonnie Company) at The Royal & Derngate (Royal), Northampton

The enduring favourite with youth theatre groups gets the Royal & Derngate Youth Theatre/Young Company treatment under the directorship of the Youth Theatre Manager, Ashley Elbourne, and between them, they do as much as they can with the show. With this, my second viewing of Bugsy Malone , it is becoming more apparent to me that the show itself is a little flimsy in some areas. It has a fabulous, single wacky premise (Splurge Guns and custard pie deaths), that doesn't have the strength for a whole show, especially when you discover that Paul Williams book isn't quite strong enough to keep the interest, and certainly not as strong as some of his music. It helps though that the cast is clearly all having fun, much more than in a previous production youth production I saw a couple of years ago. Owen Howard as the lead continues to grow as a performer on the stage in his turn here as the lead. He has a confident stage presence and more especially, a charm which makes Mr Mal...

Review of Bugsy Malone at The Curve Theatre, Leicester

A road trip in the company of a local theatre person of repute allowed me to pay my first visit at last to that highly successful theatre The Curve. My viewing pleasure was also a first, and a particularly anticipated one on my list of those I wished to see live. Alan Parker's magical child friendly gangster musical (words and music by Paul Williams) is a bundle of joy and custard and rife for a community production, such as this directed by Nick Winston (who also handles choreography). While I would never say that I didn't enjoy this production, it did for me leave me slightly deflated from what should have been a totally uplifting experience. Production and performance wise, it was merely functional, while never reaching that crucial point where I would happily watch again or recommend to a friend. The biggest problem came from a feeling of a lack of heart. Scenes shifted promptly and never allowed the actors to live their roles, leaving a factory like process to procee...