A Small Mind At The Theatre

The enduring favourite with youth theatre groups gets the Royal & Derngate Youth Theatre/Young Company treatment under the directorship of the Youth Theatre Manager, Ashley Elbourne, and between them, they do as much as they can with the show. With this, my second viewing of Bugsy Malone , it is becoming more apparent to me that the show itself is a little flimsy in some areas. It has a fabulous, single wacky premise (Splurge Guns and custard pie deaths), that doesn't have the strength for a whole show, especially when you discover that Paul Williams book isn't quite strong enough to keep the interest, and certainly not as strong as some of his music. It helps though that the cast is clearly all having fun, much more than in a previous production youth production I saw a couple of years ago. Owen Howard as the lead continues to grow as a performer on the stage in his turn here as the lead. He has a confident stage presence and more especially, a charm which makes Mr Mal...

Despite very much being one of the in things when I was growing up in the eighties and definitely seeing on occasion, Fame wasn't really for me. However via theatre of the last four years, I have learnt to love musicals of various kinds more, and the R&D youth company and its companion young company via Sweeney Todd, Honk!, Cafe Crescendo and Oliver! have helped that development. For 2017 they presented two versions of the same play, the junior version of Fame , it runs for just a compact hour, and while they were dialogue wise the same, directorially and performing was very different. It offered in two days a great opportunity to see the same thing, differently. Even during the opening it was clear that the different nuances were going to be fascinating to look out for, the opening scene sees the students preparing to discover if they have made P.A., and in the young company version the cast clutch their notes and pray to them, while the youth version sees them hidden in...

There is something quite magical about youth theatre other grown-up productions don't exhibit. A vibrant energy exudes from the actors, be it because they either have something to prove (to themselves or others), or perhaps more simply just a feeling of youthful ambition. I think it is almost certain that they are free to enjoy the situation more, as at this time this is for the fun of it with no monetary reward. This doesn't detract from the quality of the situation as this group appears to work tirelessly well together, with no obvious frictions that their musician characters depict in this play). The Musicians by Patrick Marber ( Closer and Dealer's Choice ) is like all Connections plays a relatively short forty to fifty minute play specifically written for youth groups to perform. Originally written in 2004, this is part of the 2016 celebration of past material written for the yearly festival. It tells the story of a group of young musicians who find themselves at a c...

Day three for me was actually day four for the shows at Royal & Derngate, but shockingly I was unable to attend on that true third day. However my own third day contained a trio of performances from the good to the very good, to the excellent. Not in that order this time. * "Remote" by Stef Smith and performed by the Mark Rutherford School was an interesting play that for me took a little time to get going. For the first fifteen minutes or so, I really wasn't entirely sure where the play was going. It had however been very interesting seeing the sight of one of the cast climbing over the seats of the Royal! It was a daring idea that partly worked as a depiction of the character of Antler climbing up a tree. Where she stopped at the back of the theatre was where she stayed and delivered her lines throughout the whole performance. The story itself consisted of a random collection of characters all weaving slowly into a story of protest, love and protection of...

Act One of the Royal & Derngate Youth Theatre School Shorts were a great deal less stressful than Act Two with its subject matter (although to be fair one included the subject of bullying, albeit quite lightly). It was also a group of younger children and this dropped the level of seriousness considerable (for the better). So we had a little bit of pausing for lines (they carried scripts, but didn't always want to use them), we had obstinate hats, we had glances to parents and we had fiddling with ties. It was all much more relaxed, and therefore much more enjoyable to watch. * Daffodil Scissors by Philip Ridley is a fun little story of Daffodil (Jack Brennan) and his problems and indeed woes, mostly at the hands of his highly needy mother (Mia Heslop). Through her bizarre needs, she not only requires Daffodil to wear frankly ridiculous hats, which end in his being bullied, but she also requires to sit and watch "boring, boring, boring" television with her, kee...

The Royal & Derngate Youth Theatre School Shorts consisted of two acts and to add to my confused mind I watched act two first. However this matters not as each act consists of two completely separate plays. Act two features the plays Stay Brave, Brian Gravy by Carl Grose and Who's Afraid Of The Bogeyman? by Mike Kenny. Both plays are short (no flies on me) and roughly about 25 minutes, also these two in particular featured very tough and heavy subjects. * Stay Brave, Brian Gravy is the lighter of the two but even so revolves around the potential divorce of Brian's parents and their constant fighting and physical violence. The latter is handled in a lighthearted way complete with comedy sound effects. However this doesn't disguise from the seriousness of the situation of what these young actors are performing. A spin on the divorce nature in the second half of the play adds a neat and thankfully more lighthearted element to proceedings. At the centre of the piece...

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)...