Review of Fame Jr. by R&D Youth Theatre/Young Company at Royal & Derngate (Underground), Northampton

Despite very much being one of the in things when I was growing up in the eighties and definitely seeing on occasion, Fame wasn't really for me. However via theatre of the last four years, I have learnt to love musicals of various kinds more, and the R&D youth company and its companion young company via Sweeney Todd, Honk!, Cafe Crescendo and Oliver! have helped that development.

For 2017 they presented two versions of the same play, the junior version of Fame, it runs for just a compact hour, and while they were dialogue wise the same, directorially and performing was very different. It offered in two days a great opportunity to see the same thing, differently. Even during the opening it was clear that the different nuances were going to be fascinating to look out for, the opening scene sees the students preparing to discover if they have made P.A., and in the young company version the cast clutch their notes and pray to them, while the youth version sees them hidden in their pockets only to be snatched out and opened at song end. If all this sounds a bit of a pointless spot, it isn't, as in reality, it shows the strength and ability of a director to bring life to their pieces in their own way.

The hour is not only filled with these little moments, it also allows across the two shows, different characters to become more prominent depending on those playing them. From the youth theatre version, I particularly loved Troy Anderson gloriously over the top Joe Vegas, full of brilliant enthusiasm and a totally satisfying performance. Likewise, Libby Moore totally captured the persona of Ms Sheinkopf, staying in brilliant character throughout and perfecting the glasses on the end of the nose styling offering great amusement. My final pick from the youth theatre has to be Megan Heavisides-Bell quite scary Miss Sherman, playing the role for me with quite a different feel from Melissa Coulton-McCullough's version in the young company, I was quite glad I wasn't one of her students.

Moving onto the older group of the young company, and the departing Ryan McLean brings a lovely final performance to the role of Nick Piazza, and together with Robyn Wilson's lovely Serena Katz, they made a wonderful pairing. Morgan Charles also creates a bold interpretation of Carmen Diaz and shows some great dance skills as well. Also buzzing with great character is Oskar White's awkward but confidence building portrayal of Schlomo Metzenbeum. Unquestionably for me though the most captivating performance came from Emily Abraham and her really superb turn as dancer Mabel Washington, she is clearly one very much to watch in the future.

The staging and direction from Trudy A Bell (Youth) and Ashley Elbourne were kept simple in the Underground space leaving the actors to do their thing, and while there were a few issues regarding whereabouts you sat, you were never truly far from the action. I did learn though the best spot to be after the first performance and it paid off with a much better perspective on the action.

Fame Jr is actually a highly entertaining hour of music and dance which surprised me as to how entertaining it was. Catchy tunes, well performed by the whole of the cast and full of the usual enthusiasm expected from the young groups at Royal & Derngate.

Performance reviewed: Young Company - Friday 7th July/ Youth Theatre - Saturday 8th July at the Royal & Derngate (Underground), Northampton.

Fame Jr ran at the Royal & Derngate until Saturday 7th July 2017.

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Review of & Juliet at Milton Keynes Theatre

First performed in 2019, & Juliet has become quite a global success, and now, as part of a UK Tour, it has arrived at Milton Keynes Theatre for a two-week run. Featuring a book by David West Read, it tells the what-if story of the survival of Juliet at the end of Shakespeare's Romeo & Juliet . Primarily a jukebox musical, it more specifically features the works of Swedish songwriter Max Martin (and friends, as the credits describe). The question is, does & Juliet provide more than the standard of many a jukebox musical before it, and does it honour the tragic tale from which it has sprung? Our story opens with William Shakespeare presenting his latest work, Romeo & Juliet , for the first time. However, when his wife, Anne Hathaway, learns how he intends the tale to end, she is away with his quill and planning on her reworking of the story. At the core of this touring production's success is Geraldine Sacdalan's powerhouse performance as Juliet. Her Juliet ...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...

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