Skip to main content

Review of Fame Jr. by R&D Youth Theatre/Young Company at Royal & Derngate (Underground), Northampton

Despite very much being one of the in things when I was growing up in the eighties and definitely seeing on occasion, Fame wasn't really for me. However via theatre of the last four years, I have learnt to love musicals of various kinds more, and the R&D youth company and its companion young company via Sweeney Todd, Honk!, Cafe Crescendo and Oliver! have helped that development.

For 2017 they presented two versions of the same play, the junior version of Fame, it runs for just a compact hour, and while they were dialogue wise the same, directorially and performing was very different. It offered in two days a great opportunity to see the same thing, differently. Even during the opening it was clear that the different nuances were going to be fascinating to look out for, the opening scene sees the students preparing to discover if they have made P.A., and in the young company version the cast clutch their notes and pray to them, while the youth version sees them hidden in their pockets only to be snatched out and opened at song end. If all this sounds a bit of a pointless spot, it isn't, as in reality, it shows the strength and ability of a director to bring life to their pieces in their own way.

The hour is not only filled with these little moments, it also allows across the two shows, different characters to become more prominent depending on those playing them. From the youth theatre version, I particularly loved Troy Anderson gloriously over the top Joe Vegas, full of brilliant enthusiasm and a totally satisfying performance. Likewise, Libby Moore totally captured the persona of Ms Sheinkopf, staying in brilliant character throughout and perfecting the glasses on the end of the nose styling offering great amusement. My final pick from the youth theatre has to be Megan Heavisides-Bell quite scary Miss Sherman, playing the role for me with quite a different feel from Melissa Coulton-McCullough's version in the young company, I was quite glad I wasn't one of her students.

Moving onto the older group of the young company, and the departing Ryan McLean brings a lovely final performance to the role of Nick Piazza, and together with Robyn Wilson's lovely Serena Katz, they made a wonderful pairing. Morgan Charles also creates a bold interpretation of Carmen Diaz and shows some great dance skills as well. Also buzzing with great character is Oskar White's awkward but confidence building portrayal of Schlomo Metzenbeum. Unquestionably for me though the most captivating performance came from Emily Abraham and her really superb turn as dancer Mabel Washington, she is clearly one very much to watch in the future.

The staging and direction from Trudy A Bell (Youth) and Ashley Elbourne were kept simple in the Underground space leaving the actors to do their thing, and while there were a few issues regarding whereabouts you sat, you were never truly far from the action. I did learn though the best spot to be after the first performance and it paid off with a much better perspective on the action.

Fame Jr is actually a highly entertaining hour of music and dance which surprised me as to how entertaining it was. Catchy tunes, well performed by the whole of the cast and full of the usual enthusiasm expected from the young groups at Royal & Derngate.

Performance reviewed: Young Company - Friday 7th July/ Youth Theatre - Saturday 8th July at the Royal & Derngate (Underground), Northampton.

Fame Jr ran at the Royal & Derngate until Saturday 7th July 2017.

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Pride & Prejudice* (*sort of) at Royal & Derngate (Derngate), Northampton

It is a truth universally acknowledged... No Stop! That is too obvious an opening line to a review of any Pride & Prejudice . Let us begin anew... Of all the classic regency novels from the 19th century, perhaps, one of the most famous is that of P ride & Prejudice by Jane Austen. The novel of manners telling the story of the Elizabeth Bennet her development and her family is maybe more famous now for the many adaptations the novel itself has had, including a certain wet-shirted Colin Firth edition from the nineties. Due to this, it is ripe for many a reworking and with a guaranteed audience waiting for it. Pride and Prejudice* (*sort of) is one of the more bold of those adaptations. However, for all its boldness, does this new version work, or in truth, is it one step too far? The answer is a clear yes, as this dynamic and brilliant reworking by writer and director Isobel McArthur has proven since first taking to the stage back in 2018 and now into this second UK tour, reachin...

Review of Of Mice And Men at Royal & Derngate (Royal), Northampton

Other than, randomly, Charlie and the Chocolate Factory and The War of the Worlds , John Steinbeck's classic Of Mice and Men is perhaps one of the most familiar of stories to me. I have seen it several times before, and while at school, we studied it, and dissected it like the work of Mr Shakespeare, but with Steinbeck, I got out the other side still liking it. This brand new version from Selladoor Productions, which opened in Canterbury last week, brings a by-the-book presentation of the trials of George and his slow, but incredibly strong friend, Lennie, to the stage. Perhaps, this is its first issue blocking a huge success from this production, in that it rarely does anything brave or different. It's clearly been expertly cast visually, with the hulking form of Matthew Wynn as Lennie, and the diminutive (in comparison) Richard Keightley and Kamran Darabi-Ford as George and Curley respectively. Darabi-Ford especially perfect in his tremendously awkward scenes wit...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...