A Small Mind At The Theatre

Ahead of seeing Arcadia in this University of Northampton production by the Third Year BA Actors, I had been warned that it wasn't a play for everyone. It makes sense in retrospect, it's a bit clever, making you always feel as if you are not as intelligent as you hope you are (in my case, probably a fair point). However, despite this, the young cast in this production make Tom Stoppard's ever so clever play entertaining from beginning to end. Arcadia follows two timelines, modern day as oddball poetry professor Bernard comes visiting Sidley Park looking for a Lord Byron trail, while 200 years before, young Thomasina Coverly is being taught by horny tutor Septimus. Intermixed with these timelines are a further assortment of odd characters. It's all a little weird, but oddly still fun. Thomas Van Langenberg has tremendous fun as Septimus, teaching and flirting with his pupil Thomasina, played to playful perfection by Abi Cameron, demonstrating perfection in playin...

Bryony Lavery's More Light , presented here in London as the final group performance by the 2019 BA Actors of the University of Northampton, is one of the more stranger plays that you might have the opportunity to see. Also despite is strangeness, it is also alarmingly entertaining as well. Although even now, I'm not entirely sure why. Their Emporer is dead, and these ladies who served him have found themselves confined against their will with his body. However, these ladies do not wish to die, but how to survive? They must eat of course, and sealed in a tomb to the great Emporer, what is the only thing that they can eat? One guess. It was as I came to write this review that I discovered that actually More Light was originally commissioned as a National Theatre Connections play, and on this revelation, all suddenly made sense. It's an accessible piece, ridiculously odd, but totally accessible, even though you might not understand it all. It also has a very large ense...

I have now written a little over two hundred and fifty reviews on this blog (yes I know, amazing. I am sorry). Most shows I have enjoyed, many I have given four star reviews, a good number have also got that lofty five stars from me. There is however hiding among them five star reviews, another tier of brilliance. One that lies in my head, where everything comes together to go beyond that five, but where I have nothing left to give. The play, the performances, the staging, and perhaps even more to elevate what is a personal opinion as a review, an actual personal emotional feeling or connection towards the piece. Featured: Boy (Tom Cocker), Trader (Greg Dallas) and Mum (Helen Gibb) Market Boy written by David Eldridge and performed by the Royal & Derngate Actors Company will (spoiler intended) receive five stars from me at the end of this review. However as that first paragraph suggests, this was one of those that went a little further for me. Set in what I happily claim a...

Yesterday I had the pleasure of spending the best part of eight hours floating suspiciously and observing around the Royal & Derngate experiencing the very first Fun Palaces event. Born from a sadly failed thought of Joan Littlewood in 1961, Fun Palaces is a dynamic, pop up extravaganza of theatre, dance, music, face painting, singing, dressing up and the erecting of tents (12 at Royal & Derngate). Through this inventive collection the theatre was filled with the absolute total of demographics. Bustling with activity, everyone who attended was able to find something to amuse themselves. I myself rather boringly refrained from climbing into tents, putting on silly hats and having his face painted. Mores the pity. I was generally there for the theatre performances and a little added dance one for good measure. Five of which I saw during my stay. The first was appropriately entitled One , a short half hour or so of five little plays that had been written by members of the publ...

There was a moment at the end of DNA when the lights came up that I feared there would be deceased individuals surrounding me in the audience. Such was the abrupt and terrifying arrival with a strike of sound at the beginning of the play, that I surely did think someone with a dicky ticker must have succumbed. However what was greeted with general hysterics at their shock, seemed to have not made a corpse of any of the patrons. It was a striking beginning to a tough, but also very funny play from Dennis Kelly (writer of Channel 4's excellent thriller Utopia ). Telling the tale of the a group of youngsters who have killed a boy named Adam and attempt to cover up the fact. Originally written for National Theatres Connections Festival in 2007, this is a short and sharp edgy play lasting an absorbing fifty minutes or so. Having seen four of this years Connections plays earlier this year, I could certainly see the feel of this being such a play from that festival, made more so of the ...

THIS REVIEW WAS ORIGINALLY WRITTEN FOR THE PUBLIC REVIEWS. Beginning a review of Antigone by writing, it was all Greek to me would be clichéd, so therefore perfect for myself to do. In the case of the Royal and Derngate Actors Company’s production it would be irrelevant though. As this was a clear, modern, indeed futuristic version of the ancient story. With all the distress and despair generally on offer, it could have perhaps been Eastenders. Antigone was written by Sophocles almost 2500 years ago and tells the story of an empire in pieces following a crippling war. Ruled by King Creon (didn't Elvis used to sing about him?), whose declaration that two warrior brothers be divided in death, one honoured, one unburied, is challenged by their sister Antigone. Director Trudy A Bell, who most recently directed the third year University of Northampton BA Actors in a dynamic version of Macbeth ( review here )   brings a similar style to this vivid production. Se...