A Small Mind At The Theatre

The 2014 Flash Festival had been a wonder of many things including the diversity of ideas in the plays, the standard of the young actors and also the very first discovery of the Looking Glass Theatre. It was therefore a certainty that I would be back for more come 2015 and this time I would see all of the shows, somehow, with a bit of planning. This year there were a total of sixteen shows featuring thirty-nine student stars. There was also an increased diversity of ideas for the shows with children's shows, storytelling tales and six solo shows. We still had the large groups including two busy ones with five members. There was indeed huge variety. The event itself organised by Evoke Events was a huge success, although I think it was a heavy learning curve by those involved, everything generally went smoothly. The Looking Glass was always the hub of events complete with balloons, however the other shows at the three locations did feel a little cut-off. The NN Contempory the lea...

One hundred and twenty eight hours after I sat down to watch the first Flash Festival 2015 performance, I was seated at the Looking Glass Theatre to watch the sixteenth and final one. Snuff Me from One 'N' Half was extremely anticipated for a number of reasons. including tremendous word of mouth from those that had seen it and from my own opinion that it featured Sam Billy Behan, who had been remarkable in previous appearances in Macbeth and A Clockwork Orange. His performance partner was the equally impressive Ben Stacey, who as Dim in Clockwork was quite brilliant. This play could not fail, indeed I would not allow it! Of course it didn't. It was a tour de force in the complete sense with scenes of raw emotion, physically stunning moments, truly earthy language and a puppet show. I did absolutely not see that one coming. Those puppets had a vulgar turn of language, but the material they had was tough and emotional stuff. Snuff Me explores the trauma that members of ...

Written in 1962 by Anthony Burgess, A Clockwork Orange remains even today one of the most controversial stories of all time. Maybe most of this controversy comes from its 1971 film version, which was even withdrawn by its own director Stanley Kubrick, and only became wildly available after his death. Maybe less familiar is the stage version which was adapted by the author himself. Perhaps due a little to the passage of time, the University Of Northampton's vivid performance felt more powerful than the film. Violence on film has become common place so Malcolm McDowell and his droogs attacks have become less powerful on screen. On stage however, much of that violence is more offered in the mind and to that extent feels more powerful. The clever use of screens in particular removing the more barbaric scenes slightly away from the eye and more into the mind. Playing Alex is Sam Billy Behan, once again in the lead following his epic performance as Macbeth . He is the same commanding...

I arrived at the avenue campus on a dull, rainy afternoon having left a pile of washing up behind me, how these pesky students knew of such things I have no idea. However, having received my ticket (a piece of string), I and the assembled crowd were invited into the Isham Studios (dark edition no less). Inside was a set consisting mainly of string, either hanging from the ceiling or pooling upon the floor. Also present was one of the actors wafting incense around which was leaving a pleasant aroma. Also music, a soothing, soulful song was playing, perfect to fall asleep to. Taking our seats (please take them, oh the agony), we waited for proceedings to begin. Our introduction came from Lydia Rose Blagg, one of those that I was able to identify in the show (thanking you Twitter), and I say now from the outset that I am yet to be able to know all of the stars in the show, but this detracts from not one of you, because, you were all mighty fine. However Lydia spirited us away from the...

Its safe to say and needs saying from the outset that I am not one of Mr Shakespeare's greatest fans and watching two three hour odd productions in two days would not always fill me with a warm glow. However over the last couple of months, the Northampton University (of all current three years) have shown talent in abundance and I was never going to let my petty opinion deprive me of seeing them again. This year I had seen both Troilus and Cressida (by the Masque Theatre) and King Lear (via NTLive) and its safe to say that I enjoyed Macbeth and Richard III more than both of these (yes even with Mr Shakespeare, Simon Russell Beale in action). The acting was of course not better than Lear (it was Russell Beale, that would be impossible), but the productions for me were both much more enjoyable to watch. The Shakespeare purist would no doubt cry that there was too much gimmickry with these productions, but for me this made them more modern and more acceptable. I listen to Shakespe...