Skip to main content

Review of Flash Festival: One 'N' Half - Snuff Me at the Looking Glass Theatre

One hundred and twenty eight hours after I sat down to watch the first Flash Festival 2015 performance, I was seated at the Looking Glass Theatre to watch the sixteenth and final one.

Snuff Me from One 'N' Half was extremely anticipated for a number of reasons. including tremendous word of mouth from those that had seen it and from my own opinion that it featured Sam Billy Behan, who had been remarkable in previous appearances in Macbeth and A Clockwork Orange. His performance partner was the equally impressive Ben Stacey, who as Dim in Clockwork was quite brilliant. This play could not fail, indeed I would not allow it!

Of course it didn't. It was a tour de force in the complete sense with scenes of raw emotion, physically stunning moments, truly earthy language and a puppet show. I did absolutely not see that one coming. Those puppets had a vulgar turn of language, but the material they had was tough and emotional stuff.

Snuff Me explores the trauma that members of the military suffer in their attempts to return to civilian life, including coping with trauma and loses to their bodies and senses. One of the best scenes comes from Ben in his speech about loss of hearing. For most of this wonderful scene we are laughing with him as he goes through the loss of hearing impact on his life in a comic way. Then just like that we have a BAM! moment and all humour is pulled from the scene and the true impact of this becomes clear. Hearing is for him a disregarded thing, until it is gone from his life and this scene portrays that moment like little other seen before.

Another remarkable scene is when Sam motions are controlled by giants rods held by Ben. A superbly realised scene relying totally on the trust between both performers. This scene follows an equally tough scene in which Sam's character attempts to get through the effects of the loss of a leg and his getting to grips with his prosthetic. Two raw and perfectly played scenes.

I think there was little chance that Stuff Me was going to be a let down and it was a totally an apt way to conclude a quite amazing week of dramas from some superb talent. I am glad that this year I was able to see the whole event and I am truly looking forward to next year already.



The Flash Festival 2015 is all over! It ran between 18th-23rd May, 2015 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2015, while tickets cannot now be booked via the Royal & Derngate. Details at: http://www.royalandderngate.co.uk/whatson/2015-2016/Other/FlashFestival15

Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre, Milton Keynes

Seeing the 46-year-old Rocky Horror Show at the theatre for the first time is quite an experience on many levels. First and foremost as a regular theatregoer, the audience, even on a relatively demure evening of a Monday, is something you would never really experience at a theatre beyond this show. Many are dressed up (even on that demure Monday), and so many are so in tune with the show, that these regular fans have become entwined within it. They know every word of the script, they contribute to it, they enhance it, often they make Richard O'Brien's already adult content into something much more adult. It's a revelation of experience, much before a newbie such as myself even considers the show. Laura Harrison's beautifully clear rendition of Science Fiction/Double Feature sets the scene for some generally excellent performances of O'Brien's classic tunes, in a musical which is clearly audible, sadly not something that always happens with many productio...

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...