Skip to main content

Review of Flash Festival: Sidetrack Theatre - The Zugzwangs at the Looking Glass Theatre

Sidetrack Theatre's neat trick of not really having a show of more than five minutes had the impressive effect of negating any technical faults that might occur. I remain oblivious now as to how much was meant to go wrong, however it was all dealt with flair that everything other than the set collapsing could be permitted.

The Zugzwang's opening is spectacular, funny and exhausting. It also provided me with an alien body in my hot chocolate that this time wasn't a marshmallow. Balloon, party poppers, great tubes of confetti and an exhilarating physical sequence lasted: time check - five minutes tops. The chap on the front row and his watch required and demanded more despite Samantha Ahweyevu's pleas otherwise. So a team huddle later we have a show, sort of. The pretence remains throughout that this is being made up on the fly, but this is of course all a fib. You have to rehearse well for things to go this wrong.

A Zugzwang apparently is a situation where a move or choice must be made, whether it is for the best or not. and that forms the premise of the show as we see a collection of characters all facing decisions of some sort in life, be they love, career etc.

The premise of not having a show works, just. There are many moments like the litter picking karma monster which was supremely funny and an impressive sight. Then we have the most wonderful routine between Rochelle Halsall and Matt Hirst, both tender and expertly performed. A third moment of wonder comes from Samantha and her serenade of the gentlemen in the front row. Wonderfully embarrassing but so, so hilarious and played with quite a frightening air to it, sinister stares and all.

The Zugwang's is a hugely entertaining show which has moments of magic and moments of "was that meant to happen" in equal measure, but maintains interest throughout due to the shear levels of energy from all the performers. The choice is yours whether you go or not. I suggest yes.



The Flash Festival 2015 runs between 18th-23rd May, 2015 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2015, while tickets can be booked via the Royal & Derngate. Details at: http://www.royalandderngate.co.uk/whatson/2015-2016/Other/FlashFestival15

Popular posts from this blog

Review of A Christmas Carol - A Ghost Story at Birmingham Rep

Charles Dickens's novella A Christmas Carol is a perennial favourite and over the years has been adapted countless times for television, film and here, with this adaptation by Mark Gatiss, subtitled A Ghost Story , a further stage version. Originally performed at the Nottingham Playhouse in 2022 before moving to London at the Alexandra Palace, and the same venues repeated the following year, its past success serves well for a further revival. Therefore for 2024, The Birmingham Rep has taken to staging their own production, with a mostly new cast including Matthew Cottle and Rufus Hound leading an excellent cast. Cottle as Ebenezer Scrooge is excellent, often exhibiting a much more sprightly Scrooge that we would remember, and also, much funnier at times. Despite Gatiss remaining remarkably faithful to the original, the show, directed with excellent pace by Adam Penford mines more comedy than you might expect. Cottle's Scrooge remains without question evil, but in his delivery

Review of Here You Come Again at Milton Keynes Theatre

Four years down the round from a global pandemic the time has come finally for a comedy musical of the trying times and much like Kevin's experience in the show, who better to get you through it than... Dolly Parton. Arriving at Milton Keynes Theatre this week as part of a UK tour before landing in the West End, Here You Come Again is billed very much as a feel-good musical, so, do you feel good after watching it? The quick and easy answer is yes, however, much of the time during this incredibly quirky musical, you do wonder why and indeed what you are watching. Here You Come Again sees Kevin, back trapped in his parents home isolating himself from them, the world and his failing relationship with Jeremy during the 2020 pandemic. He seeks solace, trapped in his attic, in memories of his constant love of Dolly Parton, and then at his most down moment, she comes alive and guides him as only Dolly and her back catalogue of songs can. Originally written by Bruce Vilanch, Gabriel Barr

Review of Never Let Me Go at Royal & Derngate (Royal), Northampton

Kazuo Ishiguro's 2005  Never Let Me Go is a slightly difficult novel to categorise at times, but most call it a science-fiction speculative piece. With some limited spoilers for those unfamiliar with the Man Booker Prize-shortlisted work, Ishiguro paints a world where people, clones, are created for the benefit of medical science, destined to become donors to rid the world of deaths from solvable diseases for the rich. It is a powerful piece and while it had a successful film version back in 2010, could a stage version, now running at Royal & Derngate, work similarly? The answer to that is yes, and perhaps even better than the film version. The intimate world of the theatre feels like a stronger location for the story to unfold, bringing the piece straight to the audience with no potential interruption or break to the tale. We learn of Kathy, Ruth and Tommy's (the main protagonists) fixed life through their eyes and live their life for the long, but never dragging, 140 minu