Skip to main content

Review of Lydia By Any Other Name by Weekes Baptiste at the Looking Glass Theatre, Northampton

Lydia By Any Other Name is a sweet gentle little play written and directed Weekes Baptiste. Unpretentious and friendly are two words I would describe it as. It suited that it was receiving its, pause for dramatic effect, World Premiere at the quaint little Looking Glass Theatre.

The play tells the story of a bizarre happening reintroducing two former child stars back to one another and the rather coincidental existence of two Lydia's. Combining live action with archive footage of 8mm film recorded over 25 years is an effective but different approach to one I have seen previously.

The play itself had managed to get over its own little drama just a week before with the lead dropping out, therefore parachuting into place at short notice (script in hand) was Georgina Pearson who given the time constraints gave a nice performance as Rosemary Cooper. Able to discard the script for the second act part. We had three Lydia's in the piece, with a bolshy turn from Eleanor Morrison as twelve year old Lydia Cooper, while the slightly more grown-up sixteen year old version was played by Scarlett Jordan. Completing the collection was Hannah Poole as Lydia Chambers. Although all were great in there roles, my favourite Lydia had to be the dungaree wearing Scarlett. Her performance was lively and wonderfully realistic.

Both Ben Richards as Ethan Chambers and Robin Hillman as Steven Chambers were good value as well, with the latter having probably the most challenging scene. Dressed in hospital gown and talking direct to the audience, it was a slightly surreal scene much different from the previous two. However he delivered it in a wonderfully comic way.

While it was a good entertaining show, there were a couple of issues that didn't work for me. The first were the set changes, I cannot help but think they were far too ambitious and the tables and chairs might have been worked in a different way. While the video footage was playing in the background through most of the changes, the amount of movement going on did detract somewhat from the enjoyment of watching this. The only other fly in the ointment for me was the ending, it all felt very abrupt (it didn't help that there was a slight tech issue on screen). Just ending with all the cast gathering to watch the footage, somewhere over our shoulder seemed a bit disappointing. For me, it would have been nice at this stage to have seen a touch more of the footage on screen that they were watching. Also, I personally don't need to see credits rolling at the theatre, that's just not for me.

However, saying all this I really enjoyed it and it really did gain a lot from the nice down to earth performances of the cast.


Performance reviewed: Friday 29th May, 2015 at the Looking Glass Theatre, Northampton.

Lydia By Any Other Name runs at the Looking Glass Theatre until Sunday 31st May, 2015.

Tickets are available via the Royal & Derngate Box Office. Their website is at http://www.royalandderngate.co.uk/

Looking Glass Theatre also has a website at http://www.lookingglasstheatre.co.uk/

Popular posts from this blog

Review of Dear Evan Hansen at Royal & Derngate (Derngate), Northampton

First performed in 2015, Dear Evan Hansen remains the musical of the modern teen's life, showcasing all the troubles in that generation of popularity and social media. And as this long UK tour of the West End and before that Broadway smash hits the Royal & Derngate, it offers a troubling mirror on modern society. Before seeing this show, I had avoided all knowledge of the story Dear Evan Hansen tells, and with that came a joyful voyage of discovery as the captivating story evolved. Therefore, if you have also managed to avoid the story, skip the next paragraph and enjoy a new story to be found. Evan Hansen is a troubled teen who struggles to fit into society and cannot find friends. As a result, his therapist has suggested that he write letters to himself, "Dear Evan Hansen." When one of these letters is found on the body of an equally troubled teen, Evan finds himself spiralling into a world of fictitious friendship, which gets increasingly out of control. The stor...

Review of Kinky Boots (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

The musical Kinky Boots is perhaps the perfect show for the homegrown theatre group Northampton Musical Theatre Company to perform with the very core of the story bred within this very county. The tale of of Charlie Price and his encounter and unlikely partnership with a certain Lola is based on a true story of factory W. G. Brooks Ltd and the owner Steve Pateman. Back in 1999 his story of men and their wearing of shoes for women featured on a BBC documentary and this in turn inspired the 2005 film, Kinky Boots . Finally, in 2012, this musical adaptation of the story hit the stage, with a book by Harvey Fierstein and songs written by Cyndi Lauper. Longtime readers of my blog with good memories may remember that five years ago I reviewed the opening of the UK professional tour of Kinky Boots , also at the Royal & Derngate. While I enjoyed the show, I didn't give it the most favourable review. Five years on, and a second viewing, have I warmed to the charms of Charlie and Lola...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...