Skip to main content

Review of My Mother's Funeral: The Show at Royal & Derngate (Royal), Northampton

The title My Mother's Funeral: The Show is perhaps not the most attractive title for a theatre show, however, this show had great success at the Edinburgh Fringe and now arriving at Royal & Derngate, one of its co-producing theatres, so, let's look beyond the unusual title and see what lies beneath.

Abigail is a theatre dramatist pursuing plays that the theatres no longer want. Her "gay bugs in space" saga falls foul of being fiction for a start, something a theatre director states audiences no longer want stating they want gritty, real experiences, theatre with painful truths. So, after Abigail devastatingly loses her mother and finds no money to pay the funeral fees, she pursues the creation of a very personal theatre show.

My Mother's Funeral: The Show is gritty and sad, but, also in many ways very funny, if in a dark way. Writer Kelly Jones digs deep into the world of poverty in Dagenham and countless estates across the country. A world of people born into poverty and often destined to die there too. Abigail's mum has left nothing and funeral fees out of reach, the hospital continues to chase her to claim her, before the state buries her.

Playing Abigail and her later alter ego in her play persona Stacey is Nicole Sawyerr and she brings a very real, down-to-earth performance. Feeling tremendously personal at times, you fully believe the pain and turmoil she is going through. The emotion deep in her characterisation comes through at all opportunities as she despairs at both her mother's death and the restrictions she finds doing good in her name. It is truly an exemplary performance.

Samuel Armfield plays both the theatre director and Abigail's unhelpful bother Darren, and they are brilliantly indidually played characters. The director, pompous and privileged and the guy who believes he knows everything about theatre, think Gordon Brittas of the theatre world. Darren is very different, initially withdrawn from the whole situation, but slowly approaching the problem and Abigail's challenges in a helpful manner.

Debra Baker completes the cast as a number of characters, but primarily powerful as memories of Abigail's mum, heartwarmingly performed. Elsewhere, she is a rather know-it-all theatre actor, trying to drive her own ridiculous ideas into Abigail's play, while she battles to keep the show as an honour to her mum rather than a caricature or insult.

Jones's script feels tremendously real, and for me very personal, having first-hand experience in handling the organisation of a family member's funeral on more than one occasion now, but fortunately without the poverty that Abigail suffers, but definitely still the restrictions on spending. For me, the only unreal part of Jones's play is the portrayal of the funeral director early in the piece. From my experience, I genuinely feel they would be never be as callous as portrayed, even if they were aware of the monetary restrictions. This scene and its scripting, just feels deliberately aggravating to get the audience annoyed from the outset.

However, beyond that minor quibble, My Mother's Funeral: The Show is an excellent production. Telling for our times, politically edged and, yes, surprisingly funny as well. Its run time of 70 minutes also suits the show well, with nothing excess, and all solid material. There is not long left on the tour now, with just Royal & Derngate and Northern Stage in Newcastle left, but, if you get the chance, do your best to catch it.

Powerful, but equally heartwarming and funny production for our time. Highly recommended.

Performance reviewed: Thursday 3rd October 2024 at the Royal & Derngate (Derngate), Northampton.

My Mother's Funeral: The Show is on stage at Royal & Derngate until Saturday 5th October 2024.

My Mother's Funeral: The Show is A Paines Plough, Mercury Theatre, Belgrade Theatre, Landmark Theatres, and Royal & Derngate, Northampton co-production.

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Photos: Nicola Young


Popular posts from this blog

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)

Review of Promises (audio play) from Nothing But Roaring part of Genfest 2024 at Royal & Derngate (Derngate), Northampton

Nothing But Roaring was founded back in 2022 to create unique audio dramas and born from the need for creatives to be active during the Covid pandemic. Since then they have created audio versions of Shakespeare's Richard III and Much Ado About Nothing . However, now, created and due for release as part of Royal & Derngate's 2024 Genfest Festival, the company brings to the airwaves their very first original drama. Promises , written and directed by Nothing But Roaring founder Rebecca Cockcroft, tells the story of Amber, waking on the morning of her wedding day in a hotel room, worst for wear from a night out the evening before, and a very unexpected guest hiding in her room. Promises is a tightly packed 23 minutes of whimsical but highly entertaining comedy-drama performed by a talented cast who despite the short running time create fully realised characters. As Amber, Gemma Knight brings a suitably confused edge to the situation she wakes to and as the story evolves and t

Review of The Wizard Of Oz by the Northampton Musical Theatre Company at Royal & Derngate (Derngate), Northampton

The last couple of shows from the award-winning Northampton Musical Theatre Company has been a slightly mixed bag, with their last show at Derngate the rather difficult to get a grip on thrills of Grease , a woefully inferior stage version of the classic film despite being very well performed. Their best show recently was ironically Summer Holiday , hidden at the much smaller Cripps venue. Therefore still in the wake of the exceptional Sister Act , does The Wizard of Oz create the Derngate magic once again? The answer for me, is both yes and no, it is as always an exceptional production filled from top to tail with talent, as NMTC is so renowned for, and packing the audience in and thrilling them like perhaps nothing like Oz can in the musical department, you cannot question its selection really. However, like Grease , and to readjust a requote, "it's just Oz". This time I use it in the way that Oz is just a little over-familiar, I am desperate for the buzz that I go