Review of Never Let Me Go at Royal & Derngate (Royal), Northampton

Kazuo Ishiguro's 2005 Never Let Me Go is a slightly difficult novel to categorise at times, but most call it a science-fiction speculative piece. With some limited spoilers for those unfamiliar with the Man Booker Prize-shortlisted work, Ishiguro paints a world where people, clones, are created for the benefit of medical science, destined to become donors to rid the world of deaths from solvable diseases for the rich. It is a powerful piece and while it had a successful film version back in 2010, could a stage version, now running at Royal & Derngate, work similarly?

The answer to that is yes, and perhaps even better than the film version. The intimate world of the theatre feels like a stronger location for the story to unfold, bringing the piece straight to the audience with no potential interruption or break to the tale. We learn of Kathy, Ruth and Tommy's (the main protagonists) fixed life through their eyes and live their life for the long, but never dragging, 140 minutes the story unfolds.

Suzanne Heathcote's play adaptation is clever and thoughtful to the Ishiguro original, taking the lead character Kathy's first-person narration and bringing it into a constantly moving piece, bringing her memories to life rather than via too much monologue. Director Christopher Haydon takes this adaptation dynamically onto the stage as well but equally allows the story to breathe in places of thoughtfulness.

As Kathy, Nell Barlow brings an incredible performance to the show, virtually never off-stage, her emotion and delivery bind the play together and you very much live her life from a child, through to her caring duties, her loves and loss. She is tremendous.

Matilda Bailes is also excellent as the initially warm Ruth, who develops a darker, manipulative path against her friends, especially that of Kathy as she grows. Completing the excellent main trio of characters is a highly enjoyable performance by Angus Imrie as Tommy, the more fun character at times, full of energy for life and his sports but hiding an inner rage that occasionally bursts through. As a trio, Barlow, Bailes and Imrie all bring superbly realised characters to the stage.

The rest of the cast is equally excellent, creating a multitude of roles bringing many of the characters from child to adult in convincing ways. Emilie Patry is quietly effective as the mysterious Madame, while Susan Aderin is dominant and kindly in equal measures as Miss Emily.

The staging is vivid, with a superb set created by Tom Piper, looking eye-catching and with the ability to change scenes crisply to reduce dormant times. Equally, there is some innovative lighting design from Joshua Carr assisting in keeping the audience knowing where they are in a constantly shifting timeline. Composer Sam Jones also creates some effective but never overpowering music that drifts through the piece.

Never Let Me Go is a brilliant piece of theatre, lovingly created from the original work and brought to the stage by a talented group of actors. Whether you are familiar with the story or new to the work, all audiences are likely to be entertained by this lovely thoughtful, and yes, powerful and emotional tale.

A superb adaptation of a thoughtful and powerful work.
⭐⭐⭐⭐

Performance reviewed: Saturday 19th October 2024 (matinee) at the Royal & Derngate (Derngate), Northampton.

Never Let Me Go is on stage at Royal & Derngate until Saturday 26th October 2024 and continues to tour to Malvern Theatres, Bristol Old Vic, and Chichester Festival Theatre through to late November.

Never Let Me Go is a Royal & Derngate, Northampton, Rose Theatre, Bristol Old Vic and Malvern Theatres co-production.

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Photos: Hugo Glendinning

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...

Review of 2:22 A Ghost Story at Royal & Derngate (Derngate), Northampton

2:22 A Ghost Story continues an endless rise and run of success on the stage. This play by Danny Robins was first staged as recently as August 2021 at the Noel Coward Theatre and since then the show continued to run in London for two years, moving to four further London theatres, before eventually closing in the city to embark on this tour, which began in September last year. During these runs, the cast has constantly been updated with often populist actors, and some, which are not even associated with acting. As this reaches Royal & Derngate, now even the touring cast has been swept clean and four further performers take on the incredible success of a show. This is the second time I have seen 2:22 A Ghost Story , and it is safe to say that on that first viewing, with the previous tour cast, I was not as blown away by the play as the success seemed to warrant. The aforementioned populist casting seemed to have driven a so-so ghostly tale into success beyond its quality, and with th...

A Small Mind At The Theatre

Search This Blog