Skip to main content

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level.

As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teacup style. The release of the gas (stimulating on the nose in the auditorium) and the eventual depiction of the mass of bodies is vividly told through the young actors reactions. We can see the horror through their eyes, even if nothing is ever seen on stage.

While the large cast of actors are all great in their individual roles, I can't help but pick a few for a mixture of both performance and great developed characters by the writer. Owen Howard is wonderful as the desperate Craig who feels the weight of thinking he will be remembered for destroying the world. Also Ethan Kelly is quietly superb as the god fearing Peter, portraying his fears that he personally has brought this upon everyone with excellent emotion. Finally Esme Joy Allen, who had happily ate dirt in a previous performance of DNA I had seen last year, was simply wonderful as the flirty, hair flipping Bella and I felt quite a pang of fear midway though the play for what befell her character.

There are a number of magic little scenes not least the class group performances providing some "cool" dancing, singing and a gloriously desperate Angie (Emily Winnett) needing to show her video, "I've done mine". The slow motion fight at the top of the cube between George and Eric is also wonderful little gem, excellently performed by Jake Carter and Jarzinho Rapoz. Also the final scene of the strike is also spectacularly well staged, totally lighting up the Royal as the end arrives, and with that poignant final scene. Getting that perfect finish to a play can be challenging at times, but Immune has no problems with it.

Agboluaje has created through working with the three youth theatre groups a clever, thoughtful piece of work brimming with neat ideas. Those like the individual characters speaking out their thoughts is superbly ingenious, as is the ensemble speaking in unison the words of the unseen adults.

It all combined creates a clever full hour of entertainment. which is without doubt the most complex R&D youth company play I have seen to date, I am sure that it will go a long way to provide the skills so early for any of the performers who seek to make this their career. This straight after the triumphantly clever Kontakt has provided a couple of weeks of magic for the youth theatre at Royal & Derngate. Under the expert guidance there at the moment, they just might be creating a few little stars of the future.


Performance reviewed: Thursday 3rd July, 2015 at the Royal & Derngate (Royal), Northampton.

Immune is performed by the R&D Youth Theatre at the Royal & Derngate between Thursday 3rd July and Saturday 4th July, 2015, before being performed by Courtyard Theatre, West Yorkshire from 23rd July, 2015 and Theatre Royal Plymouth from Wednesday 19th August, 2015.

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/


Popular posts from this blog

Review of Cinderella at Royal & Derngate (Derngate), Northampton

Over the last few years, the annual Royal & Derngate pantomime has been produced by Evolution Productions and from the pen of Paul Hendy. It is safe to say they have been crackers, bringing everything you expect and more from traditional pantomime. This year, they are all back, this time with their take on the very traditional story of Cinderella . So, does the magic dust fall once again successfully on the stage of the Derngate? The answer is yes, as Evolution and Hendy prove they have found the magic formula to create another successful pantomime for Derngate. There are moments this year, though, where it is too clever for its own good, with some exceptionally good jokes lost to the panto audience (yes, I got the Hacker joke, but the tumbleweed reaction suggested it didn't hit the audience present). Cast-wise, it is a solid and assured collection of performers who don't always hit the mark. Joanne Clifton, as the Fairy, is a perfect fit for panto with her infectious smile...

Review of The New Adventures of Peter Pan at Castle Theatre, Wellingborough

As if by magic, the pantomime season is once again upon us, and first out of the Christmas hamper of "He's Behind You" antics is The New Adventures of Peter Pan , now playing at The Castle Theatre, Wellingborough. So, do the pantomime gods shine down on this new show, or is it about to get panned? Let us find out. Brought to the stage by producer and director Martin Cleverley, The New Adventures of Peter Pan provides little new to the age-old tale of J. M. Barrie's Peter Pan but ploughs through much of the expected pantomime staples. So, expect to see a dame, in the guise of Mrs Smee, those as mentioned earlier "He's Behind You" antics, a nice sing-along, and some awkward or successful audience participation, depending on the show you see. Oh, and of course, The Twelve Days of Christmas and a jolly party at the end, as always. When you have seen one pantomime, you have seen the format forever. However, The New Adventures of Peter Pan is nicely enter...

Review of Never Let Me Go at Royal & Derngate (Royal), Northampton

Kazuo Ishiguro's 2005  Never Let Me Go is a slightly difficult novel to categorise at times, but most call it a science-fiction speculative piece. With some limited spoilers for those unfamiliar with the Man Booker Prize-shortlisted work, Ishiguro paints a world where people, clones, are created for the benefit of medical science, destined to become donors to rid the world of deaths from solvable diseases for the rich. It is a powerful piece and while it had a successful film version back in 2010, could a stage version, now running at Royal & Derngate, work similarly? The answer to that is yes, and perhaps even better than the film version. The intimate world of the theatre feels like a stronger location for the story to unfold, bringing the piece straight to the audience with no potential interruption or break to the tale. We learn of Kathy, Ruth and Tommy's (the main protagonists) fixed life through their eyes and live their life for the long, but never dr...