A Small Mind At The Theatre

Following the prim and proper telling of Cinderella performed by the latest batch of third years in front of a theatre of under tens the day before, the next day we were hit with Anthony Neilson's very different The Night Before Christmas . Dispensing of Cinderella's Mutt and Jeff, we found ourselves witnessing e(l)ffing and jeffing as this adult panto was performed by a quartet of students. This was my first experience of an adult panto, also here described as an anti-panto, with good reason. Between the added swearing, this short and snappy play, barely thirty minutes, attempts to destroy any spirit of Christmas, even going as far as to suggest that the "spirit" is actually a drug peddled by Father Christmas and his army of Elf helpers, cocaine-like spirit in fact, where perhaps even the elves shoot up for the buzz. As this play opens, we are in a shady, dodgy warehouse, full of potentially illicit goods (which also conveniently provides many of the local con...

For the third year running, I had the pleasure of being allowed to see another batch of talented actors strut their stuff on a London stage in front of the agents and directors of the acting world. This is always a key and very final moment of the course, and at no point will these people perform together again (although wouldn't that be neat to have performance reunions in years to come!). There is little point in my going into too much detail again over the performers really as I have done this elsewhere in my final review ( click me! ). However, the show under the direction of Simon Cole was a neat "showcase" of their talents once again, whipping between scenes featuring duos or trios glued together by swift scene changes. It really was a seize the moment as the actors never got very long to prove themselves. The format (and some of the content) was the same as last year, and a couple of my picks were Diary of a Madman featuring two superb comic moments from Karr ...

The Graduate Showcase was pretty exciting even for me, so heaven knows how it was for the actors actually taking part. Here I was in a gathering of around twenty people (all others infinitely more important than me) at a special closed event at a West End theatre, complete with free drinks and buffet. Fortunately I had Mr Jim aka @mudbeast76 to keep me on the straight and narrow of juices after the one alcoholic one went straight to the head drink. Then as if it wasn't a surreal world as it was, there only goes and walks in Lukewarm himself, Christopher Biggins! However, this isn't about me, this is about the thirty six ultra talented individuals who after I have followed them for a bit over a year are about to venture forth into the big competitive world of the acting community. They have though the double advantage of not only coming through the excellent three years University Of Northampton training and also being rather talented to help them in this. This being my firs...

Written in 1962 by Anthony Burgess, A Clockwork Orange remains even today one of the most controversial stories of all time. Maybe most of this controversy comes from its 1971 film version, which was even withdrawn by its own director Stanley Kubrick, and only became wildly available after his death. Maybe less familiar is the stage version which was adapted by the author himself. Perhaps due a little to the passage of time, the University Of Northampton's vivid performance felt more powerful than the film. Violence on film has become common place so Malcolm McDowell and his droogs attacks have become less powerful on screen. On stage however, much of that violence is more offered in the mind and to that extent feels more powerful. The clever use of screens in particular removing the more barbaric scenes slightly away from the eye and more into the mind. Playing Alex is Sam Billy Behan, once again in the lead following his epic performance as Macbeth . He is the same commanding...