Skip to main content

Review of the University Of Northampton BA (Hons) Acting Graduate Showcase at Leicester Square Theatre, London

The Graduate Showcase was pretty exciting even for me, so heaven knows how it was for the actors actually taking part. Here I was in a gathering of around twenty people (all others infinitely more important than me) at a special closed event at a West End theatre, complete with free drinks and buffet. Fortunately I had Mr Jim aka @mudbeast76 to keep me on the straight and narrow of juices after the one alcoholic one went straight to the head drink. Then as if it wasn't a surreal world as it was, there only goes and walks in Lukewarm himself, Christopher Biggins!

However, this isn't about me, this is about the thirty six ultra talented individuals who after I have followed them for a bit over a year are about to venture forth into the big competitive world of the acting community. They have though the double advantage of not only coming through the excellent three years University Of Northampton training and also being rather talented to help them in this.

This being my first showcase, I knew only a little of what to expect, mostly grilled out of Mr Jim. What I saw though was a seamless transition of pieces derived from small segments of plays interspersed with snippets of their own Flash Festival performances. These Flash moments were excellently selected considering the totally out of context nature of many of them and it was wonderful to see them again, even if they were only about ninety seconds.

The new groups of twos and threes that had been formed for each segment were also a revelation, almost all perfect in every way including the pairing up of my favourite man and woman performers from Flash. They were all seemingly perfectly selected even those that were actually a surprise at first worked.

Director Simon Cole certainly also kept a very busy seventy to eighty minute show flowing and somehow still managed to get all thirty six their equal moment of stage time, which was vital for this performance unlike their previous pieces in the course which greatly varied with performance time.

So the role call of honours are due, so to (in order of appearance) Samantha Colden, Dale Endacott, Sarah Kirk, Riley Stephen, Kate Fenwick, Ashlee Sopher, Ben Stacey, Joseph Clift, Jamie Park, Hannah Mitchell, Jenny Styles, Leanne Dallman, Rachel Sherborne, Sam Skinner, Jessica Kay, Julia-Louise Nolan, Samantha Ahweyevu, Sophie Poyntz-Lloyd, Matt Larsson, Catherine Garlick, Ryan Manning, Chloe Emery, Nikki Murray, Rochelle Halsall, Matt Hirst, Antonia Underwood, Zoe Davey, John Shelly, Mellissa Michelle, Michael Whelbourne, Abigail Benson-Ross, Tara Lawrence, Lydia Rose Blagg, Jack Smith, Steve Banks and Sam Billy Behan congratulations. The three years are over, the big world is open to you. Go and conquer it in anyway that you wish to. I await to see you on stage again soon.

A final thanks to Simon Cole, and Dr Ross Prior to making this stray out of place person feel like he was very welcome at this event. With thanks also to Dr Sally Cook and Chris Burdett and to any other people who are busy behind the scenes making this course, event and star making happen.

It is with pain that I let these thirty six leave me, but with the thought that I am certain that I shall be seeing them again. Onward and upward!

Popular posts from this blog

Review of A View from the Bridge at Royal & Derngate (Royal), Northampton

Although writer Arthur Miller died 15 years ago, and last published a play almost 30, he remains a force to be reckoned with, and you are probably still never far from production of one of his works, albeit one of probably just four from his back catalogue of 33 plays. If you pressed someone to choose his best, they would probably more often than not say The Crucible , because A: they studied it, or B: they have actually seen it. As for best though, maybe not. Perhaps that lies with the simpler format of A View from a Bridge , the gritty tale of immigration in the fifties. So, does this new version, a co-production between Royal & Derngate and York Theatre Royal, do it justice? In 1950s New York, hardworking longshoreman Eddie Carbone lives a simple life with his wife and niece deep in an immigrant community. When two of her Sicilian cousins arrives, slowly Eddie's life begins to change forever. In a theatre world where life is rarely simple anymore and directors of...

Review of Hi-De-Hi at The Deco, Northampton

I was a fan of Hi-De-Hi in the eighties and in actual fact a fan of many of those very much of their time comedies. Hi-De-Hi was a bright and breezy and overly familiar show having ended up at many a holiday in the Maplins equivalent of Butlins, albeit not the fifties setting, but with very little changed in the decades anyway. However, we have moved on a bit since these eighties days, so does Croft and Perry's comedy still cut the mustard now? The answer is yes and no, a lot of the humour is still fun and there are many a chuckle moments, the characters also are still bold and fun enough to provide some great entertainment. However, with these characters lie the first problem with an acting group doing a show like this. Anyone familiar with the show and its nine series run will have the characters so indelibly marked in their head and this offers no freedom for a performer to make that character their own, they are just setting out to copy someone. Yes, a challenge, and w...

Review of Aldous Huxley's Brave New World at Royal & Derngate (Royal), Northampton

As the house lights came up at the interval of my viewing of Brave New World, an older chap in the row behind me quite audibly said to his theatre companion "that was rubbbish". I could at that moment only assume that he was wearing one of those rather stylish visual goggles that the cast wore during the show to view something else entirely as "rubbish" was far from my thoughts. It could of course be that he just didn't get it as science fiction might not be his thing. This is one of those impressive things with the constantly inventive Made In Northampton series, it boldly tries everything and maybe if you, like this chap come to all of them, they are not always going to work for you. Adapted as a new commission by Dawn King from Aldous Huxley's 1931 novel, Brave New World is the neglected compatriot of George Orwell's 1984. It is however a much different affair in substance, relating to genetically created humanity and the socially controlling Soma...