Skip to main content

Review of The Winter's Tale performed by University Of Northampton BA Actors at Royal & Derngate (Underground), Northampton

While I had tremendous fun with Merry Wives two days before, I feared The Winter's Tale for one being Shakespeare and tow the fact it wasn't a comedy. This was bad enough for me, and then it turned out that it was Shakespeare doing Greek as well, which was another slight problem that had reared its head in the past. I don't do old language, I am with all this new stuff innit.

So I am afraid that I had trouble with this one, but never because it was of a poor quality. It was obvious that there was some superb, super strong acting going on. I commented in a rather ugly way during the interval that for me proper, giving it some welly acting brings the spit levels to the forefront. During Winter's Tale there was some epic spit moments, particularly during the first half where the truly big speeches came.

Giving it some real welly for me was the epic performance of Sophie-Rose Darby as the "doomed" Hermione. Her speech in court was quite staggering in every single way and one of the best moments I have seen in a University play. Also giving it some clout (hope you like all this proper language I am using) was Stephanie Waugh as Paulina, laying into the gentlemen in quite a way including the poor old downtrodden husband Antigonus (Charlie Clee). I have seen Charlie before in Masque and had absolutely loved his performance in Our Town. In this he bought a softness of character that I felt was pretty much otherwise absent from the very heavy first half, and I was sad to see his untimely demise. However what an absolutely surreal and well staged scene that was.

Although a smaller but pivotal role, I did enjoy Jack Alexander as Shepherd, and whether dealing with Perdita (Annalise Taylor) had taken its toll or not, he somehow seemed to be the only character to have aged in the sixteen years later second half other than Perdita herself, but she was a baby so that doesn't count. I am sure she wasn't too much trouble though as she was very sweetly played by Annalise.

Finally overseeing all the grief and bedlam is Jaryd Headley as Leontes. A totally solid and dominating performance as a generally unsympathetic character (putting it quite lightly), taking the emotions through all the foibles and generally horrible characteristics in an excellent way.

There were many more wonderful performances on show but I sadly had a little trouble sorting the names and people out for the others, my problem not theirs. If you haven't been mentioned, don't take offence. I shall no doubt glow over your performances in the future more manageable (for me) shows to come.

Finally we have what will henceforth be known a Beargate to deal with. Watching The Winter's Tale engineered two magic moments of emphasis as to what my Small Mind moniker is quite relevant. I first draw your attention to Exhibit A in my webpage title above where I steal the famous Shakespeare stage direction for my own nefarious needs. Well until I was informed by fellow theatre goers Mr and Mrs Mudbeast, I was unaware that it was in The Winter's Tale. Bill is see, eminently quotable, I give him that. Even if he isn't my friend. Not that I need to know where the quotes come from. Now Exhibit B is even more painful, it is never big or clever to hope that a man in the bear suit is in fact a polar bear rather than a panda bear, because you have mistaken the fact that a panda bear isn't a bear, when in actual fact you are thinking of a koala (not bear). This is embarrassing enough if it is in familiar company, but then when you bring it to the attention of the director during the interval, it is a veritable disaster. Fortunately I am big enough to realise my (many) mistakes and therefore I bow down on my confused bear knowledge. However I do blame the heat of the Underground for my lapse.

So a wonderful production with director Jamie Rocha Allan using the Underground space in a clever way. I haven't seen the main doors worked so much into a production, and actually I would have been fascinated to watch this from the outside to see all the maneuverings going on. Great stuff even if it is not quite for me but performers with much promise for the third year productions.


Performance reviewed: Saturday 6th June, 2015 at the Royal & Derngate (Underground), Northampton.

The Winter's Tale was one of twos shows being performed at the Royal & Derngate by the University Of Northampton BA (Hons) Actors between Thursday 4th June and Saturday 6th June, 2015

Details of both can be found here:
The Merry Wives Of Windsor
The Winter's Tale

Details of Royal & Derngate can be found by visiting their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of War Horse at Milton Keynes Theatre

Michael Morpurgo's novel War Horse was published in 1982. While it was highly regarded and thought to be his best work, perhaps it eventually came to most people's attention when this striking play stormed the stage, thanks to the National Theatre, back in 2007. Now, War Horse arrives at Milton Keynes Theatre as part of another vast UK tour. Adapted by Nick Stafford in association with the award-winning Handspring Puppet Company, War Horse tells the story of the First World War through the eyes of one horse, Joey, sold for a record price from a family battle but eventually shipped off to war-torn France much to the distress of his original owner, 16-year old Albert. The sprawling and epic story should take some staging, but the vast cast, beautiful structure, stunning folk music and, of course, what this play has become known for, magnificent puppetry, all bring the story to life. This production, directed by Tom Morris and revival director Katie Henry, is a magnificent thin...

Review of a A Taste of Honey at Stantonbury Theatre, Milton Keynes

Written by Shelagh Delaney in 1958 at just nineteen, A Taste of Honey was a ground-breaking depiction of modern society, falling very much into the "kitchen-sink" genre, fast developing with writers within the world of British theatre during the fifties. Dealing with a multitude of themes including class, race, age of sexual consent, gender, sexual orientation and illegitimacy, it has rightfully become a legend of theatre. However, almost seventy years later, does this play still resonate with audiences and have a place in modern theatres? The play, set in 1950s Salford, tells of teenager Jo and her mother Helen moving from one rough lodge to another as either rent becomes due or Helen needs to escape another failing relationship. With Jo approaching school leaving age, Helen sees the time is right to abandon her to the world and move on with her own life. When watching A Taste of Honey , you can imagine the controversy surrounding its original release. The content is provoc...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...