Skip to main content

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders, having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show.

It turns out though, Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well.

The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories told in the series, and perhaps as a result of this, it is the better act, just.

At the basic level, this show has some great dance, although it has to be said, not a great deal of refinement and deftness. It is very aggressive, strong dancing, mostly driven by the male performers, and this is detrimental to the success of the show at times (but perhaps in keeping with the concept), you can only take a certain amount of stomping moves. There is an opium-based scene in the second act that briefly, for a time, shows how much better this could have been with more balance in styles. In the end, though, repetition is the weakness of the show.

Also lacking is connectivity from the performers, relationships struggle to be believable and emotion is weak in the storytelling. Maybe Rambert just wants to make it showy and aggressive, that is Peaky Blinders at the end of the day and you can't say that the very eclectic audience was thrilled by the events. However, were they thrilled by Peaky Blinders the dance show, or, a dance show? It certainly isn't quite up there with many other dance shows in that respect.

There are some excellent performances though, and many of those are actually further down the pecking order of characters, Max Day simply dazzles in the ensemble, showing a series of incredible moves and a very slinky performance. Likewise, Aishwarya Raut is a captivating presence in a number of scenes. Also, there is no question that Musa Motha as Jeremiah has unbelievable skills. Elsewhere, there are curiosities. Simone Damberg WĂ¼rtz is totally wasted in the role of Polly, and there is no love felt in the performances between Joseph Kudra's Thomas Shelby and Seren Williams as Grace Burgess, in what should be the driving love story of the evening.

There are some superb moments that show the potential this did have but was not maintained. The invasion moment of the audience for example and demands for money is a cracker and a surprise unlike much of the show sadly. The staging also suffers dependent on where you sit. The fifth row for example has no clear view of the top of the stage where the bulk of the performances is made. Feet are often obscured and the trench used frequently throughout is invisible here and just results in people popping up and disappearing bizarrely as a result.

Perhaps the very best part of the show doesn't reside with the dancing ironically, and that is the music. Much performed live by Yaron Engler, James Douglas, and The Last Morrell, it is absolutely stunningly performed, and indeed the whole soundtrack is of exceptional quality.

Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby is an odd show. The moment Peaky Blinders was suggested at a Rambert planning meeting must have been an interesting one, but credit to them for making it happen. At times, but sadly rarer than wanted, it is an excellent show. However, be you a die-hard Peaky Blinders fan, or brand new to the show, this feels like a curiosity and failure. However, by order of the Peaky Blinders audience, so many stood at the end, might suggest, I am totally wrong and might receive a visit from some flat-capped visitors soon...

A fantastic amount of style, but is sadly very limited in substance.
⭐⭐⭐

Performance reviewed: Tuesday 21st February 2023 at the Royal & Derngate (Derngate), Northampton.

Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby is at Royal & Derngate until 25th February 2023.

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Production photos: Johan Persson


Popular posts from this blog

Review of The House She Built at The Black Diamond, Northampton

Independent theatre company Nerve Theatre was founded in January 2025, when its first original production, Broken Party , took to the stage at Benn Hall in Rugby. That was followed the same year by a modern retelling of Frankenstein . Now, for 2026, Nerve Theatre founder Mia Ballard has written and directed The House She Built , staged for three nights at The Black Diamond, Northampton. The House She Built , set in 1950s Hollywood, is a dark thriller influenced by the lives of Marilyn Monroe, Judy Garland, Elizabeth Taylor and Audrey Hepburn and their treatment as women within the cogs of Hollywood. Our leading lady here is Nancy Carlton, who returns to Mellor Brothers Productions to make one final film. But something awaits her, and the scene is set for a period thriller that explores the grimy world behind Hollywood's apparently glamorous days. Michaela Clement-Hayes leads the cast as Nancy Carlton, the star troubled by her past, but returning to her old studio for that final mov...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of Legally Blonde at Royal & Derngate (Derngate), Northampton

As I settled down in my chair at the Derngate to see this touring production of the musical Legally Blonde , I generally had no idea what I was letting myself in for. Never having seen the film, read little up on the show, as is my want, and sitting in a clearly unbalanced gender demographic, this show was quite clearly not targeted at me. As the opening number, a catchy, but the incredibly screechy song, Omigod You Guys was performed, I was not, let's say, won over at first. However, it was clear that this just served as an overwhelming and ridiculous setup to the boldness of the show. The second number, Serious was a much better experience and genuinely funny song and throughout the tracks to come, there was much better to come. Our lead is Elle Woods (a charming, bubbly Lucie Jones), a typical caricatured blonde whose sole aim in life is to get the hand of her love in life Warner Huntingdon III (Liam Doyle). When he breaks up with her in pursuit of someone "serious...