Skip to main content

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders, having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show.

It turns out though, Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well.

The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories told in the series, and perhaps as a result of this, it is the better act, just.

At the basic level, this show has some great dance, although it has to be said, not a great deal of refinement and deftness. It is very aggressive, strong dancing, mostly driven by the male performers, and this is detrimental to the success of the show at times (but perhaps in keeping with the concept), you can only take a certain amount of stomping moves. There is an opium-based scene in the second act that briefly, for a time, shows how much better this could have been with more balance in styles. In the end, though, repetition is the weakness of the show.

Also lacking is connectivity from the performers, relationships struggle to be believable and emotion is weak in the storytelling. Maybe Rambert just wants to make it showy and aggressive, that is Peaky Blinders at the end of the day and you can't say that the very eclectic audience was thrilled by the events. However, were they thrilled by Peaky Blinders the dance show, or, a dance show? It certainly isn't quite up there with many other dance shows in that respect.

There are some excellent performances though, and many of those are actually further down the pecking order of characters, Max Day simply dazzles in the ensemble, showing a series of incredible moves and a very slinky performance. Likewise, Aishwarya Raut is a captivating presence in a number of scenes. Also, there is no question that Musa Motha as Jeremiah has unbelievable skills. Elsewhere, there are curiosities. Simone Damberg WĂ¼rtz is totally wasted in the role of Polly, and there is no love felt in the performances between Joseph Kudra's Thomas Shelby and Seren Williams as Grace Burgess, in what should be the driving love story of the evening.

There are some superb moments that show the potential this did have but was not maintained. The invasion moment of the audience for example and demands for money is a cracker and a surprise unlike much of the show sadly. The staging also suffers dependent on where you sit. The fifth row for example has no clear view of the top of the stage where the bulk of the performances is made. Feet are often obscured and the trench used frequently throughout is invisible here and just results in people popping up and disappearing bizarrely as a result.

Perhaps the very best part of the show doesn't reside with the dancing ironically, and that is the music. Much performed live by Yaron Engler, James Douglas, and The Last Morrell, it is absolutely stunningly performed, and indeed the whole soundtrack is of exceptional quality.

Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby is an odd show. The moment Peaky Blinders was suggested at a Rambert planning meeting must have been an interesting one, but credit to them for making it happen. At times, but sadly rarer than wanted, it is an excellent show. However, be you a die-hard Peaky Blinders fan, or brand new to the show, this feels like a curiosity and failure. However, by order of the Peaky Blinders audience, so many stood at the end, might suggest, I am totally wrong and might receive a visit from some flat-capped visitors soon...

A fantastic amount of style, but is sadly very limited in substance.

Performance reviewed: Tuesday 21st February 2023 at the Royal & Derngate (Derngate), Northampton.

Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby is at Royal & Derngate until 25th February 2023.

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Production photos: Johan Persson


Popular posts from this blog

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of The Wizard Of Oz by the Northampton Musical Theatre Company at Royal & Derngate (Derngate), Northampton

The last couple of shows from the award-winning Northampton Musical Theatre Company has been a slightly mixed bag, with their last show at Derngate the rather difficult to get a grip on thrills of Grease , a woefully inferior stage version of the classic film despite being very well performed. Their best show recently was ironically Summer Holiday , hidden at the much smaller Cripps venue. Therefore still in the wake of the exceptional Sister Act , does The Wizard of Oz create the Derngate magic once again? The answer for me, is both yes and no, it is as always an exceptional production filled from top to tail with talent, as NMTC is so renowned for, and packing the audience in and thrilling them like perhaps nothing like Oz can in the musical department, you cannot question its selection really. However, like Grease , and to readjust a requote, "it's just Oz". This time I use it in the way that Oz is just a little over-familiar, I am desperate for the buzz that I go...

Review of The Spy Who Came in From the Cold at Milton Keynes Theatre

The Spy Who Came in From the Cold is one of John Le CarrĂ©’s more well-known titles in his world of spy fiction, and having been adapted into a highly rated 1965 film with Richard Burton, it is perhaps surprising that it took until 2024 for this stage adaptation to appear, adapted by David Eldridge, and now at Milton Keynes Theatre. In many ways, it feels like a ripe story for a stage play, with locations and theatre folk often liking the cerebral storytelling it offers, so this should be perfect for the stage? The Spy Who Came in From the Cold depicts Alec Leamas, a British intelligence officer, being sent to East Germany as a faux defector to sow disinformation about Hans-Dieter Mundt, a powerful East German intelligence officer. However, as expected in the spy world, all is not as it seems, and with the lurking figure of the supposedly retired spy George Smiley in the background, Leamas finds things moving far from his control. It has to be said that Eldridge’s adaptation struggles...