Skip to main content

Review of Unexpected Twist at Royal & Derngate (Royal), Northampton

This new stage adaptation by Roy Williams of Michael Rosen's Unexpected Twist is a very important piece of theatre. Much like a pantomime's appeal, this special little production could be key to a lifetime of theatre activity for young people who experience it. The production, directed by James Dacre, ticks so many of the boxes to make this interesting for them, talk of mobile phones, streetwise kids at the stories centre, R&B, and beatboxing. It is as down with the kids and as cool as any Royal & Derngate Made in Northampton production I have seen and in arrangement with The Children's Theatre Partnership this is something very special.

Not to say that this show is just for kids, as this is as much for grown-ups as well. Rosen's story takes Charles Dickens Oliver Twist, and wait for it, twists a new story from it while linking brilliantly to the trials of life and families in 2023. You see, every modern character in this story sees their world collide with another in Dickens' original story.

Our Oliver of this story is new school arrival Shona (Drew Hylton), who with her dad (Thomas Vernal) has seen endless financial woes. Traveling from place to place, fleeing landlord after landlord, Shona yearns for a stable and secure life. Her latest school class, presided over by the equally troubled Miss Cavani (Rosie Hilal), is studying Oliver Twist, and as they progress through it, they are haunted by the ghostly spectres of their likenesses in the novel.

Unexpected Twist is full of superb performances, with a company of brilliant skill. Hylton's performance in particular is stunning, exuding such emotion from her performance, and vocally, she brings Yaya Bey and Conrad Murray's superb songs to life like no other. She is such a talent at such a young age, that so much beckons ahead of her in her future career.

Alex Hardie is equally skilled in his role as Gazz, but a little different, as he is the show's main Beatbox champion, and what a skill he has. The character of Gazz is interesting enough but coupled with the need to maintain the biggest part of the human-created soundscape in this show, his skills are overwhelming. Another star-making performance.

Tino played by Alexander Lobo Moreno presents an initially likable character and he has great stage presence and confidence. His character evolves into a character you have to dislike despite the charm and coolness that Moreno exudes. The rest of the kids, Rosie (Nadine Rose Johnson), Desree (Kate Donnachie), and Rasheda (Liyah Summers) complement the rest of the cast brilliantly, with Donnachie in particular very strong on vocals and teenage moves and style.

Director James Dacre has done his usual classy job on this, with the usual flair and sharp blackouts he is famous for at the fore. The design from Frankie Bradshaw is extremely clever, with the whole piece created upon a gymnasium and changing room set. There is also some exceptional lighting design from Rory Beaton, with brilliant blackouts, dynamic lighting upon climbing frames, and the use of spots toward the end of the show that is truly a very special moment.

The whole show ends with a curtain call like no other as Donnachie leads an amazing beatbox contest from all of the cast and Hylton shows that even at the end of the show there is just that bit more left in the tank for an incredibly unexpected bit of athleticism.

Unexpected Twist is a show that you should get to see. Maybe there are some who won't like the music style in this piece, but if you can get by that and see that for what it is, and what it represents, you will see an extremely good show emerge. The show is recommended for ages eight and above, and the more of those kids that get to this, the better for theatre lives for them beyond this one show.

Innovative and bold and an incredibly important piece of theatre not to be missed.

½


EPILOGUE: A final comment on Unexpected Twist from a very personal level as this is James Dacre's final show as a director before he leaves his role of ten years as artistic director at Royal & Derngate. As a result of this, it is also an end of an era for me as well, as the very first play I saw at the theatre was A Tale of Two Cities (see the Dickens link there) in 2014, the first play directed here by Dacre. So, I will see a new world, a Brave New World, at Royal & Derngate for the first time, but at that end, I thank Dacre for everything that he has done for the theatre, and its audiences for ten years. Oh, and my favourite, if anyone wants to know, is The Two Popes.

Performance reviewed: Wednesday 15th February 2023 at the Royal & Derngate (Royal), Northampton.

Unexpected Twist is at Royal & Derngate until 25th February 2023 before touring until June.

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Production photos: Manuel Harlan


Popular posts from this blog

Review of Paranormal Activity at Milton Keynes Theatre

The low-budget film Paranormal Activity , first released in 2007, has since become the starting point of one of the most prolific horror series ever, with seven films now released in the franchise and another due next year. Its unique down-to-earth style of storytelling, inhabiting what is many people’s real life, with dangers within the house, has contributed greatly to its success. So, from one successful medium franchise, it is no surprise the series was developed for theatre in 2024, with a new story by Levi Holloway (though it borrows heavily from the original film). First performed at Leeds Playhouse before heading to both the West End and Broadway, and now, for 2026, a UK and Ireland tour, which this week arrives at Milton Keynes Theatre. So the question is: has the medium successfully crossed to the other side? Newly married couple, James and Lou, move from Chicago to London in an attempt to escape both of their past lives. However, as events begin to repeat themselves, they re...

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...