A Small Mind At The Theatre

I generally steer clear of pantomimes in general, but have inherited a few people and groups that I feel the need and am generally happy to support through thick and thin. Hence following my trip to Duston Players earlier in December, I found myself back at the annual Looking Glass Theatre's pantomime at St Peter's Church a week or so back (this is a heavily delayed review). Looking Glass do none showy traditional family pantos, there are no awkward moments here of the adult squirming over whether that joke was too near the knuckle for little Johnny sitting next to you. There are though always jokes for the grown-ups, but not in the adult nature, just occasionally newsworthy stuff, and this time among others we had the rather timely Baron Le Brexit as the baddie. This is the third panto I have seen from Looking Glass and without criticism of the previous ones, this is the best. It's a more solid presentation and perhaps most importantly wields the best quartet of a cast...

Much like Sell-By-Date in 2014 took death in it's many guises and made a dark comedy with wonderfully dramatic moments, The Show Must Go On takes cancer and creates a piece much like that Flash classic. Devised by Penelope May, Jake Rivers and Madeleine Hagerty, who between them are Lead Feather Theatre Company, this is without doubt the most emotionally dramatic play of the week. It centres around Alice (Penelope) and an illness that we eventually learn is cancer. Around her are her brother Ed (Jake) and her friend Sally (Madeleine). The piece is handled with a deft and adult style throughout much of the play as Alice's condition worsens. There is also a tremendously strong subplot as well with a husband and his cancer affected wife. The husband played by Jake delivers a particularly brilliant and challenging stand-up rountine (shades of Sell-By-Date once again) that builds from guilt laughter from the audience to eventually silence as the tone of the jokes deftly changes....