Skip to main content

Review of Robin Hood And The The Babes In The Wood at the Looking Glass Theatre, Northampton

I generally steer clear of pantomimes in general, but have inherited a few people and groups that I feel the need and am generally happy to support through thick and thin. Hence following my trip to Duston Players earlier in December, I found myself back at the annual Looking Glass Theatre's pantomime at St Peter's Church a week or so back (this is a heavily delayed review).

Looking Glass do none showy traditional family pantos, there are no awkward moments here of the adult squirming over whether that joke was too near the knuckle for little Johnny sitting next to you. There are though always jokes for the grown-ups, but not in the adult nature, just occasionally newsworthy stuff, and this time among others we had the rather timely Baron Le Brexit as the baddie.

This is the third panto I have seen from Looking Glass and without criticism of the previous ones, this is the best. It's a more solid presentation and perhaps most importantly wields the best quartet of a cast.

That cast once again are plundered very nicely from this (now last) years graduates of the University of Northampton BA Actors, a constant delight that I at least get to see some of them again beyond Flash and the London Showcase, as so many depart across the country and world beyond, seemingly never to be seen again.

The day before I saw this panto, I had rekindled memories of the BA Actors show Blue Stockings in my year review and the quite devastating performance, in a small role, of Stuart Warren, A totally repellent character, made very punchable by Stuart's performance. In Babes, among other characters, he was full on Dame mode as Nursie Nighty. Quite a contrasting performance, and one that he happily completed with ease.

Although pantomime isn't always my bag, I concede the fact that if you can nail success at it and the respect and attention of wandering minded five year olds, you can probably do anything on the stage. Like Stuart, Madeleine Hagerty, Connor McAvoy and Penelope May all nailed, or in modern lingo, killed it. Playful, quick witted enough to deal with the audience in a fluid script and keeping us entertained throughout. Connor is a surprisingly likeable baddie as the Baron, Madeleine is a nicely manly Robin Hood (keeping up the gender switching panto tradition) and Penelope makes a charmingly delightful Maid Marion. It is, I have to concede wonderful fun.
Left to right: Stuart Warren (Nursie Nighty), Penelope May (Maid Marion), Madeleine Hagerty (Robin Hood) and Connor McAvoy (Baron). Photo: Looking Glass Theatre
I still doubt I will ever run to a pantomime in a thrill, however over time I have certainly begun to respect their importance to both a theatres annual budget, and that ease into the world of stage for the grown-ups of the future. Looking Glass offers perhaps the most interactive and accessible of pantomimes that you might find in Northampton each year, and delivers it without the need to be showy and expensive on the pocket of the audience. However is remains as fun an afternoon as you would want from a pantomime at the same time.

««««


Performance reviewed: Saturday 31st December, 2016 (matinee) at St. Peters Church, Looking Glass Theatre, Northampton.

Details of Looking Glass Theatre can be found on their website at http://www.lookingglasstheatre.co.uk/

Popular posts from this blog

Review of & Juliet at Milton Keynes Theatre

First performed in 2019, & Juliet has become quite a global success, and now, as part of a UK Tour, it has arrived at Milton Keynes Theatre for a two-week run. Featuring a book by David West Read, it tells the what-if story of the survival of Juliet at the end of Shakespeare's Romeo & Juliet . Primarily a jukebox musical, it more specifically features the works of Swedish songwriter Max Martin (and friends, as the credits describe). The question is, does & Juliet provide more than the standard of many a jukebox musical before it, and does it honour the tragic tale from which it has sprung? Our story opens with William Shakespeare presenting his latest work, Romeo & Juliet , for the first time. However, when his wife, Anne Hathaway, learns how he intends the tale to end, she is away with his quill and planning on her reworking of the story. At the core of this touring production's success is Geraldine Sacdalan's powerhouse performance as Juliet. Her Juliet ...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...