A Small Mind At The Theatre

The arrival of another stage adaptation of a classic film is beginning to set me on edge now, such is the bounty of them travelling across the country. However, unlike many of them, this and the previous works of The Classic Screen to Stage Theatre Company 's work, isn't a musical version as is most audience-pleasingly common, so, at least at the initial stage, this feels less forcing of the current trend. Rain Man , starring Tom Cruise as Charlie and the Oscar-winning Dustin Hoffman as the autistic Raymond, was a 1988 film depicting the journey of discovery of an unknown brother, sent away by their cruel father soon after the death of their mother. After the father dies, Charlie learns of his brother and the fact that the $3 million inheritance has been left to that unknown brother. Kidnapping Raymond, they set off on a voyage of discovery of lost child and adulthood, and the power of family. There are some great, if not exemptional performances throughout Rain M

Ian Rankin's John Rebus has been stalking the underworld of Edinburgh for over thirty years now in both his novels and various TV adaptations. Here though, with an adaptation by Rona Munro, the, now retired, detective, takes to the stage for the first time, and even to this reviewer, slightly lacking in knowledge (I have read the first two novels a long time ago), it proves an entertaining, if slightly unfulfilling evening at times. The story of Rebus: Long Shadows unfolds following a chance encounter with a young girl on his tenement stairs, the wounds of two unsolved cases of murdered girls open up in Rebus' mind, leading to encounters with old colleague Siobhan Clarke, and recurring nemesis 'Big Ger' Cafferty. At the centre of this whole production is a superb dominating performance by Charles Lawson, depicting the grizzled, weary drink swigging detective with huge skill. His whole demeanour embodies the nature of the character, from his voice to his gait an

Last week it was that time of year again when the talented amateur performers of the Northampton Musical Theatre Company got their moment upon the big stage of the Derngate. This year their ambition was to bring Leonard Bernstein, Stephen Sondheim and Arthur Laurents' ambitious West Side Story to the stage. Mixing classic songs and challenging dance routines revolving around the fifties set retelling of Shakespeare's Romeo and Juliet , this was a tremendously tough show for an amateur group to take on. However, as expected, this talented, and always near professional group made it work, despite a very shaky start. The opening, and classic, dance routine between the Jets and the Sharks, merging ballet with contemporary, never quite works, not due to lack of effort of the performers, it's just that it is just so tough to get right. It is though probably the one slightly weak part of the evening. From then on, bar a few slightly stilted dance routines, West Side Story bec