A Small Mind At The Theatre

For those unaware of what Fun Palaces is all about (except fun of course), they are an idea born from an attempt in the sixties by Joan Littlewood and architect Cedric Price to bring a "laboratory of fun" that would travel from place to place bringing arts, ideas, creation and that key fun to different locations. It never happened. However in 2014, the idea was reborn and across the country in the first weekend of October, 130 places in the UK became a place of "Fun". The Royal & Derngate held one that very year which I attended and it was a day I spent eight hours in the theatre milling about, intrigued by what was going on. For 2016, mine and R&D's third year, I joined them again on both the Saturday and Sunday. For 2016 there was no question that I had more fun than my previous two years. Indeed I had quickly regressed to childhood upon arrival, making a shadow puppet with the help of Lisa Shepherd of Imaginary Ordinary. Going rogue, shunning the temp...

The poor old elephant in the room, that little object sitting upon a "small" box had to endure such activity around him. Did he tumble where all chaos surround him, did he heck! Allure Theatre's production from the wonderful trio of Hannah Mitchell, Julia-Louise Nolan and Jack Smith particular elephant is obsessions, be they of the stalking variety, pop fandom or OCD. Or OCD, pop fandom and stalking to put them in alphabetical order. For the best part they told the trials of these obsessions in a comedic lighthearted way, with more than an element of clowning. So we had obsessive kissing departures from Hannah and Julia-Louise, we had stalking of his cake prey from Jack (the cake is a lie) and we had a loving relationship between Hannah and Jack, well Hannah anyway. Our set consisted of a large number of boxes, small, medium and large which were used in numerous ways throughout the busy, very quick scene changing show and also offered us the hysterical moment of Jack ...

Written in 1962 by Anthony Burgess, A Clockwork Orange remains even today one of the most controversial stories of all time. Maybe most of this controversy comes from its 1971 film version, which was even withdrawn by its own director Stanley Kubrick, and only became wildly available after his death. Maybe less familiar is the stage version which was adapted by the author himself. Perhaps due a little to the passage of time, the University Of Northampton's vivid performance felt more powerful than the film. Violence on film has become common place so Malcolm McDowell and his droogs attacks have become less powerful on screen. On stage however, much of that violence is more offered in the mind and to that extent feels more powerful. The clever use of screens in particular removing the more barbaric scenes slightly away from the eye and more into the mind. Playing Alex is Sam Billy Behan, once again in the lead following his epic performance as Macbeth . He is the same commanding...