Skip to main content

Review of A Clockwork Orange performed by University Of Northampton BA Actors at Royal & Derngate (Royal), Northampton

Written in 1962 by Anthony Burgess, A Clockwork Orange remains even today one of the most controversial stories of all time. Maybe most of this controversy comes from its 1971 film version, which was even withdrawn by its own director Stanley Kubrick, and only became wildly available after his death. Maybe less familiar is the stage version which was adapted by the author himself.

Perhaps due a little to the passage of time, the University Of Northampton's vivid performance felt more powerful than the film. Violence on film has become common place so Malcolm McDowell and his droogs attacks have become less powerful on screen. On stage however, much of that violence is more offered in the mind and to that extent feels more powerful. The clever use of screens in particular removing the more barbaric scenes slightly away from the eye and more into the mind.

Playing Alex is Sam Billy Behan, once again in the lead following his epic performance as Macbeth. He is the same commanding presence and on stage through much of the play. His depiction is every bit the well spoken thug required, but adds surprising amounts of comedy to the role. Indeed the whole play has an edge of more comfortable humour than the film itself. It may be wrong to laugh at such scenes, but those like the cat lady scene have a great deal more comic moments in them than the film, particularly with our two cats (the all preening and paw washing Jessica Kay and Leanne Dallman) a glorious relief. The later inheritance shots on the back screen an added delight. I can only assume that the cat ladies demise at the hands of Beethoven is more a props issue than a direct alteration from the original film, although it is indeed more in keeping with the original book and not Kubrick's surreal portrayal.

While Behan remains Alex, the rest of the cast juggle multiple roles with ease. Jessica Kay is a delight, either as the aforementioned cat or her main role as The Minister, complete with fetching costume and hat. Ben Stacey meanwhile in his main role as Dim is a glorious comic performance, but also offers a scary presence with his size. As fellow droog, Georgie played by Kate Fenwick offers a huge performance especially considering her size, especially compared with Stacey. The final member Pete is played with surprising calm by Joshua Thomas considering the activities they get up to. He comes across as quite a soft and gentle actor on stage, which is a pleasant thing, especially in such a tough story. He also takes, what in the third row felt like the most real kick to the head I ever wish to witness.

The droogs activities are also where the clever combat and choreographed movement rears its head. They take part in some dramatic and tough sequences which are dazzling to view. They are also occasionally humorous, their battle with the bookworm (Julia Nolan) is a comic feast and contains its fair share of danger, but all is well and nothing is dropped.

Returning to the cast, when not a cat, Leanne Dallman is a rather interesting correctional officer, generally more allure than authority and to a certain amount more like Kubrick's film (despite the gender difference), it is an excellent little performance. Julia Nolan is a delight as Brodsky, tough and dependable in those famous video correctional scenes, as key a scene as that initial and brutal home raid.

It truly is fascinating to see the story portrayed on stage and director Simon Cole has created a vivid version with his young cast. I have to say I missed the famous synthesiser music of the film, as well as Singin' In The Rain. It was however a captivating and powerful production from all of the performers and Sam Billy Behan a domineering presence throughout. Certainly not a real horrorshow, very much a right righty right.


Performance reviewed: Saturday 14th March, 2015 at the Royal & Derngate (Royal), Northampton.

A Clockwork Orange was one of three show being performed at the Royal by the University Of Northampton BA (Hons) Actors. Details of each are below.
A Clockwork Orange: http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/AClockworkOrange/?view=Standard
The Last Days Of Judas Iscariot: http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/LastDaysOfJudas/?view=Standard
Dying For It: http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/DyingForIt/?view=Standard
Details of Royal & Derngate can be found by visiting their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Matthew Bourne's Romeo + Juliet at Royal & Derngate (Derngate), Northampton

Despite now having seen a few dance shows encompassing many different styles, I had yet to see one developed by Sir Matthew Bourne, a controversial player in his time, but as the relatively recent knighthood suggests, now very much embraced by the establishment. So, does Romeo + Juliet live up to his name, that is the question? So, first, this might normally be where I give you a brief outline of the story, but, for one, most have a general understanding of the love disaster of William Shakespeare's play already, and two, as it turns out from the Bourne production, a huge amount of what you might be familiar with has gone or been dramatically changed anyway. There is shocking complicity in murders, there are different moments of murder and gone are the warring factions of the Montagues and Capulets. Characters themselves feel very different at times also, to such an extent that even knowing the play doesn't always make it clear who is who at times. So, if all that sounds...

Review of 2:22 A Ghost Story at Royal & Derngate (Derngate), Northampton

2:22 A Ghost Story continues an endless rise and run of success on the stage. This play by Danny Robins was first staged as recently as August 2021 at the Noel Coward Theatre and since then the show continued to run in London for two years, moving to four further London theatres, before eventually closing in the city to embark on this tour, which began in September last year. During these runs, the cast has constantly been updated with often populist actors, and some, which are not even associated with acting. As this reaches Royal & Derngate, now even the touring cast has been swept clean and four further performers take on the incredible success of a show. This is the second time I have seen 2:22 A Ghost Story , and it is safe to say that on that first viewing, with the previous tour cast, I was not as blown away by the play as the success seemed to warrant. The aforementioned populist casting seemed to have driven a so-so ghostly tale into success beyond its quality, and with th...