Skip to main content

Review of NMPAT Orchestra Spectacular at Royal & Derngate (Derngate), Northampton

On my first Theatreversary I attended the Royal & Derngate for the Northamptonshire Music And Performing Arts Trusts (NMPAT) performance of An Orchestra Spectacular. It was my first encounter with a live orchestra of such a size, and its safe to say it was quite devastating on me as a night.

The evening was formed of three different orchestras, from the youth beginners (still quite brilliant), to the so called "training orchestra" and then finally after the interval the full "youth orchestra". The difference was noticeable between the three, but none were very short of excellent.

Many of the pieces were familiar to me and would very much be high on my choice of selections if I were to make a list of classical music. There were also too superb diversions from classical type with a medley of John Williams' (music god) Empire Strikes Back and video game theme from The Bounty Hunter. Our host of the evening assured us that computer game music is where much of the top notch music comes from now. As a grown-up game player, I can very much attain to this. There is truly some exceptional music in games now. The Bounty Hunter was unfamiliar to me, but performed by the "training" orchestra, it also sounded a wonderful piece.

The main bulk of the show was made up of traditional classical pieces and what pieces they were. Any opportunity to hear any of Holst's The Planets is fine by me. However this was the first time for me hearing it performed live, and it was simply incredible. The training orchestra performed Mars and Jupiter (for me the best two) and it struck me slightly dumbfounded. Their performance of Tchaikovsky's Waltz from Sleeping Beauty didn't make anything easier.

It's strange as although I listen occasionally to classical, I would never say I am a heavy consumer (it wasn't big in the eighties, where my musical tastes are generally trapped). However hearing this live was quite a different world. The second half of the show really left me dazzled beyond belief, to the point where something kept leaking from my eye. I had, lets call it, a moment. Thank heavens I was in the circle box with no one in front of me and spared any embarrassment from my waterlogged face.

I believe for whatever reason the show had an odd impact on me and ranks in the top five for experiences in the last year. There was no better way to celebrate my self titled Theatreversary, and for that I thank you R&D and especially the incredible orchestra of NMPAT. I get to do it all again on Sunday for the Wind Band Spectacular.


Performance reviewed: Sunday 1st March, 2015 at the Royal & Derngate (Derngate), Northampton.

An Orchestra Spectacular was part of NMPAT's A Spring Festival Of Music. For more details visit their events page at 
http://www.northamptonshire.gov.uk/music/community/events1/pages/default.aspx

A Wind Band Spectacular is on Sunday 8th March, 2015 at 6:00pm, details can be found here: http://www.royalandderngate.co.uk/whatson/2015-2016/Derngate/nmpatwind

Details of Royal & Derngate can be found by visiting their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Elf the Musical (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

Christmas has come early this year thanks to the Northampton Musical Theatre Company and their annual performance at Royal & Derngate; this year, they bring Elf the Musical to the stage. First staged in 2010, this musical version of the 2003 Will Ferrell comedy features music by Matthew Sklar and Chad Beguelin and is based on the book by Bob Martin and Thomas Meehan, from David Berenbaum's original screenplay. Elf tells the tale of Buddy, a human raised by Santa's elves, who eventually learns that his origins are less North Pole and more the skyscraper streets of New York City. So, for Buddy, it’s time to travel to the Big Apple and finally meet his biological father. Matt Clarke's lead performance in Elf is strong. Clarke brings Buddy to life with all the childish manners and silly behaviour that make the character an endearing lead. He also has the vocal ability and movement to match, and he effortlessly entertains, especially the young kids, with his zany antics. Han...

Review of Matilda at Milton Keynes Theatre

Roald Dahl is perhaps one of the most famous children’s authors of any generation, and his work has inspired an exceptional number of film, television, and theatre adaptations. Fifteen years ago, this musical of Matilda , one of his most fondly remembered stories, took to the stage and has not looked back since. Adapted from the original book by Dennis Kelly, with lyrics and music by Tim Minchin, the show has been a fixture at the Cambridge Theatre in London since 2011, has performed on Broadway, and is now reaching Milton Keynes Theatre as part of its second UK and Ireland Tour. Inspired by the Roald Dahl book of the same name, this Royal Shakespeare Company’s multi-award-winning musical tells the story of an extraordinary little girl with a vivid imagination and the courage to change her own destiny. Matilda is of course the centre of attention in this production, and on this extensive tour, the role is shared by Felicity Brown, Petra Hutchings, Mollie Hutton, and Caroline Ravansari ...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...