Skip to main content

Review of Jesus Christ Superstar at Royal & Derngate (Derngate), Northampton

Forgive me father for I am about to sin.

That momentous rock opera called Jesus Christ Superstar and written by Lord Lloyd Webber and Sir Tim Rice is perhaps not all its cracked up to be. Well, in my ever so humble opinion anyway. The money it has made and success it has had, obviously dictates otherwise, so I bow to this.

It has its merits, the title song "Jesus Christ Superstar" is a magnificent piece and that coupled with the powerful ending makes the final fifteen minutes wonderful. Much of the rest is what I would go as far as saying is just noise, and this is not because I hate rock music. Much of the time the music overpowers any singing going on and when this is not happening it just feels like a lot of howling. A prime example of the ear is in the beholder perhaps, but this music is not for me. Having said all these disparaging comments, I have to say "Hosanna" is a superb song and my favourite of the show. The one track I took with me from the Derngate as my earworm

The other problem I have is honestly knowing whether this all lies in the music or the performers of the show. That is therefore where I fall down and fail as a reviewer of this, with no comparisons (other than a trip to YouTube soon no doubt). The only thing I would maybe blame on the main cast, is that the ensemble pieces are much better performed than the solo ones. Cavin Cornwall is the exception to this rule however, as Caiaphas he has the deepest voice that you could possibly imagine. I feared for a while I would fall into it. He is quite superb.

Also superb are the production levels. This is one truly visual feast on the eye, even if your dear reviewer didn't always like the sound of it. One of the biggest touring sets I have so far seen from designer Paul Farnsworth and excellent choreography from Carole Todd. At all times the show is lovely to look at.

However this is a musical and for my ear it fails in that, be it the performers (more likely), or the show itself (less likely, it's made a couple of quid I believe). If you are a fan and fully know what to expect, I suspect that you will not leave disappointed. The matinee crowd the day I saw it felt equally confused as many of the "pauses for applause" were left hanging in total silence, and yet at the end many stood for applause. However like I say, those last fifteen minutes are superb, so perhaps they were on a high from that.

«««


Performance reviewed: Wednesday 18th March, 2015 at the Royal & Derngate (Derngate), Northampton.

Jesus Christ Superstar is on at the Royal & Derngate until Saturday 21st March, 2015, details here: 
http://www.royalandderngate.co.uk/whatson/2015-2016/Derngate/jcsuperstar/?view=Standard

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of War Horse at Milton Keynes Theatre

Michael Morpurgo's novel War Horse was published in 1982. While it was highly regarded and thought to be his best work, perhaps it eventually came to most people's attention when this striking play stormed the stage, thanks to the National Theatre, back in 2007. Now, War Horse arrives at Milton Keynes Theatre as part of another vast UK tour. Adapted by Nick Stafford in association with the award-winning Handspring Puppet Company, War Horse tells the story of the First World War through the eyes of one horse, Joey, sold for a record price from a family battle but eventually shipped off to war-torn France much to the distress of his original owner, 16-year old Albert. The sprawling and epic story should take some staging, but the vast cast, beautiful structure, stunning folk music and, of course, what this play has become known for, magnificent puppetry, all bring the story to life. This production, directed by Tom Morris and revival director Katie Henry, is a magnificent thin...

Review of UoN Fringe 2019: Working For The Man by Naked Truth Theatre at The Platform Club, Northampton

When looking at the prospect of the Fringe performance Working For The Man , it is slightly difficult to work out who is the bravest person involved in this remarkable one performer, one audience member show set totally within or around the edges of a car. I guess I would in my case, say myself, but it takes some daring for performer Ellie Lomas of Naked Truth Theatre to also create a piece that offers the boldness that it does. Working for the Man is perhaps unsurprisingly about the sex trade, and explores exploitation and how, or if, prostitution is taken as a serious profession. It involves no live audio dialogue from performer Ellie Lomas, instead, she inhabits a purely physical performance, that is progressed by the use of a pair of headphones which you are given at the start. Across this audio are instructions of what to do. "Get in the car", "sit in the middle seat in the back", "open the glove compartment" etc, as you move to different areas ...