Skip to main content

Review of Into The Breach by Mark Carey at the Looking Glass Theatre, Northampton

Long term readers of this blog (I pity you) will be aware that myself and William Shakespeare are not friends, so the opportunity to go to see a play subtitled "One Man's Battle With Shakespeare" seemed very apt. This coupled with the shear horror of an opening in the form of a panto (another pet hate), could have left me fleeing for the doors of the Looking Glass Theatre.

However if I had, I would have deprived myself of seeing a quite brilliant one-man show from Mark Carey. So as I pretended to look like I was enjoying singing that "wishy washy" some such with words written upon some cardboard cutout bloomers, I gritted my teeth and got through it. Amateur dramatic director Simon Trottley Barnes did not however wish to see our lead George Crocker's Widow Twankey thankfully and we were soon away from such shenanigans and onto Shakespeare (whoopee do).

Into The Breach features five main characters (although there are seventeen in total), residents of a sleepy village in Devon. Set in 1943, all the characters are linked by their love and membership of the Lowford Drama club. The cast are all played with superb style by the one man performance machine known as Mark Carey, who has written the piece as well. When we see the drunken, forgetful Major we are really seeing Carey create a vivid character before us. When we see Ticker, we see all teeth and wait with baited breath for him to say "hello" once again. We see constantly throughout the show, fully rounded and full of character people. Carey totally embodies every part.

The story itself has very many layers as well, although it generally revolves around the club plan to put on a performance of "Henry Five". We also have an underlying romance tale and also most powerfully at the start of the second act a vivid flashback to the Great War. In under two hours you genuinely learn to love these oddball characters, all played by the same man, with just a hat, a whisky bottle or a pair of glasses the only visible physical difference.

This is a truly wonderful piece of one-man theatre, performed with real skill and love for the material of the Bard himself and even to an unbeliever of "Billy Shakespeare" like myself, a show to highly recommend you seek out. A quite brilliant and constant delight.


Performance reviewed: Saturday 21st, 2015 at the Looking Glass Theatre, Northampton.

Into The Breach was performed by Mark Carey at the Looking Glass Theatre.

Details of Into The Breach can be found at http://intothebreach.info/

Looking Glass Theatre also has a website at http://www.lookingglasstheatre.co.uk/

Popular posts from this blog

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...