Skip to main content

Review of Into The Breach by Mark Carey at the Looking Glass Theatre, Northampton

Long term readers of this blog (I pity you) will be aware that myself and William Shakespeare are not friends, so the opportunity to go to see a play subtitled "One Man's Battle With Shakespeare" seemed very apt. This coupled with the shear horror of an opening in the form of a panto (another pet hate), could have left me fleeing for the doors of the Looking Glass Theatre.

However if I had, I would have deprived myself of seeing a quite brilliant one-man show from Mark Carey. So as I pretended to look like I was enjoying singing that "wishy washy" some such with words written upon some cardboard cutout bloomers, I gritted my teeth and got through it. Amateur dramatic director Simon Trottley Barnes did not however wish to see our lead George Crocker's Widow Twankey thankfully and we were soon away from such shenanigans and onto Shakespeare (whoopee do).

Into The Breach features five main characters (although there are seventeen in total), residents of a sleepy village in Devon. Set in 1943, all the characters are linked by their love and membership of the Lowford Drama club. The cast are all played with superb style by the one man performance machine known as Mark Carey, who has written the piece as well. When we see the drunken, forgetful Major we are really seeing Carey create a vivid character before us. When we see Ticker, we see all teeth and wait with baited breath for him to say "hello" once again. We see constantly throughout the show, fully rounded and full of character people. Carey totally embodies every part.

The story itself has very many layers as well, although it generally revolves around the club plan to put on a performance of "Henry Five". We also have an underlying romance tale and also most powerfully at the start of the second act a vivid flashback to the Great War. In under two hours you genuinely learn to love these oddball characters, all played by the same man, with just a hat, a whisky bottle or a pair of glasses the only visible physical difference.

This is a truly wonderful piece of one-man theatre, performed with real skill and love for the material of the Bard himself and even to an unbeliever of "Billy Shakespeare" like myself, a show to highly recommend you seek out. A quite brilliant and constant delight.


Performance reviewed: Saturday 21st, 2015 at the Looking Glass Theatre, Northampton.

Into The Breach was performed by Mark Carey at the Looking Glass Theatre.

Details of Into The Breach can be found at http://intothebreach.info/

Looking Glass Theatre also has a website at http://www.lookingglasstheatre.co.uk/

Popular posts from this blog

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...