Skip to main content

Review of The Last Days Of Judas Iscariot performed by University Of Northampton BA Actors at Royal & Derngate (Royal), Northampton

From all the many highlights I had during my R&D 2014, the University of Northampton's Animal Farm and Love & Information were well up there. The main showcase for all the third year students to strut their considerable skills upon the Royal stage before those Flash Festival dissertations. This year two shows had become three, with my first The Last Days Of Judas Iscariot.

As has been common in my crash course theatre year, I knew absolutely nothing of Judas and not being a religious person, I was also wary of whether it would be for me. That was my unknowing form thinking this was all going to be serious. However written by Stephen Adly Guirgis this was not serious business most of the time, in fact it was actually incredibly funny stuff. Occasionally deliberately offensive (especially in the language department), it tells the story of an imagined court case of Judas Iscariot and the calling of a rather interesting collection of witnesses to the stand.

As of The Odyssey, the opening monologue is presented to us by Lydia Rose Blagg as Judas' mother Henrietta. It is a serious opening belying much of the comedy to come, and is presented with high emotion. Although Blagg is first to speak, she is not first on stage. Michael Whelbourne as Judas is on stage when the auditorium doors are opened and keeps fixed in many poses throughout the play. He is impressive throughout acting as child, drunken loser and totally ferocious in his scenes towards the end.

The play is heavy on overplayed characters allowing the students full steam ahead on their performances. Absolutely no more so than Ashlee Sopher as prosecutor (thankfully for short) El-Fayoumy. He is without doubt the star of the show in his showy, womanising (all over the defense as well as an 87 year old!) and just simply over the top performance. He provides much of the humour from the show and played to perfection.

Also superb is Zoe Davey as defendant Fabiana Aziza Cunningham. The more matter of fact approach to a court case over Sopher's character. She is prim, proper and in the second half superb under the gross onslaught of Satan. Playing Satan is Steve Banks and is very much a character of two acts. The unexpected, almost friendly version in the first and the very much as expected in the second act. The shear wickedness of Banks' performance is wonderful and often excruciating. Nothing more than you would expect from the devil.

The rest of the cast is excellent throughout, many playing multiple roles. Poor old Catherine Garlick is once again saddled with playing one of the male parts after her Malcolm last year. This time briefly as Saint Peter, but mostly on stage as the "have a lollipop" bailiff. Although she has limited lines, she is captivating to watch in the background scenes as she is always in character. I am truly looking forward to her one-woman show at Flash.

Antonia Underwood as Mother Teresa is a lovely comic performance and with that absolute classic opening scene, one of the best moments of the play. Although we of course must not mock the elderly. Well maybe this once. Matt Hirst is also excellent throughout as Judge Littlefield, the Judge who doesn't really want to be there most of the time. In fact all of them are excellent, as are the accents. I have heard a few iffy accents this year, particularly American ones. Some overdone for the stage and difficult to understand. None however during Judas, all are consistent and clear without being too much. Very impressive.

Well the whole thing was very impressive. I will be totally honest and say that Judas was the least interesting to me of the three plays the University were doing, probably through mostly my lack of knowledge of it. However now having seen it, the other two truly have a lot to live up to. A wonderfully funny and dark play, but maybe not one to take your granny.


Performance reviewed: Friday 13th March, 2015 (morning) at the Royal & Derngate (Royal), Northampton.

The Last Days Of Judas Iscariot is one of three show being performed at the Royal by the University Of Northampton BA (Hons) Actors. Details of each are below.
The Last Days Of Judas Iscariot: http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/LastDaysOfJudas/?view=Standard

A Clockwork Orange: http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/AClockworkOrange/?view=Standard
Dying For It: http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/DyingForIt/?view=StandardDetails of Royal & Derngate can be found by visiting their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Northampton Theatre Preview - September 2016

With the Summer downtime coming to an end for the theatres of Northampton, the curtain is ready to rise again on a new season of shows in the town. Top pick at Royal & Derngate has to be the return of the hit adaptation of Charles Dickens' A Tale Of Two Cities. Adapted by Mike Poulton and directed by the R&D artistic directer James Dacre, this version first seen in 2014 plays for seven nights in the Royal before setting off on a national tour. Dates in Northampton are Saturday 10th to Saturday 17th with matinees on Wednesday, Thursday and the second Saturday. For those wanting to revisit the turbulant times of the 1989 political world, there is a chance to see Jonathan Maitland's touring Dead Sheep. Telling the story of the ramifications of Geoffrey Howe's sacking at the hands of PM Margaret Thatcher and her eventual downfall at the hands of this "dead sheep". It stars Steve Nallon, Paul Bradley and Graham Seed and runs at the Royal & Derngate be...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Camden Fringe Review: FEET by Emma And Lawrence Wrote A Play at Etcetera Theatre, London

While some issue plays tend to miss the point of providing fun and entertainment as well as making their point on a relevant issue, FEET is certainly not one of them. Written, produced, directed and performed by the two-person team of Emma And Lawrence Wrote A Play, this is clearly a labour of love of the two, full names Emma Brown and Lawrence Smith, it is fun and engaging throughout. It's "issue" is loosely about selling your body for money or art and how far you might be willing to push it. Lucy Winwood (Emma Brown) is your typical young actress, struggling hard to get those money making roles, or roles in general, and in need of money she stumbles upon the world of feet fetishism (as you, of course, would) and slowly from just images of her feet sold online, it becomes feet in jelly and then finally personal meetings with clients for full on feet interaction. The path that FEET takes is that is this denigration of your body in selling your feet actually worse than...