Skip to main content

Review of School Shorts: Daffodil Scissors & ITTULLKYLLYOOIFFYOODOO at Royal & Derngate (Underground), Northampton

Act One of the Royal & Derngate Youth Theatre School Shorts were a great deal less stressful than Act Two with its subject matter (although to be fair one included the subject of bullying, albeit quite lightly). It was also a group of younger children and this dropped the level of seriousness considerable (for the better). So we had a little bit of pausing for lines (they carried scripts, but didn't always want to use them), we had obstinate hats, we had glances to parents and we had fiddling with ties. It was all much more relaxed, and therefore much more enjoyable to watch.

*

Daffodil Scissors by Philip Ridley is a fun little story of Daffodil (Jack Brennan) and his problems and indeed woes, mostly at the hands of his highly needy mother (Mia Heslop). Through her bizarre needs, she not only requires Daffodil to wear frankly ridiculous hats, which end in his being bullied, but she also requires to sit and watch "boring, boring, boring" television with her, keeping him away from his potential friends.

Its a great little play which has a few truly magical moments, including the hat antics and that lovely "Daffodil Scissors" meeting moment that truly got the AWW's going in the audience. Lovely stuff and playfully performed as it should.

*

ITTULLKYLLYOOIFFYOODOO performed by the same cast is even better, and gloriously more silly. Written by Christopher William Hill, it reminded me much of the tales of Roald Dahl that I grew up with. It also included an exploding child (well sort of) that when they went bang, the lad in front of me sure jumped. Much like the first, there is no over reliance on a few cast members, as nearly all of the cast get a fair crack of the script. I am sure at this age this helps build no silly pressure on individuals. So with all the key requirements of snot and bogey included, this play completed an interesting four plays, and I for one am happy to have seen Act One second as it was a much more relaxed affair to end on. School Shorts provided an interesting couple of hours.


Performance reviewed: Sunday 22nd, 2015 (matinee) at the Royal & Derngate (Underground), Northampton.

Daffodil Scissors and ITTULLKYLLYOOIFFYOODOO were performed for School Shorts
 by the R&D Youth Theatre at the Royal & Derngate on Thurdsay 19th March and Sunday 22nd March, 2015. Details here: http://www.royalandderngate.co.uk/whatson/2015-2016/Underground/SchoolShorts/?view=Standard

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...