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Showing posts from August, 2018

Review of The Producers at Trinity Theatre, Tunbridge Wells

You need a pretty special show to justify a 120-mile journey, however, I was assured that this production of Mel Brooks' The Producers at Trinity Theatre, Tunbridge Well, was worth that effort. In the end, it more or less was very worthwhile. The Producers, from the mind of Mel Brooks, first appeared as a film 51 years ago, and much later became this musical in its debut on Broadway in 2001. It tells the story of the unscrupulous theatre producer Max Bialystock, far away from his successful days and now a flop master as the Opening Night lyrics "We've seen sh*t, but never like this" suggest. As Bialystock, the artistic director of Trinity, John Martin, steps into the role, and his brilliant performance from start to finish is a dream. Commanding the large and challenging role, and although there are many highlights of his performance, Betrayed for me is one of the most simply delivered and yet most entertaining pieces of the show. His comic timing is brilliant t

Review of Blackbird at Bonkers Playhouse, Kettering

Seeing Blackbird by David Harrower, presented me with my first visit to Bonkers Playhouse in Kettering. Opening just this year, it has become the home to Bonkers Theatrical, a group set up in 2009, and the cosy little venue also plays host to a wide range of touring productions, including those from White Cobra and Next Page Productions. It's a smart and really lovely little venue, complete with bar, seating of up to 40, and an impressive stage and bar area with some innovative ideas. However, what of the play? Blackbird by David Harrower is a tough and gritty little piece, a ninety minute one act, but here split in a nice location. Una has found, by accident, Ray, who 15 years earlier had sexually abused her. He then a 40-year-old, her, just 12. It's an uncomfortable premise to form a play from, however, the sharpness of the writing, while definitely making its audience uncomfortable, never makes it unwatchable. What it does need though are two performers of some abilit