Skip to main content

Review of Blackbird at Bonkers Playhouse, Kettering

Seeing Blackbird by David Harrower, presented me with my first visit to Bonkers Playhouse in Kettering. Opening just this year, it has become the home to Bonkers Theatrical, a group set up in 2009, and the cosy little venue also plays host to a wide range of touring productions, including those from White Cobra and Next Page Productions. It's a smart and really lovely little venue, complete with bar, seating of up to 40, and an impressive stage and bar area with some innovative ideas. However, what of the play?

Blackbird by David Harrower is a tough and gritty little piece, a ninety minute one act, but here split in a nice location. Una has found, by accident, Ray, who 15 years earlier had sexually abused her. He then a 40-year-old, her, just 12. It's an uncomfortable premise to form a play from, however, the sharpness of the writing, while definitely making its audience uncomfortable, never makes it unwatchable.

What it does need though are two performers of some ability and here with David Mander as Ray and Susan Hackett as Una, the show has that. At no point is this little piece perfect, but at its centre are two confident performances. The best of the two is Hackett, who presents the depth of the trauma that she carries with some scenes of brilliant emotion. Her extremely long monologue in the second section is delivered extremely well, and although it is wordy, the director, Mark Walker, keeps our attention through it with just slight movements at significant times, but never excessively to detract from the quality text. Mander meanwhile has the tough deal, it's not a nice character, that goes without saying, and at times, I did feel the role was a tad underplayed. He remains remarkably placid during Una's long speech, and be this director's choice or in the original piece, it seems odd that such a thing would occur without some more emotion, if only beyond the fixed facial gesture. However, between the two, this is a remarkably polished piece of drama from the pairing, with the explosive scenes becoming extremely intense at times.

Staging is clever, on a simple but well-designed set, and those explosive scenes are very well handled, with the front row missing, there is more effort to bring the nature of this outward into the audience space. All in all, with simple sound use, the whole production does Harrower's play full justice and comes as a pleasant surprise for my first visit to Bonkers and this theatrical group. I look forward to seeing future offerings from the group.

Performance reviewed: Saturday 11 August 2018 at the Bonkers Playhouse , Kettering.

Blackbird ran at the Bonkers Playhouse, Kettering between Tuesday 7 and Saturday 11 2018.

For full details of the Bonkers Playhouse visit their website at 
https://bonkersplayhouse.co.uk/

Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of Dial M For Mayhem! at Royal & Derngate (Royal), Northampton

Middle Ground Theatre has been creating unique and intrepid adventures for the stage since the late eighties, and with Dial M For Mayhem! , they take those experiences and bring to the stage a brand new play within a play now arriving for a week run at Royal & Derngate. Written by Margaret May Hobbs and directed by Michael Lunney, Dial M For Mayhem! has much to admire. Still, sadly, for every good joke, amusing set piece and chaotic moment, there are too many periods of flatness, stilted sequences and, especially during the first act, too many slow scenes which either tread the same old ground or bring nothing new to the proceedings and then fail to flow into the next leaving it often disjointed. The cast does their very best, though, and the characters they bring to the stage are entertaining and perfect for this farcical play, but they lack depth despite the script trying desperately at times to give them one. The attempt to create character also comes at the expense of the farc...

Review of Horrible Histories: Terrible Tudors at Milton Keynes Theatre

It is now a remarkable 32 years since the first Horrible Histories book reached the shelves, and since that first Terry Deary book, suitably for this show, The Terrible Tudors , the children's entertainment franchise has become a historic event of its own. Since 1993, there have been 23 books, several TV series, a game show and a film. During those years, the Horrible Histories franchise has also graced the stage for several past shows, and here, now at Milton Keynes Theatre, comes a joint pairing of Terrible Tudors and Awful Egyptians on alternating performances. The question though, is it a deserving part of the famous franchise? A categoric yes is an answer to this neat, fast-paced show, written by original writer Terry Deary and directed by Neal Foster, who also co-wrote the show. Performed by a cast of three, it entertains and thrills throughout. The level of comedy scares, and, most importantly, education is pitched perfectly, as the series has become famous for. The cast...