Skip to main content

Review of Flash Festival: Allure Theatre Company - The Elephant In The Room at the Looking Glass Theatre

The poor old elephant in the room, that little object sitting upon a "small" box had to endure such activity around him. Did he tumble where all chaos surround him, did he heck!

Allure Theatre's production from the wonderful trio of Hannah Mitchell, Julia-Louise Nolan and Jack Smith particular elephant is obsessions, be they of the stalking variety, pop fandom or OCD. Or OCD, pop fandom and stalking to put them in alphabetical order. For the best part they told the trials of these obsessions in a comedic lighthearted way, with more than an element of clowning. So we had obsessive kissing departures from Hannah and Julia-Louise, we had stalking of his cake prey from Jack (the cake is a lie) and we had a loving relationship between Hannah and Jack, well Hannah anyway.

Our set consisted of a large number of boxes, small, medium and large which were used in numerous ways throughout the busy, very quick scene changing show and also offered us the hysterical moment of Jack trying to fit into a small size.

Another magic moment was the super gurning slow motion fight as two Harry Styles obsessives battled it out, just brilliant. This scene returned later, with Jack once again donning the Styles mask, but this time with a gut punching moment. With so much having been lighthearted before and generally jovial, the switch to #cutforharry was a body blow of a scene, with the spirals of blood released via a ribbon from the wrists of Hannah and Julia-Louise. An incredibly powerful, and oh so brilliant moment.

There is also more tough stuff before we see the end as Jack confronts his stalker in another powerful scene. This is the light and shade that was mentioned in another review and much could be learnt from this particular group.

Also of high praise for this group is the obvious research, preparation and rehearsal. It can be seen throughout on the stage in front of us. The fights, the choreography, the shear punch of the movement scenes have been rehearsed to the extreme to make them clean and perfect. Time and effort pays off and will reward all three of these performers down the line I am sure. Tech consisted mostly of lighting and this was perfect as well, so huge credit on this and indeed whoever was working on it behind the scenes. My aloe vera has never glowed in the dark, so it must indeed be magic.

So a show of tremendous things, short snappy scenes with humour and sadness and some beautiful moments. One of the best so far for me this week.


The Flash Festival 2015 runs between 18th-23rd May, 2015 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2015, while tickets can be booked via the Royal & Derngate. Details at: http://www.royalandderngate.co.uk/whatson/2015-2016/Other/FlashFestival15

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...