Skip to main content

Review of Flash Festival: Garlick Clove Theatre Company - I Forget What I’ve Forgotten at the Looking Glass Theatre

For my first three shows I had generally been presented by fun and frivolity, my fouth was however to be a much tougher watch. It was however a most brilliant one. The best solo Flash I have seen so far, and up there at the very top with the best of them.

The rather wonderful Catherine Garlick was our solo star. Having not quite been given the chance to shine at the very top with her University shows so far, the glimmers of the potential were there in Macbeth were she was a devastatingly powerful Malcolm despite her slight frame. It was for me excellent news when I heard she was to do a solo show as this was her moment. Its safe to say she truly seized that moment as in I Forget What I've Forgotten by her theatre company Garlick Clove she gave one of the best student performances I have seen.

The first thing I will say here is that if you are to see the show, and it's without question I tell you to do so, please stop reading now. There are spoilers ahead that you must not see.

We are presented at the start of the play with four coat stands, one of which is empty. The others contain jackets/coats of relevance of what is to come. There is also what appears to be table at the centre of the set with a table cloth across it. Before Catherine arrives we are presented with an old video of a young family scene, this returns between each part with different playful moments of growing up. We can guess who is featured within these old videos, but for now minus sound, it hangs in the air unanswered.

Catherine arrives and puts on one of the items of clothing and through each of the three parts these separate visually the three characters of the play. However jacket or coat apart, these are three superbly separate characters that Catherine creates in such a short period of time. We have the very well spoken daughter, we have the playful and young child with Growler in tow and we have a nurse in a care home. These three characters all have a link, the theme of the piece Alzheimer's Disease. Through these characters we see the devastating impact that the disease ravages on families or those they care for. The well spoken daughter and her tea towel wrapping mother, the child "Ninja" and the disappearing tales from her grandfather, and the nurse treating the residents of a home including a man predating granny. There is much love in this piece as well as great sadness and at all times it is performed with such skill that you live every moment of these people.

Then we have the crunch as Catherine removes the nurses uniform and moves to the empty coat stand. The videos return to the screen, this time with audio and are suspicions are confirmed as we see that this for Catherine is not a tale of fiction, but one of personal experience. The reveal of the "table" and where the missing coat is, is truly a moment of brilliance and poignancy. However then we are treated by a scene that will remain with me for much time to come. Nowhere will you see a coat on a hat stand bring such emotion to an audience as this did. It was an incredible moment from a superb show and it will be I feel be virtually impossible to beat this week.



The Flash Festival 2015 runs between 18th-23rd May, 2015 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2015, while tickets can be booked via the Royal & Derngate. Details at: http://www.royalandderngate.co.uk/whatson/2015-2016/Other/FlashFestival15

Popular posts from this blog

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Matilda at Milton Keynes Theatre

Roald Dahl is perhaps one of the most famous children’s authors of any generation, and his work has inspired an exceptional number of film, television, and theatre adaptations. Fifteen years ago, this musical of Matilda , one of his most fondly remembered stories, took to the stage and has not looked back since. Adapted from the original book by Dennis Kelly, with lyrics and music by Tim Minchin, the show has been a fixture at the Cambridge Theatre in London since 2011, has performed on Broadway, and is now reaching Milton Keynes Theatre as part of its second UK and Ireland Tour. Inspired by the Roald Dahl book of the same name, this Royal Shakespeare Company’s multi-award-winning musical tells the story of an extraordinary little girl with a vivid imagination and the courage to change her own destiny. Matilda is of course the centre of attention in this production, and on this extensive tour, the role is shared by Felicity Brown, Petra Hutchings, Mollie Hutton, and Caroline Ravansari ...

Review of Elf the Musical (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

Christmas has come early this year thanks to the Northampton Musical Theatre Company and their annual performance at Royal & Derngate; this year, they bring Elf the Musical to the stage. First staged in 2010, this musical version of the 2003 Will Ferrell comedy features music by Matthew Sklar and Chad Beguelin and is based on the book by Bob Martin and Thomas Meehan, from David Berenbaum's original screenplay. Elf tells the tale of Buddy, a human raised by Santa's elves, who eventually learns that his origins are less North Pole and more the skyscraper streets of New York City. So, for Buddy, it’s time to travel to the Big Apple and finally meet his biological father. Matt Clarke's lead performance in Elf is strong. Clarke brings Buddy to life with all the childish manners and silly behaviour that make the character an endearing lead. He also has the vocal ability and movement to match, and he effortlessly entertains, especially the young kids, with his zany antics. Han...