Skip to main content

Review of Flash Festival: Duality Theatre Company - It's Starting To Grow On Us! at the NN Cafe

The ultimate in relaxed festival atmosphere was achieved leading up to the start of Duality Theatre's performance with the two performers mingling effortless with the audience in the bijou NN Cafe.

Sarah Kirk and Samantha Colden are our performers for a storytelling performance the like of which I haven't seen previously. This is a relaxed, lackadaisical show with a frequently bickering duo which belies the tough subject matter they are to tell. This is all about the unmentionable big C and its effect on not only the sufferer but the family and friends whom surround.

During the forty minute show and despite Sarah irritatingly (for Samantha) strumming her ukulele and Samantha being challenged with accents and donning false eyebrows, some real tough material is mined. There is heavy and very detailed material in this script, certainly well researched with lots of technical terms you could only guess at the meaning of.

However despite all the heavy subject, it is always kept on the right side of tone. Silly but gorgeous little things like the mirrored journey through the hospital, think an epic plane exit routine and you won't be far wrong. Then we have balloon blowing with yet another uncomfortable wait for the pop like Sidetrack's show and throw in a bit of failed hula hooping and you have a comfortable way of listening to a tough subject.

There is much to love about this show and the way that Sarah and Samantha make it all so effortless in their performance. A dream duo and and a performance straight from the heart which manages to encompass truly silly antics, singing, and ukulele playing while maintaining the true tough story it is telling. Just gorgeous.


The Flash Festival 2015 runs between 18th-23rd May, 2015 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2015, while tickets can be booked via the Royal & Derngate. Details at: http://www.royalandderngate.co.uk/whatson/2015-2016/Other/FlashFestival15

Popular posts from this blog

Review of A Christmas Carol - A Ghost Story at Birmingham Rep

Charles Dickens's novella A Christmas Carol is a perennial favourite and over the years has been adapted countless times for television, film and here, with this adaptation by Mark Gatiss, subtitled A Ghost Story , a further stage version. Originally performed at the Nottingham Playhouse in 2022 before moving to London at the Alexandra Palace, and the same venues repeated the following year, its past success serves well for a further revival. Therefore for 2024, The Birmingham Rep has taken to staging their own production, with a mostly new cast including Matthew Cottle and Rufus Hound leading an excellent cast. Cottle as Ebenezer Scrooge is excellent, often exhibiting a much more sprightly Scrooge that we would remember, and also, much funnier at times. Despite Gatiss remaining remarkably faithful to the original, the show, directed with excellent pace by Adam Penford mines more comedy than you might expect. Cottle's Scrooge remains without question evil, but in his delivery

Review of Here You Come Again at Milton Keynes Theatre

Four years down the round from a global pandemic the time has come finally for a comedy musical of the trying times and much like Kevin's experience in the show, who better to get you through it than... Dolly Parton. Arriving at Milton Keynes Theatre this week as part of a UK tour before landing in the West End, Here You Come Again is billed very much as a feel-good musical, so, do you feel good after watching it? The quick and easy answer is yes, however, much of the time during this incredibly quirky musical, you do wonder why and indeed what you are watching. Here You Come Again sees Kevin, back trapped in his parents home isolating himself from them, the world and his failing relationship with Jeremy during the 2020 pandemic. He seeks solace, trapped in his attic, in memories of his constant love of Dolly Parton, and then at his most down moment, she comes alive and guides him as only Dolly and her back catalogue of songs can. Originally written by Bruce Vilanch, Gabriel Barr

Review of Frankenstein at Royal & Derngate (Royal), Northampton

Over 200 years since its first publication it is remarkable to think that what is, in essence, a scientific novel such as Frankenstein is still so relevant in content today. However, as science evolves endlessly, and now with AI becoming so dominant and controversial, the difference between right and wrong, good and evil in science, and what is too inhuman is as current as ever. Tilted Wig's production, now at the end of its UK tour at Royal & Derngate and written and directed by Sean Aydon takes the original story and sets it about halfway between the first publication and modern day, around the time leading up to the Second World War. Aydon's adaptation works really well in placing the story within this degenerating world, a place where true horror is around the corner, and veiled ideas of their (Germany's) interest in Frankenstein's work are gently developed. However, while Aydon clearly had this idea in his head and his pen when scripting this version, the polit