Skip to main content

Review of Flash Festival: Blockhead Theatre Company - The Secrets Of Man at the Looking Glass Theatre

Blockhead's production easily became the most talked about following my viewing of it. Mostly it has to be said not for a good reason. It is also the first Flash I am reviewing after first reading Mr Mudbeast's take on it (here).

Four blokes in a room together is probably a dangerous thing and for the best part The Secrets Of Man showcased the danger with a slightly broken show which concentrated mostly on puerile humour and little (no) light and shade. Discussions after highlighted the lack of emotional impact in any scenes which would have taken us away from the mens clowning antics of the show. Having said all this it went down like a bomb with the massed ranks of the student audience. Although I suspect that that is not the target audience of a dissertation, but I am no tutor. I am merely a keen theatre goer.

Having been critical so far, I must say that there were many parts I enjoyed. The birth scene was excellently done (although I suspect difficult for many not in the front row to see the full impact), and yes the revolving broken door antics was fun. Even Joshua Thomas' elderly gent walk on was entertaining, the first, second, maybe third time. After that it really was an obvious time filler.

At the end of the day you get out what you put in to something. Blockhead despite being four members have no Twitter feed, no Facebook group, no website and there was no programme. Although this of course can have no bearing on the production, it can hint that there might also not have been the care taken on that as well.

With the slapstick nature of the show, it was difficult at times to work out whether tech issues were planned or not and although the set was nice to begin with, it frequently became a mess and shear luck that the item they were needing was actually where it was meant to be.

As Mr Mudbeast said in his review, the cast are indeed better than this and I am certain that they all will have excellent days ahead of them, this sadly was not one of them.



The Flash Festival 2015 runs between 18th-23rd May, 2015 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2015, while tickets can be booked via the Royal & Derngate. Details at: http://www.royalandderngate.co.uk/whatson/2015-2016/Other/FlashFestival15

Popular posts from this blog

Review of Sunny Afternoon at Milton Keynes Theatre

Sunny Afternoon , the Kinks-inspired jukebox musical, debuted on stage in 2014. Featuring Ray Davies' music and a book by Joe Penhall, it first found success in London before a UK tour in 2016/17. Now arriving at Milton Keynes Theatre with a new 2025/6 tour, the question remains: with some songs now over 60 years old, is Sunny Afternoon still relevant to today's audiences? While this is a jukebox musical, this show follows, via this system, the story of the formation and eventual success of The Kinks rather than creating a random story from the songs. Opening with the band The Ravens, the group is safe and sophisticated, with their prim-and-proper lead singer. However, the true band of the future, Ray Davies, Dave Davies, Mick Avory and Pete Quaife, are itching for freedom, to break away, especially writer Ray, who wants to create songs that mean something to people. Enter the suits of management, and the rocky creation of The Kinks begins. I had the pleasure of seeing Sunny A...

Review of UoN Fringe 2019: Working For The Man by Naked Truth Theatre at The Platform Club, Northampton

When looking at the prospect of the Fringe performance Working For The Man , it is slightly difficult to work out who is the bravest person involved in this remarkable one performer, one audience member show set totally within or around the edges of a car. I guess I would in my case, say myself, but it takes some daring for performer Ellie Lomas of Naked Truth Theatre to also create a piece that offers the boldness that it does. Working for the Man is perhaps unsurprisingly about the sex trade, and explores exploitation and how, or if, prostitution is taken as a serious profession. It involves no live audio dialogue from performer Ellie Lomas, instead, she inhabits a purely physical performance, that is progressed by the use of a pair of headphones which you are given at the start. Across this audio are instructions of what to do. "Get in the car", "sit in the middle seat in the back", "open the glove compartment" etc, as you move to different areas ...

Review of It's A Wonderful Life by Masque Theatre at the Holy Sepulchre, Northampton

Remarkably I only saw the classic film It's A Wonderful Life last Christmas, this was thanks to spotting it lurking on my subscription of Netflix. A glorious heartwarming film perfect for Christmas? That must be why I was a blubbering mess at the end of it then. There was hope that in public, The Masque Theatre's performance of the radio version of the story didn't leave me in the same situation. As it happened it did a little as that final scene in the Bailey household played out again, but it didn't matter as there were members of the cast in the same broken state as many of us audience members. Left to right: Jo Molyneux, John Myhill, Lisa Wright, Michael Street, Lisa Shepherd and Jof Davies This was the first radio play that I had seen performed and on the evidence of this, I sure would like to see some more. While not having the drama of standard plays in their creation of moment and places, they do have a rather striking drive towards character creation. The ...