Skip to main content

Review of Flash Festival: Whiplash Theatre Company - Do Gentlemen Prefer Blondes? at the Looking Glass Theatre

Following the tough subject nature of I Forget What I've Forgotten, the perfect antidote came with Do Gentlemen Prefer Blondes? from Whiplash Theatre Company. It also highlighted at the end of the first day the huge contrast and therefore delight in the different pieces. From storytelling to children's entertainment, from technologies impact to tough health issues, I proceeded to high humour and a little pathos with this one. I love the fact that an hour after the tenderness of one show I witness two grown men running around a stage pretending to be apes. Only at Flash maybe?

Our introduction to the show comes in the form of Ashlee Sopher attempting to wear away a pub bar. For five minutes as we await the start of the show as people take their seats, a glass is polished, but mostly the bar is polished. This is presented with perfect showmanship and heralds the delights that are to come. The aforementioned apes are played by Dale Endacott and John Shelley and complete the male part of this quintuple group. They look to have spent much time on perfecting their ape behavior and movement as it is without doubt very realistic. The purpose of this scene is to see how far we have progressed from our animal nature and when introducing lady ape, Chloe Brown (apologies for how insulting this sounds), frictions cascade into chaos and we witness true nature as our lady ape chooses which male she wants to pick the nits from.

Apart from the monkeys, we are treated to a tale of a masturbator, some wonderful heartfelt singing from Chloe in her role as a 45 year old singleton and some superb comic antics to the tune of Fly Me To The Moon. Laying a table will never be the same again. Our final cast member is Riley Stephen who for the most part is aghast at the previously mentioned masturbation. She does however take part in one of the best choreographed scenes. This is one of many scattered through the play, these are both tender and sometimes very humourous to boot.

Overall this is a lovely constructed play and reminded me greatly of The Show Must Go On from last years Flash in its structure and performances and there is no bigger a praise I can give it than that.


The Flash Festival 2015 runs between 18th-23rd May, 2015 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2015, while tickets can be booked via the Royal & Derngate. Details at: http://www.royalandderngate.co.uk/whatson/2015-2016/Other/FlashFestival15

Popular posts from this blog

Review of A Christmas Carol - A Ghost Story at Birmingham Rep

Charles Dickens's novella A Christmas Carol is a perennial favourite and over the years has been adapted countless times for television, film and here, with this adaptation by Mark Gatiss, subtitled A Ghost Story , a further stage version. Originally performed at the Nottingham Playhouse in 2022 before moving to London at the Alexandra Palace, and the same venues repeated the following year, its past success serves well for a further revival. Therefore for 2024, The Birmingham Rep has taken to staging their own production, with a mostly new cast including Matthew Cottle and Rufus Hound leading an excellent cast. Cottle as Ebenezer Scrooge is excellent, often exhibiting a much more sprightly Scrooge that we would remember, and also, much funnier at times. Despite Gatiss remaining remarkably faithful to the original, the show, directed with excellent pace by Adam Penford mines more comedy than you might expect. Cottle's Scrooge remains without question evil, but in his delivery

Review of Here You Come Again at Milton Keynes Theatre

Four years down the round from a global pandemic the time has come finally for a comedy musical of the trying times and much like Kevin's experience in the show, who better to get you through it than... Dolly Parton. Arriving at Milton Keynes Theatre this week as part of a UK tour before landing in the West End, Here You Come Again is billed very much as a feel-good musical, so, do you feel good after watching it? The quick and easy answer is yes, however, much of the time during this incredibly quirky musical, you do wonder why and indeed what you are watching. Here You Come Again sees Kevin, back trapped in his parents home isolating himself from them, the world and his failing relationship with Jeremy during the 2020 pandemic. He seeks solace, trapped in his attic, in memories of his constant love of Dolly Parton, and then at his most down moment, she comes alive and guides him as only Dolly and her back catalogue of songs can. Originally written by Bruce Vilanch, Gabriel Barr

Review of Frankenstein at Royal & Derngate (Royal), Northampton

Over 200 years since its first publication it is remarkable to think that what is, in essence, a scientific novel such as Frankenstein is still so relevant in content today. However, as science evolves endlessly, and now with AI becoming so dominant and controversial, the difference between right and wrong, good and evil in science, and what is too inhuman is as current as ever. Tilted Wig's production, now at the end of its UK tour at Royal & Derngate and written and directed by Sean Aydon takes the original story and sets it about halfway between the first publication and modern day, around the time leading up to the Second World War. Aydon's adaptation works really well in placing the story within this degenerating world, a place where true horror is around the corner, and veiled ideas of their (Germany's) interest in Frankenstein's work are gently developed. However, while Aydon clearly had this idea in his head and his pen when scripting this version, the polit