Skip to main content

Review of Flash Festival: Pinch Theatre Company - Dystopia at the Looking Glass Theatre

Dystopia from Pinch Theatre presents a funny, sad and disturbingly realistic tale of modern life and its reliance on technology and more importantly social media. Throughout this busy piece all the suspect areas of the online world are generally attacked. We have a humourous argument between Twitter, Facebook and Instagram. We also have the sad tale of a woman effectively addicted to online dating and most importantly the one of choice Tinder.

It is all very realistic and believable, and generally attacking of the online world. A place I have actually always defended myself simply because to take the old adage, you cannot blame the tools, just the idiots that use them. There is some lovely hope offered though with the developing tale of the lady (touchingly played by Rachel Sherborn) who is only brave enough to communicate via online and the final delightful payoff.

However the opposite payoff comes with, who in my notes for the review I simply called "Sinister Skinner". In his scenes in his (probably bedroom), Sam Skinner, who is the only gentlemen of the group, plays what is a truly disturbing character. The role is generally played for laughs, however it builds into another payoff with our opening character that is tough to watch and excellently performed by Sophie Poyntz-Lloyd. Completing the quartet of performers is the wonderful Zoe Davey, who has some wonderfully performed scenes at her laptop.

While there are some wonderful scenes during the show, it did feel a little disjointed at times and not flowing. This was a little obvious on occasion as there were so many short scenes. I think that there were also a few tech issues on this first performance which will no doubt be ironed out for future performances. Also I felt the music was too loud during the Tinder selection scene and drowned out much of the dialogue, certainly from my third row seat anyway.

However, it was a vivid and often disturbing take on modern life with excellent performances from the four players. Also a special mention for the wonderfully clever programme. I wish them the best of luck when they take the show down to the Bedford Fringe on 24th July.


The Flash Festival 2015 runs between 18th-23rd May, 2015 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2015, while tickets can be booked via the Royal & Derngate. Details at: http://www.royalandderngate.co.uk/whatson/2015-2016/Other/FlashFestival15

Popular posts from this blog

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...