Skip to main content

Review of Flash Festival: Pinch Theatre Company - Dystopia at the Looking Glass Theatre

Dystopia from Pinch Theatre presents a funny, sad and disturbingly realistic tale of modern life and its reliance on technology and more importantly social media. Throughout this busy piece all the suspect areas of the online world are generally attacked. We have a humourous argument between Twitter, Facebook and Instagram. We also have the sad tale of a woman effectively addicted to online dating and most importantly the one of choice Tinder.

It is all very realistic and believable, and generally attacking of the online world. A place I have actually always defended myself simply because to take the old adage, you cannot blame the tools, just the idiots that use them. There is some lovely hope offered though with the developing tale of the lady (touchingly played by Rachel Sherborn) who is only brave enough to communicate via online and the final delightful payoff.

However the opposite payoff comes with, who in my notes for the review I simply called "Sinister Skinner". In his scenes in his (probably bedroom), Sam Skinner, who is the only gentlemen of the group, plays what is a truly disturbing character. The role is generally played for laughs, however it builds into another payoff with our opening character that is tough to watch and excellently performed by Sophie Poyntz-Lloyd. Completing the quartet of performers is the wonderful Zoe Davey, who has some wonderfully performed scenes at her laptop.

While there are some wonderful scenes during the show, it did feel a little disjointed at times and not flowing. This was a little obvious on occasion as there were so many short scenes. I think that there were also a few tech issues on this first performance which will no doubt be ironed out for future performances. Also I felt the music was too loud during the Tinder selection scene and drowned out much of the dialogue, certainly from my third row seat anyway.

However, it was a vivid and often disturbing take on modern life with excellent performances from the four players. Also a special mention for the wonderfully clever programme. I wish them the best of luck when they take the show down to the Bedford Fringe on 24th July.


The Flash Festival 2015 runs between 18th-23rd May, 2015 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2015, while tickets can be booked via the Royal & Derngate. Details at: http://www.royalandderngate.co.uk/whatson/2015-2016/Other/FlashFestival15

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...

Review of Les Misérables: School Edition (NMTC Youth Society) at the Cripps Hall Theatre, Northampton

From my four years or so of watching theatre in Northampton, there is one thing beyond the huge professional shows that I see touring, that I always enjoy so much more (despite the occasional dodginess of the quality), and that is youth theatre. For me in my heart, it adds something special, here we have the often maligned young of today, getting out there and doing something truly fulfilling. Here though, with the debut of the newly formed Youth Society, spinning off from the adult Northampton Musical Theatre Company, we have something also which goes beyond enthusiasm of the young to create a really special piece of theatre. Les Misérables is in the top three of musicals for me, I love its huge numbers, I connect to its story, and it has some extremely strong characters, for me, it just works. Therefore, you could say that I would have an immediate bias towards this show, however, I do feel protective of it as well, so, it needs to be done right. However, I have nothing to worry...