Skip to main content

Review of Flash Festival 2016: The Show Must Go On by Lead Feather Theatre Company at Hazelrigg House (Studios)

Much like Sell-By-Date in 2014 took death in it's many guises and made a dark comedy with wonderfully dramatic moments, The Show Must Go On takes cancer and creates a piece much like that Flash classic.

Devised by Penelope May, Jake Rivers and Madeleine Hagerty, who between them are Lead Feather Theatre Company, this is without doubt the most emotionally dramatic play of the week. It centres around Alice (Penelope) and an illness that we eventually learn is cancer. Around her are her brother Ed (Jake) and her friend Sally (Madeleine). The piece is handled with a deft and adult style throughout much of the play as Alice's condition worsens.

There is also a tremendously strong subplot as well with a husband and his cancer affected wife. The husband played by Jake delivers a particularly brilliant and challenging stand-up rountine (shades of Sell-By-Date once again) that builds from guilt laughter from the audience to eventually silence as the tone of the jokes deftly changes. It is for me one of the best scenes of the week.

Less successful for me, and this is very much a style opinion, rather than a criticism, is the doctors scene. I can fully understand the reasons behind the piece as it offers opportunity for very funny moments, and to be fair is very well played and performed. However it does for me jar dramatically alongside the really intelligently played out scenes featuring the Macmillan nurse. I totally get where this scene is coming from, it just didn't work for me.

What did work though is the really strong building undercurrents of sadness. When we get to the final scene as Madeleine emotionally belts out Queen's title song and Ed and the nurse literally pack away Alice's entire life in the background, I am happy to say tears had arrived. Such is the nature of the piece through the stunningly subtle performance from Penelope and her family and friends, you almost at end feel as if you are one of this family.

I am very fortunate to have never lost any family members to cancer, but even with that being the case, this at its most basic is about death. The loss of anyone will be felt while watching a show like this. Indeed even those in the public eye who are highlighted during this piece are enough to make an impact on people. We have lost many to cancer this year, and this play speaks for all of them and therefore leaves an impact on absolutely anyone who gets to see it.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of Frankenstein at Royal & Derngate (Royal), Northampton

Over 200 years since its first publication it is remarkable to think that what is, in essence, a scientific novel such as Frankenstein is still so relevant in content today. However, as science evolves endlessly, and now with AI becoming so dominant and controversial, the difference between right and wrong, good and evil in science, and what is too inhuman is as current as ever. Tilted Wig's production, now at the end of its UK tour at Royal & Derngate and written and directed by Sean Aydon takes the original story and sets it about halfway between the first publication and modern day, around the time leading up to the Second World War. Aydon's adaptation works really well in placing the story within this degenerating world, a place where true horror is around the corner, and veiled ideas of their (Germany's) interest in Frankenstein's work are gently developed. However, while Aydon clearly had this idea in his head and his pen when scripting this version, the polit

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)

Review of Flashdance - The Musical at Milton Keynes Theatre, Milton Keynes

For the second week running, the Milton Keynes Theatre is overrun by a wave of eighties nostalgia as Selladoor's production of Flashdance The Musical follows hot on the heels of An Officer and a Gentlemen. However, is it nice to have more of that classic decade upon the stage? The answer mostly is yes, despite the fact that the story driving Flashdance is that light and flimsy at times, you just have to sit back and watch the dancing and the bright colours to get you through. Welding genius, Alex Owens, has her sights set for a bigger thing beyond this tired and struggling factory in Pittsburgh.  Hoping to take her dancing beyond Harry's bar, she plans to make big, via Shipley Dance Academy.  Then, also drifting into her life comes Nick Hurley, who initially unknown to her, happens to be the factory bosses son, the scene is set for romance. Flashdance has a generally excellent cast led with a tremendously good performance from Joanne Clifton as Alex Owens. Those famili