Skip to main content

Review of Flash Festival 2016: The End by Phone Box Theatre at St Peter's Chuch

"Welcome to the apocalypse" is a rather encouraging tagline for The End from Phone Box Theatre. Following a successful, yet failed cancer drug introduction in 2017, this is indeed the apocalypse. While curing cancer, cell corruption has caused the dreaded Z to appear.

It is perhaps telling that The End is the only Flash this year (that I aware of anyway) to setup a Facebook event. As like no other I have yet seen this week, this is more of that E word than any other.

Long before you have entered the venue of St Peter's Church this play, and I use the word loosely, has already begun. One by one the audience is ushered into the church by the tactical vested Roach (Daniel Gray). Rough and vicious in demeanor, you know that it is wise not to mess with him. Your destination briefly is an encounter with Scruff (Connor McAvoy), who does a check for bites and shines a torch in your eyes and mouth to make sure you are not one of them. After the exam you are sent to your seat, occasionally one selected by a prowling and scowling Harper (Matilda Hunt).

It is an exceptionally well controlled setup and it takes time which offers either a brooding menace, or a giggly atmosphere depending how you take it. If you take the latter, prepare for potential scorn. The premise of all this is that we are survivors and evacuees at the church in an attempt to survive the infected hoards outside. We are introduced to the characters, all distinctly different and eventually the fourth member Faith (Caroline Avis) arrives in some sense of drama and for a while provides some humour to proceedings, despite bringing initially bad news to the trio. Her delicately and relaxed handing out of biscuits to the audience is a neat and really clever touch as we absorb ourselves more into the situation.

In case you are reading this before an opportunity to see the show has occurred, I will go no further into the story (or more correctly) event that develops. Suffice to say that it very much involves the group of Phone Box Theatre taking really surprising brave decisions to involve the audience..

There truly is little to disappoint with this production, more interactive that many shows I have seen before including bold interplay with the audience which unquestionably will vary depending on the audience. I would have loved to have seen this with a more theatre unfamiliar audience perhaps to see what happened, as most of the audience on the night were the obviously well understanding acting students.

The characters are all perfectly played and distinctive and during the brief time with them we happily form a full understanding of all their traits. Something that you do not always get from a show of this short length. It ends with a finality that perhaps surprises and that many people didn't realise was it, I myself perhaps expected something else to happen such as the drama that was evolving. However it leaves you in no doubt that you have "experienced" a real great piece of theatre. Absorbing from start to finish.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of Matthew Bourne's The Red Shoes at Milton Keynes Theatre

Sir Matthew Bourne has rightfully become the doyen of accessible contemporary ballet, with his works spanning a wide range, from Swan Lake , Lord of the Flies , and Edward Scissorhands to The Red Shoes , now here at Milton Keynes on an extensive tour. Based broadly on the 1948 film of the same name, The Red Shoes , set across Europe, follows the story of ballerina Victoria Page, discovered by ballet impresario Boris Lermontov. He requests that a ballet based on Hans Christian Andersen's tale   The Red Shoes  be written by the  composer Julian Craster, whom Page falls deeply in love with. A conflict arises, and Page must choose between love and success. The first impact on any audience of The Red Shoes is visually on the costumes and set. This is, without any question, a spectacular staging. Lez Brotherston, responsible for both costumes and set, has created a gem. The striking costumes effectively recreate the period in minute detail, placing the audience very much in t...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of The Play That Goes Wrong at Royal & Derngate (Derngate), Northampton

It is scary to contemplate that it is almost four years since I first saw Mischief Theatre's The Play That Goes Wrong . It is no secret that on that night I enjoyed it quite a bit (and ended up on stage, but that is another story). I returned the next evening to watch it again and then stalked it down to London later that same year, which over three years later it continues its remarkable West End success story. Since my last encounter with this original, I have seen Chris Bean's ramshackle Cornley Polytechnic Drama Society create chaos on stage and television with Peter Pan Goes Wrong , mess-up Dickens' A Christmas Carol and even gatecrash BBC Radio at Christmas. This fourth encounter with the original The Play That Goes Wrong though, offers the opportunity to see it in the hands of a different cast for the first time. How can pretenders of the original creators shape up in this anarchic disaster of a play? Actually, as it turns out remarkably well. It is true that ...