Skip to main content

Review of Flash Festival 2016: The Hold Up by Overflow Theatre Company at St Peter's Church

The wonderful Caroline Avis welcomes us at the door of St Peters Church. She is in full mime mode, enthusiastic and eager to please. She beckons each of us to our seats. Once we are all happily seated the show The Hold Up begins. This is silent entertainment as Caroline holds up (get it?) cards telling us among other things to switch off our mobile phones. This is going to be a fun night.

However all of a sudden with no warning (unless you have read the pre-show publicity), a group of five armed men and women burst through the church doors. This immediately becomes a different kind of hold up. I imagine now someone who has come to this show without knowledge of it and their reactions, as it is all very real. A moment of real dramatic impact.

Our terrorist captors are Tom Stone (the leader), Suzannah Cassels, Stuart Warren, Amy Weaver and the injured Patrick Morgan, who lays prostrate in the church aisles. Early on we are told that we are safe as long as we stay seated and keep eyes front. Someone who is far less safe is that of police officer and negotiator Rory Sayers. Pretty much from entry into the church he is bound and gagged, and at one point taken away from our eyes and roughed up pretty well.

Tom as leader tries very much early on to be our friend, all fake smiley and personable, if you can be while wielding a gun and holding people hostage. Stuart is the apparent vicious character, stalking the aisle, starring into the eyes of people and very much making them fear for their lives. Suzannah is the medical one and helps treat the prone Patrick. While Amy is the unknown one, one with a hidden past that it appears officer Rory is well aware of.

This, like The End is not a play, but an experience. A story develops through the piece, but for much of the time we feel as if we are within it. That it is very much happening around us. Tom Stone is quite brilliantly and quietly menacing in the leader role, where as Stuart is just menacing. A powerful sinister brooding of a man, who, even if he talks randomly about Game Of Thrones or shares crisps he has found, still exudes a cold menace.

The pleasure of this being a dynamic performance in an amazing space, is that everyone gets a different perspective. One that I had the pleasure of witnessing within a couple of feet was an exchange between Suzannah and Amy. It was simply amazing to be able to see it so close, the whites of the eyes so clear with emotion struck hard across their faces. It was a really magical moment of "theatre" and one that I will remember for some time.

So no question that this is a remarkable piece of theatre, with a piece so rudely interrupted that also needs telling Caroline. Really brilliant stuff and treated with a great deal, and surprising respect from a largely student audience. An inventive new for Flash and really, really entertaining to its very abrupt end.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016


Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Only Fools and Horses - The Musical at Royal & Derngate (Derngate), Northampton

The classic BBC sitcom Only Fools and Horses , created by John Sullivan and running for 22 years, holds a fond spot in the hearts of many. Even if you are not a fan, most are slightly familiar with the exploits of wheeler-dealer Del Boy and his lanky brother Rodney. However, who could think this could be the subject of a hit musical? Well, it turns out that Paul Whitehouse and Jim Sullivan, the son of the original writer, did, and it has to be said, in Del Boy lingo, it's proper lovely jubbly! Bringing iconic characters to the stage that the same actors have played for so many years presents a challenge to any performer; however, without exception, director Caroline Jay Ranger and her team have assembled a stellar cast. Leading the action is, of course, Derek "Del Boy" Trotter, played by Sam Lupton with all the energy and wideboy manner of the legendary David Jason. Lupton looks the part, sounds the part, even, of course, in song, but even manages to add his own charm to ...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...