Skip to main content

Review of Flash Festival 2016: The Anti-Social Network by Barefeet Films at Hazelrigg House (Basement)

George Marlow from Barefleet Films has taken a gamble with his solo Flash production and gone on the path of using other peoples material and speeches far more than any other show. In fact I got the impression that pretty much most of the show is available elsewhere and this is very much highlighted by the final scene that sees George holding in darkness his laptop, a montage of footage featuring much of what we have already heard.

What we do get that you won't get elsewhere, is George's performance of all these pieces. As they have come from various other sources, George is required to become those people, be they performers or more starkly and disturbing a victim of rape.

To wind back to the start, The Anti-Social Network takes as its subject the fact that all these social networks that now millions of us inhabit, actually create a non-social world. We all live on Facebook or Twitter and just stare observing are likes, friends and favourites tally increasing and hardly even interacting in real life. Perhaps this is true for some, however personally it has opened up a new world and many people that I have first met on these mediums have now become good friends in what we like to call real life. It is perhaps true that for many it creates a reclusive nature, however this is as I always say, not the fault of the machine but the user and I suspect that in most cases, they would have been slightly reclusive in nature before. Since using these mediums myself, I have certainly become less reclusive.

None of this is to put down the message that The Anti-Social Network makes. The stories told are sad, horrific and funny in equal measure and they are impressively put together by George to create a thoughtful piece of work. This is George's peak for me in all the shows that I have seen and it is of course the best time to peak. He is brilliant company in the confines of the basement creating a friend rather that a performance with just sixteen members of the audience. He shares cookies with the audience and offers them a finger, thankfully of the chocolate variety to the relief of the audience. He has several up on the feet to dance with and at the end we are all up and sort of dancing, and he exchanges a hug on leaving with every member of the audience.

It is never short of fascinating and is often quite brilliantly entertaining, almost nothing in the Flash week beats the perfect performance of that rap. It is also heartbreaking as the rape victims tale is told, the horror of that moment of the perpetrator popping up on his friends you might know section is portrayed brilliantly and sensitively. It is a consummate performance from George and was a real quality piece for me to finish my Flash Festival week with. Poignant and powerful.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016


Popular posts from this blog

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of DNA by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

The final year performances of BA Actors this year upped sticks and headed away from their Northampton Royal territory and gathered to show their skills in London. The first of the three shows being performed was Dennis Kelly's DNA, a play which I saw performed on the Royal stage itself four years ago. I enjoyed it for its dark mysterious nature and was looking forward to seeing a different interpretation of the show. It tells the tale of a group of youngsters who do something really bad, and proceed to attempt to cover it up, resulting in the real bad, well, getting more bad. It's dark yes, but also, very funny at times. It opens with a looming movement piece of theatre, which I always love and this was no different for me, brooding and sinister. It's quite a long opening, which perhaps, in the end, becomes too long, but it's a fabulous piece of theatre for me. It set's the scene very well for Kelly's dark piece to unfold and in the hands of these, about ...