Skip to main content

Review of Flash Festival 2016: The Anti-Social Network by Barefeet Films at Hazelrigg House (Basement)

George Marlow from Barefleet Films has taken a gamble with his solo Flash production and gone on the path of using other peoples material and speeches far more than any other show. In fact I got the impression that pretty much most of the show is available elsewhere and this is very much highlighted by the final scene that sees George holding in darkness his laptop, a montage of footage featuring much of what we have already heard.

What we do get that you won't get elsewhere, is George's performance of all these pieces. As they have come from various other sources, George is required to become those people, be they performers or more starkly and disturbing a victim of rape.

To wind back to the start, The Anti-Social Network takes as its subject the fact that all these social networks that now millions of us inhabit, actually create a non-social world. We all live on Facebook or Twitter and just stare observing are likes, friends and favourites tally increasing and hardly even interacting in real life. Perhaps this is true for some, however personally it has opened up a new world and many people that I have first met on these mediums have now become good friends in what we like to call real life. It is perhaps true that for many it creates a reclusive nature, however this is as I always say, not the fault of the machine but the user and I suspect that in most cases, they would have been slightly reclusive in nature before. Since using these mediums myself, I have certainly become less reclusive.

None of this is to put down the message that The Anti-Social Network makes. The stories told are sad, horrific and funny in equal measure and they are impressively put together by George to create a thoughtful piece of work. This is George's peak for me in all the shows that I have seen and it is of course the best time to peak. He is brilliant company in the confines of the basement creating a friend rather that a performance with just sixteen members of the audience. He shares cookies with the audience and offers them a finger, thankfully of the chocolate variety to the relief of the audience. He has several up on the feet to dance with and at the end we are all up and sort of dancing, and he exchanges a hug on leaving with every member of the audience.

It is never short of fascinating and is often quite brilliantly entertaining, almost nothing in the Flash week beats the perfect performance of that rap. It is also heartbreaking as the rape victims tale is told, the horror of that moment of the perpetrator popping up on his friends you might know section is portrayed brilliantly and sensitively. It is a consummate performance from George and was a real quality piece for me to finish my Flash Festival week with. Poignant and powerful.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016


Popular posts from this blog

Review of & Juliet at Milton Keynes Theatre

First performed in 2019, & Juliet has become quite a global success, and now, as part of a UK Tour, it has arrived at Milton Keynes Theatre for a two-week run. Featuring a book by David West Read, it tells the what-if story of the survival of Juliet at the end of Shakespeare's Romeo & Juliet . Primarily a jukebox musical, it more specifically features the works of Swedish songwriter Max Martin (and friends, as the credits describe). The question is, does & Juliet provide more than the standard of many a jukebox musical before it, and does it honour the tragic tale from which it has sprung? Our story opens with William Shakespeare presenting his latest work, Romeo & Juliet , for the first time. However, when his wife, Anne Hathaway, learns how he intends the tale to end, she is away with his quill and planning on her reworking of the story. At the core of this touring production's success is Geraldine Sacdalan's powerhouse performance as Juliet. Her Juliet ...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...