Skip to main content

Review of Flash Festival 2016: 100, Acre Wood by NonSens!cal Theatre at Castle Hill URC

A. A. Milne is mentioned in the publicity for NonSens!cal Theatre's 100, Acre Wood, however those looking for a little Winnie-the-Pooh style fun would be suitably shocked by the behavior of this band of four characters and their flat antics. I am oddly not familiar with Milne sufficiently to take the individual traits of the characters, however the play distinguishes them superbly enough in any case.

We have from the outset the apparent outsider, Eddie (Jared Gregory). Sitting alone on a chair, constantly twitchy, who we later learn has been sectioned following the death of his father. His one reminder of him, his harmonica. The others writhe and share an uncomfortable bed upon our arrival into the theatre. We have Rachel (Danni-Louise Ryan), sufferer of the most horrendous OCD, which in this very untidy flat is constantly under attack. There's William (Kieran Hansell), a sufferer of an obsession with food, whose constant companion (and lover?) a squeeze bottle of honey. Finally there is Tommy (Elliot Holden), whose own disorder I did not fully get, but suspected in the area of attentive or anger management, as he was definitely the loose cannon of the four.

I really did enjoy much of this production, as although you could say perhaps the characters were caricatured a little, their interplay between one another was fabulous and helped the whole piece gel considerably. There were a number of both brilliantly funny and awkward scenes; the one where Rachel primes herself for Eddie to declare his undying love for her (and doesn't) it quite fabulous, as is perhaps the best scene where William goes all the way with that bottle of honey. A classic and gloriously squirmy scene.

I am loath to choose any individual for special merit in this one as I really did enjoy all of the performances, creating individual characters all of their own. A poignant and powerful way of dealing with disorders in their many forms and a particularly powerful ending as they all, well nearly all, faced their fears in a positive way. A very well constructed piece.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of Frankenstein at Royal & Derngate (Royal), Northampton

Over 200 years since its first publication it is remarkable to think that what is, in essence, a scientific novel such as Frankenstein is still so relevant in content today. However, as science evolves endlessly, and now with AI becoming so dominant and controversial, the difference between right and wrong, good and evil in science, and what is too inhuman is as current as ever. Tilted Wig's production, now at the end of its UK tour at Royal & Derngate and written and directed by Sean Aydon takes the original story and sets it about halfway between the first publication and modern day, around the time leading up to the Second World War. Aydon's adaptation works really well in placing the story within this degenerating world, a place where true horror is around the corner, and veiled ideas of their (Germany's) interest in Frankenstein's work are gently developed. However, while Aydon clearly had this idea in his head and his pen when scripting this version, the polit

Review of Hacktivists by Ben Ockrent performed by R&D Youth Theatre at Royal & Derngate (Underground), Northampton

The National Theatres Connections series of plays had been one of my highlights of my trips to R&D during 2014. Their short and snappy single act style kept them all interesting and never overstaying their welcome. So I was more than ready for my first encounter with one of this years Connections plays ahead of the main week of performances at R&D later in the year. Hacktivists is written by Ben Ockrent, whose slightly wacky but socially relevant play Breeders I had seen at St James Theatre last year. Hacktivists is less surreal, but does have a fair selection of what some people would call odd. Myself of the other hand would very much be home with them. So we are presented with thirteen nerdy "friends" who meet to hack, very much in what is termed the white hat variety. This being for good, as we join them they appear to have done very little more than hacked and created some LED light device. Crashing in to spoil the party however comes Beth (Emma-Ann Cranston)

Review of Flashdance - The Musical at Milton Keynes Theatre, Milton Keynes

For the second week running, the Milton Keynes Theatre is overrun by a wave of eighties nostalgia as Selladoor's production of Flashdance The Musical follows hot on the heels of An Officer and a Gentlemen. However, is it nice to have more of that classic decade upon the stage? The answer mostly is yes, despite the fact that the story driving Flashdance is that light and flimsy at times, you just have to sit back and watch the dancing and the bright colours to get you through. Welding genius, Alex Owens, has her sights set for a bigger thing beyond this tired and struggling factory in Pittsburgh.  Hoping to take her dancing beyond Harry's bar, she plans to make big, via Shipley Dance Academy.  Then, also drifting into her life comes Nick Hurley, who initially unknown to her, happens to be the factory bosses son, the scene is set for romance. Flashdance has a generally excellent cast led with a tremendously good performance from Joanne Clifton as Alex Owens. Those famili