Skip to main content

Review of Flash Festival 2016: 100, Acre Wood by NonSens!cal Theatre at Castle Hill URC

A. A. Milne is mentioned in the publicity for NonSens!cal Theatre's 100, Acre Wood, however those looking for a little Winnie-the-Pooh style fun would be suitably shocked by the behavior of this band of four characters and their flat antics. I am oddly not familiar with Milne sufficiently to take the individual traits of the characters, however the play distinguishes them superbly enough in any case.

We have from the outset the apparent outsider, Eddie (Jared Gregory). Sitting alone on a chair, constantly twitchy, who we later learn has been sectioned following the death of his father. His one reminder of him, his harmonica. The others writhe and share an uncomfortable bed upon our arrival into the theatre. We have Rachel (Danni-Louise Ryan), sufferer of the most horrendous OCD, which in this very untidy flat is constantly under attack. There's William (Kieran Hansell), a sufferer of an obsession with food, whose constant companion (and lover?) a squeeze bottle of honey. Finally there is Tommy (Elliot Holden), whose own disorder I did not fully get, but suspected in the area of attentive or anger management, as he was definitely the loose cannon of the four.

I really did enjoy much of this production, as although you could say perhaps the characters were caricatured a little, their interplay between one another was fabulous and helped the whole piece gel considerably. There were a number of both brilliantly funny and awkward scenes; the one where Rachel primes herself for Eddie to declare his undying love for her (and doesn't) it quite fabulous, as is perhaps the best scene where William goes all the way with that bottle of honey. A classic and gloriously squirmy scene.

I am loath to choose any individual for special merit in this one as I really did enjoy all of the performances, creating individual characters all of their own. A poignant and powerful way of dealing with disorders in their many forms and a particularly powerful ending as they all, well nearly all, faced their fears in a positive way. A very well constructed piece.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Dial M For Mayhem! at Royal & Derngate (Royal), Northampton

Middle Ground Theatre has been creating unique and intrepid adventures for the stage since the late eighties, and with Dial M For Mayhem! , they take those experiences and bring to the stage a brand new play within a play now arriving for a week run at Royal & Derngate. Written by Margaret May Hobbs and directed by Michael Lunney, Dial M For Mayhem! has much to admire. Still, sadly, for every good joke, amusing set piece and chaotic moment, there are too many periods of flatness, stilted sequences and, especially during the first act, too many slow scenes which either tread the same old ground or bring nothing new to the proceedings and then fail to flow into the next leaving it often disjointed. The cast does their very best, though, and the characters they bring to the stage are entertaining and perfect for this farcical play, but they lack depth despite the script trying desperately at times to give them one. The attempt to create character also comes at the expense of the farc...