Skip to main content

Review of Flash Festival 2016: The Final Cut by LaZénna Theatre at Hazelrigg House (Studios)

The Final Cut by Elizabeth Adejimi (LaZénna Theatre) stood out early in the announcements of shows for this years Flash as the one that initially felt was going to be the hardest to view. Knowing enough about the subject matter of Female Genital Mutilation+ and understanding the absolute barbaric nature of the practice did make it sound that it might be a traumatic viewing. I probably felt that it was a subject that I felt I could do little about and really wasn't sure I wanted to sit through a forty minute exploration of it.

I was wrong though, as while this does become really difficult to experience at the important ending of the play, Elizabeth creates a living world to tell the story first in a vivid and entertaining way. Told through a variety of characters it appeals at first, before it finally appalls.

The main character of the young lady is magical and inspired, the large eyed innocent girl, staring up at her seniors, fond of stealing a snack or two and exchanging comical moments with her mother. She is a real character and your fondness grows for her as she goes about her life. At that time probably not knowing what is to come soon in her life.

As well as the female characters in the play, Elizabeth depicts a couple of male ones and perhaps the most absorbing one is that of the hunter. A tremendously stalking performance and one that really bleeds into the soul of a few of the audience as she stares deep into their eyes. It is however the female roles that are the most important in this story and indeed within the practice. These are, quite scarily the instigators in the continued practice of FGM, which of course makes the situation so much more unbelievable and distasteful.

The performance from Elizabeth is absorbing and the transitions between characters is perfectly planned, full of slow gliding movement and pauses as the various simple costume changes occur. It is all very effective and telling and puts across the practice in a thought provoking, but not preaching way. It is all really intelligent and I challenge anyone to come from the show without having learnt much more understanding of the barbaric act.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of & Juliet at Milton Keynes Theatre

First performed in 2019, & Juliet has become quite a global success, and now, as part of a UK Tour, it has arrived at Milton Keynes Theatre for a two-week run. Featuring a book by David West Read, it tells the what-if story of the survival of Juliet at the end of Shakespeare's Romeo & Juliet . Primarily a jukebox musical, it more specifically features the works of Swedish songwriter Max Martin (and friends, as the credits describe). The question is, does & Juliet provide more than the standard of many a jukebox musical before it, and does it honour the tragic tale from which it has sprung? Our story opens with William Shakespeare presenting his latest work, Romeo & Juliet , for the first time. However, when his wife, Anne Hathaway, learns how he intends the tale to end, she is away with his quill and planning on her reworking of the story. At the core of this touring production's success is Geraldine Sacdalan's powerhouse performance as Juliet. Her Juliet ...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...