Skip to main content

Review of Romeo And Juliet performed by University Of Northampton BA Actors at Isham Dark (Avenue Campus), Northampton

The one thing about the University of Northampton BA Actors and their Shakespeare productions is that you always get something different. Therefore I have learnt to fully expect a transposed version of shows and this version of the classic tragedy Romeo and Juliet brings us into the nineties, rife with shell suits and a soundtrack including Fat Boy Slim. Each end of the theatre space has a wall strewn with graffiti, "I f**ked Lady M" being one particular boast. Above one end, a bit of scaffold and a basketball net lies in wait as a sort of balcony. I wonder what that might be used for? We also have gym benches which will be used in many inventive ways during the show. The scene is very much set for family war and love to play out on.

I haven't seen Romeo and Juliet before, however I knew it didn't end well and I knew of that aforementioned balcony scene. However much like the previous days The Comedy of Errors, I got it, I really did. Whether it is the wonderful presentation or talent, or my growing understanding of the bard. Either way these two Shakespeare shows worked for me unlike any I had seen previously.

At the helm with two really wonderful performances as the leads are Jack Baylis and Jessica Bichard. Romeo played by Jack Baylis looks every inch the heart breaker and conveys the emotional turmoil with great care. He also has the physical action much required for these shows now, highlighted in the particularly horrific taking apart of Tybalt (Liam Faik). Really really brutal, but quite brilliantly executed. Bichard plays Juliet with equal skill. Her strong Scottish accent bringing a tremendous amount to the play, giving a new appreciation the Shakespeare's language. They form a terrific duo and you can every bit believe their love for each other.

There were many other performances I enjoyed from the nineteen strong cast. Picking a few absolutely has to include Steven Croydon's flowery and flimsy Peter. Quite a scene stealer even when just sitting on the bench eating biscuits. A really strong comic performance. Also quite brilliant despite only really having one scene is Jamal Franklin's hip and cool Friar John. Playing to the audience with knowing winks and taking every moment of his scene with his swaggering off the stage. I also enjoyed Florence Rees-Waite's Nurse, often frivolous but later distraught by events. It was a performance of surprising depth in the sporadic appearances.

My two favourite performances though other than the two fabulous leads were Lewis Hodson's Friar Laurence and Lee Hancock's Mercutio. Hodson simply is the Friar, right from his comical first appearance sitting smoking dope, he never falls from the vitally important story driving character. Hancock meanwhile is simply outstanding. Really one of the most mature performances I have seen at the second year stage so far. He also has a tremendously powerful voice, which I simply cannot wait to hear projected from the Royal stage next year.

In addition to all the wonderful performances in the show, there are some tremendous dance routines from Karen Esaya-Chiwembu and Jamal Franklin, particular the final uplifting one. Although it is a tad surreal to see the dead up and grooving again. It does let everyone leave with a smile on the face though, which might have been strained with the usual corpse ridden floor.

So yet another brilliant reinterpretation of Shakespeare from the BA actors. I cannot help but feel these are the best bard ones I have seen and this coupled with the fact that this group of actors seems to be every bit as strong as the previous ones, gives great hope that the next year is going to be every bit as good as my previous three. I very much await what they will have for us with their end of year shows.


Performance viewed: Friday 13th May, 2016 (matinee) at Isham Dark, University Of Northampton (Avenue Campus).

Romeo And Juliet ran between Thursday 12th and Saturday 14th May, 2016
Twitter feed for the University actors is @BA_Actors



Popular posts from this blog

Review of The Jolly Christmas Postman at Royal & Derngate (Royal), Northampton

The Northampton Royal and Derngate have a tradition of producing a family play in the Royal Theatre alongside a spectacular pantomime in the Derngate, offering a more subtle Christmas treat for a family audience. However, this calendar staple has been missing since 2019, when the fine Pippi Longstocking graced the Royal stage and an unmentionable virus reared its head. Based on this triumphant return this year in the guise of The Jolly Christmas Postman , it has been heartily missed. Adam Peck has truly lovingly adapted  The Jolly Christmas Postman  for the stage from the original story by Janet and Allan Ahlberg. From the beginning, this is a proper cracker of theatre entertainment that captivates an occasionally distractable audience of all ages. The story follows the adventures of a friendly postman beset by an influx of mail on Christmas Eve and his adventures with an assortment of Fairy-Tale characters. What is, in essence, a kid's show aimed primarily at young children ...

Review of Cinderella at Royal & Derngate (Derngate), Northampton

Over the last few years, the annual Royal & Derngate pantomime has been produced by Evolution Productions and from the pen of Paul Hendy. It is safe to say they have been crackers, bringing everything you expect and more from traditional pantomime. This year, they are all back, this time with their take on the very traditional story of Cinderella . So, does the magic dust fall once again successfully on the stage of the Derngate? The answer is yes, as Evolution and Hendy prove they have found the magic formula to create another successful pantomime for Derngate. There are moments this year, though, where it is too clever for its own good, with some exceptionally good jokes lost to the panto audience (yes, I got the Hacker joke, but the tumbleweed reaction suggested it didn't hit the audience present). Cast-wise, it is a solid and assured collection of performers who don't always hit the mark. Joanne Clifton, as the Fairy, is a perfect fit for panto with her infectious smile...

Review of Never Let Me Go at Royal & Derngate (Royal), Northampton

Kazuo Ishiguro's 2005  Never Let Me Go is a slightly difficult novel to categorise at times, but most call it a science-fiction speculative piece. With some limited spoilers for those unfamiliar with the Man Booker Prize-shortlisted work, Ishiguro paints a world where people, clones, are created for the benefit of medical science, destined to become donors to rid the world of deaths from solvable diseases for the rich. It is a powerful piece and while it had a successful film version back in 2010, could a stage version, now running at Royal & Derngate, work similarly? The answer to that is yes, and perhaps even better than the film version. The intimate world of the theatre feels like a stronger location for the story to unfold, bringing the piece straight to the audience with no potential interruption or break to the tale. We learn of Kathy, Ruth and Tommy's (the main protagonists) fixed life through their eyes and live their life for the long, but never dr...