Skip to main content

Review of Flash Festival 2016: What If They Were Wrong? by Two Funny at Hazelrigg House (Studios)

Clowns. We hate them or we love them (if you are really weird). I am not particularly enamored really (although I am weird). So a Flash show based around them, what would there be to like? Not a lot I would imagine.

However in the hands of Two Funny formed of Cynthia Lebbos and Benjamin Williams, they are really very appealing. It helps that this is more silly behaviour than strange noses and big feet. This is a sort of Mr Bean situation, but with a modern edge. Indeed Benjamin reminded me a great deal of Rowan Atkinson during the show, full of the awkward social problems, bizarre pulling of faces and tremendous physical ability, literally bouncing off the walls at times.

Both characters are magnificently cute and endearing as their burgeoning romance over reduced bread and cheese slices develops. It helps also that this is the most interactive of all the shows as nearly everyone in the audience gets involved at some point, if only to have their hair stroked or a peg put on it (their hair). There is also a quite stunning scene, the wedding, where half a dozen of us (including moi) are up and part of the scene. Personally my own appearance was a return to my one stage skill of holding something up, as I had the mantelpiece during The Play That Goes Wrong. This time it was a giant papier mache mitre, which was balanced on poor Ellen Shersby Wignall's head as with a rapidly charging accent, she read the service from a scroll.

There are elements of danger in using so many audience members, however this was a very accommodating one, well most of them were fellow students after all. It was again another show that would be fascinating to see performed in front of a relatively standard theatre audience. The choosing of someone to read that extract from Fifty Shades would be a particularly interesting one.

Cynthia and Benjamin are both brilliant and lively in their performances. Quite obviously working really well together and although it is a show that can happily have random things happening, someone falling over for example. It is clear that this has been superbly constructed and rehearsed to perfection.

As is the want of many Flash shows, this does have its social commentary point and this particular one is anger management and is done in the most magnificently unexpected and indeed macabre way. We are encouraged out of our chairs and ushered down into the basement of Hazelrigg, where perhaps the biggest surprise of this years Flash occurs as this show becomes one of incredible black comedy.

It was a heck of a way to finish a most superbly entertaining show. Full of drive and physical prowess from the two performers and a tremendous ease with the audience. Definitely one of the best from Flash this year.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of Elf the Musical (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

Christmas has come early this year thanks to the Northampton Musical Theatre Company and their annual performance at Royal & Derngate; this year, they bring Elf the Musical to the stage. First staged in 2010, this musical version of the 2003 Will Ferrell comedy features music by Matthew Sklar and Chad Beguelin and is based on the book by Bob Martin and Thomas Meehan, from David Berenbaum's original screenplay. Elf tells the tale of Buddy, a human raised by Santa's elves, who eventually learns that his origins are less North Pole and more the skyscraper streets of New York City. So, for Buddy, it’s time to travel to the Big Apple and finally meet his biological father. Matt Clarke's lead performance in Elf is strong. Clarke brings Buddy to life with all the childish manners and silly behaviour that make the character an endearing lead. He also has the vocal ability and movement to match, and he effortlessly entertains, especially the young kids, with his zany antics. Han...

Review of Matilda at Milton Keynes Theatre

Roald Dahl is perhaps one of the most famous children’s authors of any generation, and his work has inspired an exceptional number of film, television, and theatre adaptations. Fifteen years ago, this musical of Matilda , one of his most fondly remembered stories, took to the stage and has not looked back since. Adapted from the original book by Dennis Kelly, with lyrics and music by Tim Minchin, the show has been a fixture at the Cambridge Theatre in London since 2011, has performed on Broadway, and is now reaching Milton Keynes Theatre as part of its second UK and Ireland Tour. Inspired by the Roald Dahl book of the same name, this Royal Shakespeare Company’s multi-award-winning musical tells the story of an extraordinary little girl with a vivid imagination and the courage to change her own destiny. Matilda is of course the centre of attention in this production, and on this extensive tour, the role is shared by Felicity Brown, Petra Hutchings, Mollie Hutton, and Caroline Ravansari ...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...