Review of The Lightning Thief: The Percy Jackson Musical at Milton Keynes Theatre

For adults, and for adults without the requisite child of a certain age in the family, the world of Percy Jackson may have passed you by. However, since the first book was published back in 2005, the Jackson tales have become a phenomenon with the correct age bracket. There are now several books, films, a TV series, and, of course, this musical. The Lightning Thief, which is landing on its 2025/26 UK tour at Milton Keynes Theatre this week.

This musical is based on the first book and tells the story of Percy, a teenager who discovers he is more than just an average kid and learns that his missing father is Poseidon, the god of the sea. So, when Percy is packed off to a camp for demigods, an adventure is not far behind to find Zeus’s stolen lightning bolt. And the scene is set for a musical of mystical and magical adventures.

The Lightning Thief is an intense and action-packed piece of theatre filled with many young and talented stage stars. The leader is Vasco Emauz, the eponymous hero. His Percy is a spirited one, awkward and outcast from many a school, struggling to fit into life until that one day when his true calling and his father are revealed.

Along for the adventure is the sprightly Annabeth, played with intensity and immense likability by Kayna Montecillo, and with a little nicely underplayed emotional connection brewing with Percy. Also along for the adventure is the hugely funny Grover by Cahir O'Neill, revealed to be a little more than the average guy himself.

The supporting cast brings a multitude of characters to the stage during the journey, with particular note Aiden Cutler's fabulously funny Mr D and Niall Sheehy's authoritative Mr Brunner. Simone Robinson also brings several highly polished characters to the stage throughout the show.

Ryan Dawson Laight's industrial metallic set offers an interesting, if not quite appropriate, backdrop to the scenes. However, upon it are cast video projections designed by Matt Powell, allowing some clarity to the scenes.

The music, a key component of this production, is excellent, featuring many original and catchy songs by Rob Rokicki; these often form the show's highlight. Songs such as The Campfire Song, Another Terrible Day and the cracking D.O.A. offer an intriguing and constant inventiveness to the show. They are performed well by the cast, if occasionally overpitched, but the band in particular, led by Will Joy, is first class.

Direction from Lizzi Gee keeps the action moving, and her choreography also constantly challenges the cast and brings much variety to the stage, often using the entire company in group numbers. Also, a few neat little tricks from illusionist Richard Pinner bring some surprises to the magical story.

The Lightning Thief is a curious show, full of energy and constantly reinvigorating itself. It also keeps the audience intrigued, particularly the target audience of kids in the crowd. However, as a complete package, it falls short of being a first-class show, but is still recommended for the many fans of Percy Jackson.

A mystical and magical adventure for all the family.
⭐⭐⭐

Performance reviewed: Wednesday 3rd September 2025 at the Milton Keynes Theatre, Milton Keynes.

The Lightning Thief: The Percy Jackson Musical runs at Milton Keynes Theatre until Saturday, 6th September 2025.

For further details about Milton Keynes, see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Photographs: Johan Persson

Review of The Rocky Horror Show at Milton Keynes Theatre, Milton Keynes

Seeing the 46-year-old Rocky Horror Show at the theatre for the first time is quite an experience on many levels. First and foremost as a regular theatregoer, the audience, even on a relatively demure evening of a Monday, is something you would never really experience at a theatre beyond this show. Many are dressed up (even on that demure Monday), and so many are so in tune with the show, that these regular fans have become entwined within it. They know every word of the script, they contribute to it, they enhance it, often they make Richard O'Brien's already adult content into something much more adult. It's a revelation of experience, much before a newbie such as myself even considers the show. Laura Harrison's beautifully clear rendition of Science Fiction/Double Feature sets the scene for some generally excellent performances of O'Brien's classic tunes, in a musical which is clearly audible, sadly not something that always happens with many productio...

Review of Cinderella, performed by University Of Northampton BA Actors at Maidwell Hall (Avenue Campus), Northampton

So, this is a bit different, the third year actors (my fifth group of them!) do panto, Cinderella to be precise. Pantomime is my perennial favourite bit of theatre. Oh no, it isn't! However, I have long acknowledged that for an actor, the form is both incredibly important, because if you can entertain kids, you can probably do anything, it also provides a large opening for a regular gig each year as they are so abundant. Therefore, it comes as no surprise that the intelligent bods teaching these students have come to the decision to create a little panto action of their own. This first of three (and the other two are very different beasts, as you will learn from the next reviews) is the ever so traditional one. Formed partly from the work of Looking Glass Theatre and director James Smith, I first saw much of this piece in January 2015, and although I didn't remember a great deal of it after this time, the cheese song managed to flash back to me, perhaps, sadly. So, ...

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...

A Small Mind At The Theatre

Search This Blog