Skip to main content

Review of Feast Of Fools Storytelling #3 featuring Tim Ralphs at the NN Cafe, Northampton

As the walls of the Royal & Derngate prepared to shake to the tunes of UB40, I settled down in the more sedate environment of the NN Cafe for some storytelling and got... bagpipes! I hate bagpipes. However I stuck it out and didn't flee in the direction of Red, Red Wine.

I am glad I did as thankfully our Feast Of Fools resident host Richard York swiftly ceased the torture of the air bag and the storytelling began. We were given a welcome and indeed as the ringing in my ears had stopped, I was able to hear that a certain highly educated reviewer was referenced in the opening speech. Our host also provided us with a aperitif story before the introduction of the guest of the evening.

The performer of the evening was the bow tie and tails donning Tim Ralphs. I had seen Tim once before in the Underground presenting a Norse inspired piece (review here) and an informative after show Q&A. This time we had a little more Q&A and a performance of his storytelling piece Rebranding Beelzebub.

Picture: @FOFStorytelling on Twitter
This tale is formed of many tales weaved around a supposed (or is it) meeting with the devil in a supermarket, Morrisons in this case, although other supermarkets are available. The snake form of the devil ends up going home with our storyteller and has a resting spot on a table, which very importantly is not made of glass (research since has so far suggested that snakes simply cannot move on glass, although I haven't yet found anything about it being painful).

The whole piece a touch over the hour is a constantly inventive piece which gives a nice variety of tales, mostly of course featuring the devil in some form. Our teller is also an immensely smooth deliverer of the tales, not theatrical in this case, but more a "let me tell you a story" teller. I have learnt so far that these tellers like all things, offer a huge variety of styles and Tim Ralphs is no less fascinating because it is less showy than some. There is indeed room for all types here.

The following Q&A was once again an interesting affair as those assembled offered quality questions and chat pieces. These included the origin of the devil and the fiddle, which did remain unconfirmed during the show, but left many open to research further (I haven't looked at it myself yet). There was also a great moment of sitting painfully upon the fence by Mr Ralphs' as one chap had a challenge for him over whether he was superstitious. Again it was great part of the evening and I do enjoy the Q&A parts of any shows often as much as the main show itself, so I always do now seek them out.

It was a wonderful evening and one of my favourites of the storytelling so far as the modern age setting felt more interesting to me than some of the fantasy and mythical elements we tend to get. I have to say that I am getting into this storytelling lark. The crowd of enthusiastic listeners are wonderful and super friendly and it was nice to see the crowd back in the bigger number again, and like I said before I hope that more return for the open mic version again in July. Although not too many, as I can see a pattern of raffle failure emerging when the crowd is large


Performance reviewed: Wednesday 3rd June, 2015 at the NN Cafe, Northampton.

Feast Of Fools is held on the first Wednesday of each month at the NN Cafe, Guildhall Road. There is a Facebook group at https://www.facebook.com/StorytellingFeast and they are also on Twitter @FOFStorytelling

Popular posts from this blog

Review of Beauty and the Beast at Castle Theatre, Wellingborough

The Castle Theatre Wellingborough this year sees the home of Beauty and the Beast as its seasonal pantomime, and what a fabulously entertaining show it is. Hiding away from the big star names, Parkwood Theatres & Castle Theatre has assembled a talented bunch of performers to bring this tale “as old as time” to the stage. Produced and directed by Martin Cleverley once again, back from previous years' pantos, the show relies very much on characters rather than showy visuals. Taking full advantage of a French setting, the puns flow freely, including to the characters, with names such as Danon and Djon thrown into the mustard pot (very much intended) of puns. Aura Mitchell and Kaysee Craine lead our cast of characters as the title characters of Beauty and the Beast (also known as Prince Pierre). While they do play second fiddle, as is the norm for a panto, to the additional comic characters, they form a charming partnership. Returning to the role of panto dame from last year'...

Review of Mog's Christmas at Royal & Derngate (Royal), Northampton

Back in 2022, the theatre group The Wardrobe Ensemble created a sweet and adventurous staging of Judith Kerr's classic children's character, Mog - The Forgetful Cat . For this Christmas season at Royal & Derngate, Mog returns with, suitably enough, Mog's Christmas . The show, just a crisp, action-packed hour, retells two past adventures alongside a Christmas vignette. Kerr's Mog first appeared in 1970, and it launched a remarkable run of books over 50 years featuring the puzzled feline, culminating in the final book released in 2020, following Kerr's death at 95 in 2019. Kerr is most famous for one of her other tales, The Tiger Who Came to Tea . However, in Mog's Christmas , the show presents three entertaining little stories featuring her other, slightly lesser-known feline character. Over the course of the hour, we see Mog successfully foil a burglar, survive a trip to the V.E.T., and then, in the brand-new stage story, a Christmas adventure where Mog gets...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...