Skip to main content

Review of Feast Of Fools Storytelling #3 featuring Tim Ralphs at the NN Cafe, Northampton

As the walls of the Royal & Derngate prepared to shake to the tunes of UB40, I settled down in the more sedate environment of the NN Cafe for some storytelling and got... bagpipes! I hate bagpipes. However I stuck it out and didn't flee in the direction of Red, Red Wine.

I am glad I did as thankfully our Feast Of Fools resident host Richard York swiftly ceased the torture of the air bag and the storytelling began. We were given a welcome and indeed as the ringing in my ears had stopped, I was able to hear that a certain highly educated reviewer was referenced in the opening speech. Our host also provided us with a aperitif story before the introduction of the guest of the evening.

The performer of the evening was the bow tie and tails donning Tim Ralphs. I had seen Tim once before in the Underground presenting a Norse inspired piece (review here) and an informative after show Q&A. This time we had a little more Q&A and a performance of his storytelling piece Rebranding Beelzebub.

Picture: @FOFStorytelling on Twitter
This tale is formed of many tales weaved around a supposed (or is it) meeting with the devil in a supermarket, Morrisons in this case, although other supermarkets are available. The snake form of the devil ends up going home with our storyteller and has a resting spot on a table, which very importantly is not made of glass (research since has so far suggested that snakes simply cannot move on glass, although I haven't yet found anything about it being painful).

The whole piece a touch over the hour is a constantly inventive piece which gives a nice variety of tales, mostly of course featuring the devil in some form. Our teller is also an immensely smooth deliverer of the tales, not theatrical in this case, but more a "let me tell you a story" teller. I have learnt so far that these tellers like all things, offer a huge variety of styles and Tim Ralphs is no less fascinating because it is less showy than some. There is indeed room for all types here.

The following Q&A was once again an interesting affair as those assembled offered quality questions and chat pieces. These included the origin of the devil and the fiddle, which did remain unconfirmed during the show, but left many open to research further (I haven't looked at it myself yet). There was also a great moment of sitting painfully upon the fence by Mr Ralphs' as one chap had a challenge for him over whether he was superstitious. Again it was great part of the evening and I do enjoy the Q&A parts of any shows often as much as the main show itself, so I always do now seek them out.

It was a wonderful evening and one of my favourites of the storytelling so far as the modern age setting felt more interesting to me than some of the fantasy and mythical elements we tend to get. I have to say that I am getting into this storytelling lark. The crowd of enthusiastic listeners are wonderful and super friendly and it was nice to see the crowd back in the bigger number again, and like I said before I hope that more return for the open mic version again in July. Although not too many, as I can see a pattern of raffle failure emerging when the crowd is large


Performance reviewed: Wednesday 3rd June, 2015 at the NN Cafe, Northampton.

Feast Of Fools is held on the first Wednesday of each month at the NN Cafe, Guildhall Road. There is a Facebook group at https://www.facebook.com/StorytellingFeast and they are also on Twitter @FOFStorytelling

Popular posts from this blog

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of The Spy Who Came in From the Cold at Milton Keynes Theatre

The Spy Who Came in From the Cold is one of John Le CarrĂ©’s more well-known titles in his world of spy fiction, and having been adapted into a highly rated 1965 film with Richard Burton, it is perhaps surprising that it took until 2024 for this stage adaptation to appear, adapted by David Eldridge, and now at Milton Keynes Theatre. In many ways, it feels like a ripe story for a stage play, with locations and theatre folk often liking the cerebral storytelling it offers, so this should be perfect for the stage? The Spy Who Came in From the Cold depicts Alec Leamas, a British intelligence officer, being sent to East Germany as a faux defector to sow disinformation about Hans-Dieter Mundt, a powerful East German intelligence officer. However, as expected in the spy world, all is not as it seems, and with the lurking figure of the supposedly retired spy George Smiley in the background, Leamas finds things moving far from his control. It has to be said that Eldridge’s adaptation struggles...