Skip to main content

Review of The Music Of John Willians by the Royal Philharmonic Orchestra at Royal & Derngate (Derngate), Northampton

They say that everyone has a soundtrack to their lives and it usually leans towards a particular decade that they grew up in, that makes mine the eighties (of which I agree). However for me there has also been an affinity towards film soundtracks. For as long as I remember while growing up, I had vinyl, then cassettes and finally CD's of themes and original scores of films. A mainstay of these was the exceptional talent that is Mr John Williams. His work, particularly with who is also my favourite film director, Steven Spielberg is a thing of both excitement, action and also of stunning beauty.

The music performed by the Royal Philharmonic on this evening took me from a five year old and his earliest memories of the cinema and being amazed by E.T.'s glowing finger and bike ride across the sky, onto watching as a fifteen year old at school the film JFK for history. It then transported me to the thrill of seeing living, breathing dinosaurs as a sixteen year old and to a more mature (well slightly) late teen being overwhelmed by the harrowing, yet uplifting tale told of Oskar Schindler.

I have never had an evening such as this in the Derngate auditorium, with the stunning gamut of emotions I went through. The pulse quickening to the extreme as Superman and Indiana Jones played, and things getting in my eye as Schindler's List resonated across the theatre.

Fifteen of his film scores were covered during the show by the eighty-six strong orchestra wonderfully conducted by Robert Ziegler, with the orchestra superbly led by Clio Gould who performed two solo pieces from Schindler's List and Fiddler On The Roof to stunning effect. It was fascinating to hear Fiddler during the concert as although all the pieces were different, this was the only one that truly felt different in style as it not being a Williams piece, only an arrangement by him.

The evening closed to the inevitable Star Wars music, a film series that I have never entirely been a fan of. However the music from it is truly something else and was a very suitable way to close the evening (as had Superman been a gem to open on). At the end of the final Main Theme performance, the crowd wore their hands bare with their applause and garnered a wonderful encore of The Imperial March and at the end of this despite our applause continuing, the superb evening was sadly at an end.

The fascinating pre-show talk between John Griff and conductor Robert Ziegler made his point that he loved doing film score concerts because they resonated better with many non-classical fans because they could live the music better due to familiarity. This was very much highlighted by the audience itself as those present branced across a much greater age bracket than previous concerts I have attended. Bringing children under ten to an orchestra concert might be unthinkable with some composers. However John Williams is both a true classic composer and a populist one also and provides a stunning way to experience orchestra music for the first time.

A staggering evening of time travel and emotions for me and the greatest night I have had so far sitting in a Derngate seat.

«««««


Performance reviewed: Sunday 28th June, 2015 at the Royal & Derngate (Derngate), Northampton.


The Music Of John Williams was a single night performance at the Royal & Derngate on Sunday 27th June, 2015.

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Dear England at Milton Keynes Theatre

James Graham’s award-winning play Dear England has been around a while now, and indeed, when it was first staged in 2023, some events depicted here hadn’t even happened. Therefore, the pen, likely keyboard, of Graham has been busy adding what amounts to a further epilogue, and it now amounts to the complete package of Gareth Southgate’s tenure as the poisoned chalice that is England football manager. For those who may have missed it, Dear England tells the story of Southgate’s journey from his inception into the manager role in 2016 to his eventual departure and knighthood in the New Year’s Honours of 2025. However, this play, while centred on the beautiful game, is more than about kicking a ball and managing and coaching it. Writer Graham mines from the source material a piece that very much explores what it is to be English and, with Southgate’s approach to coaching, what makes the brain tick. To that effect, enter psychologist Pippa Grange, and the journey for Southgate to become ...

Review of Shrek the Musical at Royal & Derngate (Derngate), Northampton

When Shrek the Musical rolls into town, it arrives in seven great big lorries, and this actually says a little as to where the strength of this production, now well into its UK tour, lies. This show looks spectacular in every way, it might be the best looking and the biggest tour show you will have ever seen. However, at times, this spectacle feels a little superficial, as you feel more thought could have been put into the original writing. Shrek the Musical mostly follows the story of the original 2001 computer-animated film, which sees ogre Shrek's swamp overrun by fairytale folk, which results in him confronting the evil Lord Farquaad, which then results in him going to rescue Princess Fiona, as you do. What feels missing though in this musical (book by David Lindsay-Abaire and music by Jeanine Tesori), compared with the film, is the clever balance for children and adults alike. This nearly always feels targeted more at adults, there is a lack of humour that feels just r...