Skip to main content

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it.

With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option.

I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring three of the same questions back up again despite so many on offer. The conversations were different and as before fascinating. This is the magnificent thing of this show. An adult having a conversation with someone so junior to themselves is an amazing and enlightening thing. Both my two actors, Michael and Jacob, were wonderfully entertaining conversationalists with wise and intelligent thoughts. I am happy to made Kontakt with both of them. I do though have a tremendous disappointment though that I didn't get to see the female perspective of the show. I truly would have loved to have experienced the other angle to see how things played out differently.

There was much that was familiar with the show of course, but seeing it performed by a different person still gave it a unique edge. I once again was the out blinking master though. The dancing again offered new levels of glory and having already experienced it before, all terror thoughts were gone. The conga once again happened, and this time here was also the addition of a bit of limbo and though with my height I was regretting it for a second, I remained intact.

So, at no point will you ever have experienced anything like this and if you didn't you missed a treat. Nothing at Royal & Derngate that I have seen so far has generated as much pre-show or post-show discussion. There was trepidation before, there was generally absolute joy and amazement after. I spoke to no one who disliked it, although I am sure that someone didn't get it. This really needs to happen again as more people need to experience this. However more importantly more people need to be assured like I have been that there is nothing at all to be worried about. This is simply put, fantastic interactive theatre and I for one will be buying a ticket or two when it happens again, and as I have said, it must!


Performance reviewed: Sunday 21st June, 2015 (matinee) at the Royal & Derngate (Underground), Northampton.

Kontakt was performed by the R&D Youth Theatre at the Royal & Derngate between Thursday 18th June and Sunday 21st June, 2015.

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Behind The Curtain Tour at Royal & Derngate, Northampton

This weekend I went on the "Behind The Curtain" tour at Royal & Derngate and although I was greatly looking forward to it, just to see the ins and outs of behind the scenes of my (disappointingly late in the day) adopted second home, I never thought I would find it quite as interesting as I did. I went on a tour of the Royal part of the theatre at lower school, however this being some twenty years before I was not likely to remember much, and very possibly, at that time I may have not really been that interested. However those intervening double decades and here I was paying for the privilege and not being crocodiled by my teacher. On arrival we all milled around the foyer awaiting our tour guide, Erica. We were offered a warm welcome and once numbers had been counted, we were promptly escorted from the building. Standing in Guildhall Road we were given an aperitif of what was to come, an informal but highly informative tour. Lovely little snippets such as the origina...